Cotton futonji with katazome (stencil-resist-dye) whose motif is paulownia flower but the design looks more western painting rather than traditionl katazome paulownia flower. Made of hand-spun cotton and dyed with vegetable indigo and partly sumi (ink) is used in the plant. Generally in good condition but has some mending patches and slightly indigo faded panels. Also, washed but still has some light stains. Late 19th to early 20th century. 124cm x 142cm

Amazing boro cloth which is one side of body part of noragi (farm wear). The ground cloth as well as mending patches are hand-spun cotton and vegetable indigo dyed. Sashiko thread is also indigo dyed cotton. Asa (hemp) thread is seen in the side seam and that means it is rather old. The second half of the 19th century. 32cm x 184cm

Japanese Metallic Silver and Turquoise color Silk Obi, 156" long, 13" wide, single thickness, one is brilliant color and the other side somewhat faded green and silver metallic color, both ends are folded over and finished.

Japanese brocaded Silk Obi, small silver repeated leaves on double thickness and double sided soft silk, 20" wide, 96" long, very little small spots of stain, otherwise the condition is good.

Kimono with lining with geometric pattern which is cynthetic. In excellent condition. Mid 20th century. 125cm x 145cm

This is a Japanese antique beautiful tsutsugaki Hand drawn yuzen dye silk child kimono Pattern of Rabbits flying above the waves of the edo era. t is a very good-quality kid kimono.It is very carefully drawn by hand. The rabbits flying between the waves are dynamic and very charming. It has a thin stain on the back...

This is a Japanese antique indigo dye cotton shibori kimono of asamai of the taisyo era. It has several faint stains. But that is no damage. Size:Length:150cm / 59inch Width:: 128cm / 50.3inch

This is a Japanese antique natural Safflower dyeing katazome cotton & shibori kimono of the edo-Meiji era. There is a change of color that oozes out of safflower dyed cotton. but there is no damage. They are not disturbing, and as a whole it is in very good condition. Around the hem and the part of the okumi and the red part of the cuff are muslin. Shibori under the sleeve is cotton. Size:Length:150cm / 59.0inch Cuff to cuff, across the back: 120cm / 47.2inch

This is a Japanese antique Hemp kasuri child kimono. It has a thin slight stain. But that doesn't stand out. It has no damage and is in very good condition. I would recommend it to your collection. Size:Length:90cm / 35.4inch Cuff to cuff, across the back: 102cm / 40.１inch

This is a Japanese antique handspun & natural indigo dye cotton tsutsugaki and katazome child hanten of Horse and ema ,shogi pattern of the Meiji era. The design of the shogi piece from hyoutan is an auspicious proverb that jokes really come true. There are stains and discoloration.It has no damage. Size:Length:61cm / 24inch Cuff to cuff, across the back: 66cm / 25.9inch

Oshi-e, litterally "pressed picture" which is made of fragments of antique European print and Japanese silk and the motif is a civilian man in Edo period. The history of Oshi-e date back to Heian period, found in Shosoin Treasures (around 10th century) It was very popular toy in Edo period with motif of Kabuki Theatre actors. The ground paper is "Itame-gami" which is ten layers of washi and has thin cotton lining so that it looks like a shallow relief. In good condition...

Oshi-e, litterally "pressed picture" which is made of fragments of antique European prints and the motif is a young woman in Edo period. The history of Oshi-e date back to Heian period, found in Shosoin Treasures (around 10th century) It was very popular toy in Edo period with motif of Kabuki Theatre actors. The ground paper is "Itame-gami" which is ten layers of washi and has thin cotton lining so that it looks like a shallow relief...

Japanese indigo cotton fireman's coat, with sashiko stitching and freehand paste resist decoration (tsutsugaki) of a cherry blossom, overlapping rings and striations. The front of the coat has four kanji characters on the lapel, and the inside of the coat is resist dyed with geometric designs and a round central emblem.

Late Edo Period (1603 - 1868)

Dimensions: 47" w x 37" h

This is Tsutsugaki Furosiki manufactured in Iwate Prefecture during the Meiji period. Hemp is very thick and spun by hand. This is dyed with natural glaze. This is the Noshi pattern drawn in the center. The letter is the name of the owner. It has slight amber and slight holes, but does not stand out.　condition is good. Size Length 142 cm (55.9 inches) Width 132 cm (51.9 inches)　　Box.B

Sodenashi (vest) made of silk crepe fragments which are: katazome (stencil-resist-dye), stripes with yama-mayu (wild silk), itajime (clamp-board dye), plain etc. All vegetable dye such as indigo, benibana (safflower), shikon (root of purple grass). In excellent condition. The second half of the 19th century. 37cm x 57cm

This is the Tsutsugaki curtain used in the Edo period. This was made in the Kyushu region. It is made of fine cotton that is hand spun. This is a person expressing a wooden raft that flows through the river in the season when the cherry blossoms fall. This pattern is a pattern called flower raft. This is a very idyllic depiction of the boatman's expression. The design of the boatman on the raft to go down the river where the cherry blossoms are falling is very elegant and beautiful...

Junrei's hakui (pilgrim's hanten) with many stamps of holy places in Shikoku, which is made of white hand-spun cotton. The ink letters reads "Shikoku Hachiju-hachi-ka-reisho" which means eighty eight holy places in Shikoku. It seems that the pilgrim visited all the eighty eight holy places. In good condition. The first half of the 20th century. 114cm x 87cm

Japanese heavy Brocade silk Shrine Uchishiki, or altar cover, Meiji period, 1868-1912, 26" x 26" square, Gold and Silver brocaded double Phoenix birds in the gold metallic background and narrow bands of egg plant color background between. Water stain in one corner on the silk backing, not in front, otherwise the condition is good, still retain the thread to keep the edges flat. There are some writings in the back, but not able to read.