Antique Japanese fabric, Japanese indigo dye (aizome), Katazome stencil dye on loosely woven cotton, flowers in chained fuji (wisteria) Shippo design. Excellent condition (one hole, visible on reverse side). 56" long x 13 1/4" wide.

Thick cotton, Katazome stencil dye, aizome Japanese indigo dye with beni flowers. 70 1/2" x 13". The width changes to 12 1/2 after 39 1/2" where the fabric is torn. One 1/2" round stain (at 20 inches from torn end). Weakened at the seam (visible in some area from reverse side).

A vertical corduroy wall hanging textile, the velvet partially cut and painted with ink and colors. Naturalistic depiction of five tigers in a forest landscape. Brocade border, floral patterned lining with hanging loops. Signed and sealed in lower right corner. Condition: fine, one small stain. Dimension with border: 242 cm x 175 cm.

Japanese extremely long banner, 66 feet long by 27 inches wide, red and white resist dyed cotton with black ink calligraphy, original red and white striped rope, Showa Period.

This is indigo dye sashiko noragi naga-hanten of Aomori Prefecture of the Meiji era(1868-1912). cotton seems to be hand spun and woven. All sashiko was stitched by the hand. It is very beautiful. There is neither stain nor damage. I recommend it for your collection. size:108cm x 118cm (42.5" x 46.5")

An old Japanese double faced brocade obie with phoenix and fan design. The obie measures 150" long x 12 1/2" wide and dates to the early 20th Century. Condition: The condition is excellent. Free shipping within the USA.

An old Japanese double sided olive brown silk obie with a pattern of small berries The Obie measures 158" long x 11 1/2" wide and dates to the early 20th Century. Condition: The condition is excellent. Free shipping within the USA.

An old Japanese double faced brocade silk obie with phoenix and peony design. The Obie measures 154" long x 12 1/4" wide and dates to the early 20th Century. Condition: The condition is excellent. Free shipping within the USA.

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item. During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. The Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items...

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item.

During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items...

Old kasuri (Japanese ikat) kimono worn on celebratory occasions. The fabric, which is woven with asa(hemp) and dyed in indigo (aizome), is coarse and stiff yet lustrous with an almost transparent look. The pattern is geometrical and pictorial; with flowering wisteria branches, stylized pines, Chinese style clouds, fans and phoenix-like birds. It shows some weakened area from neck to shoulder lines and the lower part of the kimono. There is a seam at 21.5"/22" from the bottom hem...

This is the upper part of a kamishimo; samurai's formal attire without the trousers. It was worn over a kosode (kimono with small sleeves) with trousers. The texture is hemp like; coarse, slightly translucent, thick threads (thicker than other kamishimo). The family crest is the feathers of a hawk. Kami-shimo (upper-lower) that we currently have are quite dandy and fashionable. The amazing thing is the work that is involved when making these fabrics...

Hand spun, hand woven Japanese Tsumugi silk obi. This obi was made from a full obi roll without being cut; the front fabric was turned into the back and the sides of obi were simply sewn together without padding inside. The design area covers exactly half of the front. New Condition (almost). Dimensions: 11 3/4" x 10'8" (128")

This is an old silk satin obi in maru obi style (design runs on both sides from one end to the other). This obi was probably made from a uchikake gown. It is very soft and feather light with soft padding inside. The padding is wrapped with floss silk inside to keep the soft material and padding intact - you need many years of experience...

Decorative Japanese summer kake fukusa (gift cover) with a pair of carps(koi) in the water. Circa mid Showa, 1960-1980. Dimensions: 22" x 19 3/4" (58.5cm x 50.2cm)

Decorative Japanese summer kake fukusa with a pair of carps(koi). Circa 1960-1980. Dimensions: 30" x 25 1/2" (76.5cm x 64.5cm) The condition is clean all and all with some small stains in the lower right corner and some faint storage stain (shown in the photos).

Japanese altar cloth, uchishiki, decorated with sets of kara-shishi (Chinese-lions), peonies, rocks and clouds. Silk with cotton liner, some soiling and some stains 27" x 29" (68.6cm x 73.7cm)

The lion is the king of beasts and is considered a messenger for Monju Bosatsu. They are often found guarding either side of a Shinto Shrine in Japan. The peony is the sovereign of the flowers, which symbolizes wealth and honor...

Japanese Needle Work Rozashi Technique Embroidery of the Interior of Asakusa Temple. Rozashi is embroidery using silk canvas and silk thread. A picture is created and outlined on the canvas and comes alive with the thread and stitching. The difference between Rozashi and other forms of embroidery is the use of the silk canvas called "Ro"...