A double sided accordion album bound in iridescent cloth from the Meiji period containing 57 total pages covered in ancient cloth samples. 18th -19th centuries. The album is 19 x 24 cm (7-1/2 x 10 inches). Generally in good condition but the covers have some wear and damage

Peach bands of silk arranged in vertical columns stagger across six feet of Kesa interspersed with colorful patches featuring flowers and geometrics. The Kesa is backed with sumptuous orange silk. It is accompanied by a smaller piece of the same design called Ohi, a sash worn along with the Kesa. The Kesa is 78 x 45-1/2 inches (198 x 115.5 cm), the smaller Ohi 12 x 57 inches (30 x 142 cm)...

We usually don't buy kimonos but this is a spectacular example of the highest level of yuzen kimono art. Late Meiji Period C.1900 yuzen hand painted chirimen silk girl's kimono. Chirimen silk being the top class of silk used for kimonos. All natural dyes bringing the chysanthemum and peony flowers to life, the wisteria and butterflies woven into a museum masterpiece of textile art. Excellent condition. Height: 45" x Width:41". Shipping included.

Antique Japanese cotton futon cover, dyed indigo (now faded due to antiquity), and then dyed used a paste resist technique with pastel blues and pinks to create a large Sakura emblem at the very top of the textile, flowering roses, and two rivaling komainu or Japanese lion dogs. Minor damage due to age. Meiji period (1868-1912) Size: (futon only) 62" height, 49" width (entire board) 84" height, 72" width

Hand stitched Japanese short jacket, 36" wide x 33" long.

Drinking dancing and shamisen playing, a skeleton crew doing donchan-sawagi on the back of a pale gray jiban crepe-silk kimono. The figures are performed in the painstaking shibori technique where each dot is hand knotted before dying, each laborious knot making up one dot in the matrix of the design. The piece likely dates from the Meiji to early Taisho era, late 19th to early 20th century. This is not one of the modern bleached versions of this theme, but an antique original...

Antique Japanese long ikat egasuri futon cover made with navy woven fabric, with white and light blue "trickling" patterns of small squares and ribbons. Shown folded in traditional "haba" style. (ikat means that the pattern is woven not printed).Taisho period (1912-1925) Total size: 14" x 272" (approx. 23 ft long)

Antique Japanese light orange chirimen silk kimono, with beautiful floral and linear designs woven in the fabric. It is heavily embroidered with bright and beautiful flowers of many kinds, colorful leaves, twisting striped ribbons in thick gold and silver thread, and shibori accents.The upper interior is lined in white silk. Early 20th century Size: 66" height, 51" width

Antique Japanese hand embroidered Sakiori vest. Made from hand-woven and dyed indigo cotton with Sashiko patchwork. Each sakiori vest is 100% individual and handmade. Making them one of a kind pieces. Originally used by an individual that would have pulled a snow sled. The fabric is placed in such a way to protect to person from the rope being slung across ones chest. Beautiful use of original fabric combining for a true work of art...

This intricate floral embroidery panel may have been part of a larger piece which probably predates the carved frame that now houses the panel. The background silk is a rich dark brown and the ornate floral display can be positioned either horizontally or vertically. During the framing process, sometime between 1900-1920, The fragment was glued to a cardboard backing...where it remains today... 10.5 inches x 23 inches includes frame

Thick cotton, Katazome stencil dye, aizome Japanese indigo dye with beni flowers. 70 1/2" x 13". The width changes to 12 1/2 after 39 1/2" where the fabric is torn. One 1/2" round stain (at 20 inches from torn end). Weakened at the seam (visible in some area from reverse side).

A Hikeshi-Banten Fireman Jacket decorated with protective images of waves and birds outside in various dyed colors and sashiko stitching, the inside emblazoned with a dragon and tiger; symbols respectively of wisdom and protection (the dragon is a water god) and ferocity and bravery as the tiger knows no fear. The handmade coats were fashioned from several layers of highly absorbent quilted cotton fabric...

Japanese indigo cotton fireman's coat, with sashiko stitching and freehand paste resist decoration (tsutsugaki) of a cherry blossom, overlapping rings and striations. The front of the coat has four kanji characters on the lapel, and the inside of the coat is resist dyed with geometric designs and a round central emblem.

Late Edo Period (1603 - 1868)

Dimensions: 47" w x 37" h

Antique Japanese fireman's coat, cotton indigo dyed with sashiko stitching and freehand paste resist decoration (tsutsugaki). Design of Immortal God Kinko Sennon riding a giant carp.

Size: 46" W x 40" H

Japanese fireman's coat from the Edo period, c. 1850. Cotton indigo dyed with sashiko stitching and freehand paste resist decoration (tsutsugaki). Design of a geisha standing in front of a red spider sitting atop its web. Flowers decorate the front and back. It measures 47" wide by 38" long.

A fine embroidery depicting a group of chickens. Embroideries, known as shishu in Japanese, were done on various fabrics and clothing. It was only later during the late 19th century that embroideries were appreciated for their artistic quality and were often framed or mounted on scrolls. The embroidery on the back contains an inscription which reads: Present ( or gift) September of the tenth year of Taisho (1921) (Presented by) the Imperial government of Japan...

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits...