Ripples of light and dark pigmentation flowing on a background of sky-blue glaze—the description on the box reads 萩孔雀 (Hagi kujyaku) translating as “peacock Hagi” in English. With a distinctive wari-kodai (segmented foot) and unique glaze emulating the vibrant plumage of the notoriously flamboyant bird, this piece leaves a lasting impression.

Born in the illustrious potting town of Hagi, Yamane began his potter’s journey at the age of 35...

Very sophisticated Shino chawan by Japanese artist Ko Ji Nakamura. It has a rarely seen Shino glaze of light pink, grey and blue color, designed with plum blossoms. A really aesthetic bowl which fits the palm of the hands perfectly.

This chawan was made around 30 years ago and is well balanced. The seal of his potter name (Kozan-gama) is stamped on the bottom.

It is is perfect condition. No chips or cracks.

Size: 8,7 cm height x 12,3 cm in diameter.

Mint and large Japanese pottery tea bowl of Hagi Ware, made by one of the most famous and creative potters of Japan, Seigan Yamane. The blue glaze reminds me always of the colors of universe at night. Stunning!

Seigan Yamane was born in 1952, and started making Hagi ware in 1987. He started his own pottery in 1992 and since then he won a lot of prizes for his great work. The special blue on most of his ceramics is called 'Seigan Blue' and was developed in 2002...

This depiction of the eternal “ensō” on a backdrop of pearly white feldspar signifies enlightenment, the eternal, the nothingness, and the freedom of the mind to envision and to create...

This peach-shaped suiteki (water dropper for calligraphy) is made of fine kinuta celadon from one of the great masters of the Meiji era—Suwa Sozan. A classic design, the peach is said to represent long-life for mortals and immortality for the gods in asian folklore. According to legend, the moon goddess—a powerful alchemist—can make an elixir from peaches that grow in the garden of the western paradise with miraculous revitalizing properties...

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...

Appearing to capture an ocean inside a tea bowl, this particular work has been given the very fitting poetic name “Nami” or wave. Masterfully crafted by veteran potter Hideo Torazawa, the inside is painted with a special glaze known as heki-yu—prized for its pure aquamarine character with accents of sapphire and azure depending on the light...

One of the finest, most daring, and well-crafted works I have seen by this legendary artist who is known for his non-conformist and bold style. Suzuki Goro has outdone himself with this Rose Oribe ceremonial tea bowl. Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615)...

According to the potter who crafted this fine piece, “The clay from our area in the north is alive. We listen to it in order to divine the most suitable objects to create.” Here we see the clay wished to become a well-formed ceremonial tea bowl with an impressionistic rendition of a Japanese Iris. Simple, well formed, and with a soft rusticity; a cup of tea becomes a meditation on the charms of quiet country living.

Originally from Iwate (b...

Special offer: A 100 year old impressive large Seto-Yaki Chawan, hand shaped pottery tea bowl of wonderful Seto clay. It fits perfect into the palm of the hand. The seal of the potter is stamped on the bottom.

No chips or cracks. The Chawan comes with its original wooden box.

Size: 7,9 cm height x 13,6 cm in diameter.

Free shipping.

What an atmosphere, this is what the Japanese call wabi-sabi. Full cylinder shaped (Tsutsu) tea bowl with a rounded brim, made of light, very coarse, unrefined Hagi clay. The expertly thrown body was roughly trimmed with a potter's knife in its lower part. The rather high foot is traditionally cut in one place (so called 'wari kodai').

Our chawan was covered with an opaque glaze, which is a mixture of ash and feldspat...

With a slender balanced foot firmly grounded, the skillful lacquer repairs on this bowl highlight the age and importance of this work which likely dates from the Edo period. Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the history of the object and are thus celebrated as such...

Important Kuro Raku Chawan by 4th-generation master Ichinyû Kichizaemon (1640-1696). The chawan was named Kou Un (parting clouds). It comes with an authentication box with Raku seal. It has a Urasenke hakogaki by Sen Soshitsu and a certificate of its provenance.

Born the eldest son of Dônyû. His work varies from those made in his youth influenced by his father Dônyû to later work stylistically closer to that of Chôjirô...

Decidedly modern, Japanese, and minimalist; the textures, colors, and form of this fascinating tea bowl all suggest inspiration from natural objects. The grey, smooth, polished interior of the tea bowl contrasts nicely with the textured ferrous dark ochre ash glaze on the exterior...

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. This fierce guardian appears to be made from bronze, has very detailed and skillful etching, and a wonderful patina that would place it sometime before the turn of the last century.

Guardian lions are commonly seen in pairs. The male is almost al...

What a wonderful glaze. Slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo period with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Kuro-Oribe bowls this bowl was covered with a brown iron oxide glaze. A window on the side was left unglazed and split in two halves - one was decorated with iron oxide engobe which was decorated with inc...

Rough stones can be seen protruding from the unrefined ferrous clay—darkening near the base and graduating to a lighter shade as it approaches the feldspar laden lip. The inside—also covered in a smooth and viscous feldspar glaze—creates a magnificent contrast with the rough exterior. This piece represents one of Handeishi’s finer works from his later period; and, taken on its own merits, is an exceptionally fine example of Iga-ware—traditionally produced in the famed potting region so...

The lower half of a blackened enso dips from the rim on a backdrop of gray crackled glazing interspersed with auburn highlights. Rising up from below into the enso, frothy waves crash on rocks giving the impression of movement, power, and the indomitable forces of nature.

Born in Gifu Prefecture in the region known for Mino pottery, Wakao is the quintessential example of a self-taught potter who cultivated a unique style and achieved wide recognition despite no formal training. Afte...