A long woman’s summer obi made of thin silk, woven in jacquard and openwork techniques with chrysanthemums or asters interlaced with fences of plaited bamboo leaves. On this, in Yuzen dye technique, imitating an ink drawing, several areas painted with cart wheels floating in waves.
The obi has been opened; a practice quite common in order to have the material cleaned. There is a paper (dry) cleaner’s tag on the obi.
Japan, ca. 1950s.
L ca. 13 ft, H ca...

Long obi, woman’s sash for fastening a kimono. Silk with decoration in yuzen silk painting technique and silk and gold- and silver-thread embroidery. The story of Momotaro, Peach Boy, fully illustrated. The old couple, Momotaro’s foster parents, the boat that brings Momotaro and his friends the dog, the monkey and the pheasant to the island of the demons (Onigashima), the demons surrendering the treasures they stole. Momotaro, with the banner ‘Nihonichi’ (no...

Sakiori obi (sash) for casual kimono. Wefts are strips recycled from silk kimono and warps are black cotton. In excellent condition. 20th century. 13.5cm x 2m40cm

Furoshiki (wrapping cloth) made of hand-spun cotton and vegetable indigo dyed. The crest is hand-drawn by tsutsugaki technique. It has sashiko on the four corners. In excellent condition except for a cut (1cm) in the crest. The second half of the 19th century. 135cm x 137cm

Boro furoshiki with many mending patches with various cloth and interesting mending stitches. The ground cloth is thin cotton cloth in gray. The first half of the 20th century. 126cm x 126cm

Bashofu kimono hand-woven of banana fiber for both wefts and warps. The yarn is rather thicker and tougher comparing with very fine yarn for thinner and higher quality bashofu, so that it is for a everyday kimono or work wear. Brown stripes are also banana fibers. Late 19th to early 20th century. In good condition except for a mending near the lower side in the back and wear near neck. 104cm x 115cm

Japanese small kesa, Buddhist priest's vestment cloth to be worn over robes. Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. Meant as a reminder of the Buddha's own simple patched garment, kesa are formed from fragments of cloth donated to the temple by wealthy devotees. Within each garment, the fragments are typically organized in a series of columns framed by a border with angled corners...

Antique Japanese long silk altar cloth embroidered with three phoenix birds, also called Hou-ou birds. The mythical birds represents fire, sun, justice, obedience, fidelity, and the southern constellations. The phoenix also symbolizes the imperial household, specifically the empress. The embroiderer expresses flowing movement in in the wings and feathers of the great birds.

Age: Edo Period (early 1800's)

Dimensions: 23 1/2" high x 145" long

This is japanese antique tsutsugaki Umakake used in the Tohoku region of the Edo period. This was used during the occasion. Cotton is hand-spun cotton from the Edo period.It is dyed with indigo.The kanji is written as “Kakode Daikichi”. It means the most auspicious start.The carp waterfall climbing pattern is a symbol of the to pray for the success in life . And since ancient times, it is a lucky design. There is a slight fading, but no stains or damage...

Japanese antique rectangular kesa or priest/monk's outer vestment cloth. This asa (hemp) kesa is a yellow/gold color and finely woven with a design of phoenixes and clouds.

Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit. It is meant as a reminder of the Buddha's own simple patched garment, kesa are formed from many fragments of the same cloth...

This is a antique silk tsutsugaki dye child kimono With auspicious designs from the Edo period, treasures are delicately and carefully drawn. And the crane and turtle are very charming. There is a light discoloration. There is one small damage, but not noticeable. size:104cm x 87cm (40.9" x 34.2")

Japanese antique indigo dye soft Choma Ramie tsutsugaki katabira kimono of echigo-jyofu.There are thin Stain and discoloration and small holes. It is a Kyoho era(1716-1736). Shochiku Umebun's bamboo is reminiscent of flowing water, and there is movement, and a delicate and flowing pattern is expressed throughout. Sprinkling sparrows here and there and adding moving sparrows to bamboo that looks like running water is a good combination of "bamboo sparrow" and "Shochiume" pattern...

A reversible leather firefighter's hanten 半纏 (heavier weight coat made popular in the 18th century). At this time in Japan, fireman were vollenters and carried other professions. In this case, The inside logo represents that the wearer would have been a high ranking carpenter for roof making.

Features tsutsugaki 筒描 (resist dying process) using the smoke of pine needles to produce the light patterns, and ink to dye the black side...

A pair of cotton tabi with sashiko and a pair of kokake. Tabi is made of hand-spun white cotton and has nice sashiko for strength. Soles are machine-woven. Kokake is also made of hand-spun cotton and dyed with vegetable indigo and has fine sashiko for also strength. Kokake has no soles and it is worn over zori (Japanese sandals) for warmth and waterproof in winter. Both are in excellent condition. The first half of the 20th century. Tabi L22.5cm, W10cm, H13cm Kokake L26cm, H14cm

Almost square fukusa or ceremonial cloths, with design of a family crest with central flower surrounded by wisteria. Flowers embroidered in gold thread onto a deep blue satin ground. Reverse is red crepe silk. In each of the corners a green tassel with Chinese knot. Japan, Meiji era, ca. 1900

H 29 x W 27 inches.

Few unobstrusive stains on reverse, otherwise fine condition

It is the design of Ryuo Shikai. The figure that protects sea fishes from evil is represented by dragons and anchors. This is a very rare firefighter Sashiko jacket. And it has a very large size. The condition of the painting is in very good condition, as it is rarely used.　 In this item, the anchor is drawn large in the center to calm the anger, and the octopus and fish at the gate of Ryuo are very attractive...

Ths is a Japanese antique Indigo dye hemp play drama costumes. It has no stain or damage. It is a very Excellent condition. Size:Length:71cm(7.9inch)::Cuff to cuff, across the back: 114cm( 44.8inch)

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867). This is a very advanced technique. And the entire surface is stitched with sashiko. The lining is indigo dyed...