A bag made of asa (hemp) and dyed with kakishibu (persimmon tannin). Warp and weft are hand-plied. It has and cotton lining. Late 19th to early 20th century. 27cm x 60cm

A bag made of hand-spun cotton with shibori (tie-dye) and katazome (stencil-resist-dye) pattern which is vegetable indigo dye. It has cotton lining with kasuri pattern which is also hand-spun and vegetable indigo dye and thinly padded with cotton. Generally in good condition except for a few stains. The first half of the 20th century. 30cm x 41cm

This is a rare Japanese antique handspun & natural indigo dye cotton soft tenugi fabric in meiji period (1868-1911). It is a Swallow and plum character pattern. size: Length:80cm / 31.4" Width: 30cm / 11.8"

It is a Japanese antique Lattice pattern of indigo-dyed cotton and thick textile from the Meiji era (1848-1911). There is no dirt or damage. Recommended for materials, wall decorations and bedspreads. Three long fabrics are sewn and connected. Can be washed with water. Size:Length:168cm(66.14inch) Width::100cm(39.3inch)

A piece of Iyo-zome cloth which was futonji (bedding). It is made of hand-spun cotton and has katazome (stencil-resist-dye) pattern. The name Iyo-zome is originated from Iyo sudare (bamboo screen) since the pattern looks like wood grain by looking through two layers of them. Stripes are dyed with two katagami (stencil paper), one is vegetable indigo and the other is natural brown dye. Two katagami are dyed by displacing them so that they make wood grain like pattern...

This is Fukusa of beautiful hand embroidery made in Kyoto in the Edo era.(1800-1867) As for the embroidery, the thread which gold leaf was rolled round is used and is made all by hand. The surface does not have a stain and the damage. And there are a few stains to the lining. It does not stand out. This is embroidery of a lucky bird. Size:Length:71cm(27.9inch ) / Width: 67cm( 26.3inch)

It is a Japanese antique natural indigo dye old silk katazome kimono. It is a Excellent condition.It does not have a stain and the damage.It is a pine and a pattern of igeta. size:Length: 140cm (55.1") sleeve to sleeve 120cm (47.2")

This is benibana-dye (Natural safflower dyeing)-shibori and katazome yosegire kimono textile of the Edo era(1800-1867). It has a few thin stains. It has a small damage in several places. However, it is in a state good The red shibori (Tie-dye)is very impressive and beautiful. The pattern on the hem is a traditional Japanese treasure and has a very auspicious design. Size: Size: Length: 140cm (55.1inch) / Cuff to cuff: 123cm (48.4inch)

A piece of Iyo-zome cloth which was futonji (bedding). It is made of hand-spun cotton and has katazome (stencil-resist-dye) pattern. The name Iyo-zome is originated from Iyo sudare (bamboo screen) since the pattern looks like wood grain by looking through two layers of them. Stripes are dyed with two katagami (stencil paper), one is vegetable indigo and the other is natural brown dye. Two katagami are dyed by displacing them so that they make wood grain like pattern...

Omi-e-kasuri (pictorial kasuri) with double kasuri pine and bamboo motif. It is handwoven of taima (hemp) and weft yarn with pine tree pattern is clamp-board dye so that the textile has white bar-code like lines in both selvedges. Both choma (ramie) and taima (hemp) textiles were woven from 12th century in Omi region in Shiga prefecture, but kasuri textiles were woven of taima (hemp). In excellent condition but the white lining has light stains and very light two spots in the upper back...

Cotton cloth with kasuri Yabane (plume) pattern which is handwoven and vegetable indigo dye. Warps look machine spun but wefts are hand-spun yarn. It has very thick texture, probably domestically handwoven. The first half of the 20th century. 148cm x 136cm

Cotton cloth with tsutsugaki flower motifs which is hand-spun and vegetable indigo dye. Originally it might have been used as 'yutan' (cover for drawers or a chest) with crests, however this one is used for futon cover as it has cotton dusts in the back. In excellent condition except for a minor beige stain in the white part. The second half of the 19th century. 160cm x 65cm

This is Japanese antique silk vest of the yosegire patchwork of the Edo era(1800-1867). It is dyer's Safflower dyeing itajime (katazome)and katazome and shibori. It is compose it of the silk of the silkworm of nature of three kinds of colors. It is very luxurious, and it is beautiful. It does not have a stain and damage. Both frames are open and partly connected. The crimson silk of the lining has the part that a color changed...

This is nishijin-Weave kinran silk Wonderful small bag in Edo period(1800-1868). There is a mirror in Edo period in the inside. There is neither stain nor damage. The state is very good. I recommend it for your collection. size::Width15cm (5.91inch) 　Vertical width 9cm ( 3.54inch)

This is a Dark brown used in the house of the merchant of Kyoto in the latter half of the Meiji(1868-1911). As for drawing the same line on the both sides of the noren, an expert technique is required. With the boldness that people get a lot of looks because it is a signboard, it is an impressive item. There is no hurt stain really...

This is a Kake-fukusa in this Edo period( 1646-1710)is very excellent in the museum Item class. It is konbuin kake-fukusa of the Kyoto museum and the one of the same class. All embroider it by the hand with silk. The colors are all dyestuff of nature.There is a very thin stain. There is a very little rubbing. However, the state is very excellent. It is made by the technology of workman's highest class in Edo period. It is original of Edo period. Please add to your collection...

This is a horse cover in Edo period. The carp climbs the waterfall. This design is hemp and tsutsuigaki. In surrounding light blue cotton, the design of katazomed and the wing is tsutsugaki. The part of the string is cotton and katazome. It spun by the hand, it drew by the hand, and it dyed it. It is a source dispelling technology. There is a thin stain. There is no damage. However, the state is very good. It is a valuable excellent article...

This is very rare tasutasugaki noren at the end of shogunate of Edo period(1860-1868). Design of freehand paste resist dyeing with kyara (fragrant wood) oil shop. It began to sell kyara oil in the Edo style period and Kyoto. bintuke abura(oil put up to hair)¡ The sumo wrestling taking uses it in modern days. This handsome tsutsugaki doorway hanging freehnd paste resist dyeing with cros¡...