A superbly well balanced Kuro Raku Chawan made by one of the few masters of this genre, Ogawa Choraku (1912-1991), second heir to the Choraku lineage of Raku potters.

The founder of the Choraku lineage studied under Keinyu (11th Raku) and Konyu (12th Raku) of the Raku Kichizaemon family, and in 1904 with the support of Konyu, founded his own kiln in Kyoto. He received the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association...

Mint Hagi masterpiece chawan by star potter Seigan Yamane. This extraordinary tea bowl is covered by a wonderful color glaze on brown pottery. In my opinion it is the most aesthetic chawan that he made. The seal of the artist is stamped on the bottom.

Seigan Yamane was born in 1952, and started making Hagi ware in 1987. And then, he started his own pottery in 1992 and has ever been awarded a lot of prizes for his great work.

Size: 9 cm height x 13,5 cm in diameter...

Very interesting antique Aka Raku Bajyohai Tea Bowl, made with a rare long foot. Bowls like this are called 馬上杯, Bajyohai: Rider's Cup. Its form makes them convenient for the ancient horse-riders to drink tea from.

Our Tea Bowl was made in the early stage of the last century during the Japanese Meiji Period (1868-1912).

No chips or cracks.

Size: 12,5 cm height x 11,5 cm in diameter.

Shipping included

Over 100 years old, this exquisite lacquered box set was crafted in the fourth year of Taisho (1915). On the underside of the lid are painted butterflies and the sides and top of the box set feature Chrysanthemum flowers in gold, sumi, and mother-of-pearl. Long considered an auspicious symbol of longevity and rejuvenation in Japan, when first introduced to the island nation during the Nara period (710 – 793 AC), the Japanese Royal Family was fascinated with the Chrysanthemum...

This finely crafted Japanese yakkan (copper teapot) shows the kind of beautiful patina that can only be achieved with time and careful used and looks to date from the Meiji period of the late 1800s.

The brilliant rich auburn color of this type of metalwork is achieved by adding smoked straw during the firing process and often deepens in character over time...

A small cloisonné enamel dish, unusual colors: rusty brown and turquoise green peony, the back with bamboo leafs and grapes in dark blue and black. Japanese, late 19th century. Diameter "3 ½/ 9.2 cm. Condition: enamel loss, esp. to the back (cf. pics).

A rare Momoyama Period Nezumi-Shino Chawan with a unique decoration: distorted cylinder shaped (hanzutsu) tea bowl with a rounded brim, made of little reddish, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part.

The bowl was first covered inside and out with an iron oxide engobe (oni-ita) - then a decoration was incised into the dry engobe down to the clay - finally, a shino glaze was applied over the engobe...

A true treasure! Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

The bowl was covered with a green copper oxide glaze...

Antique Aka Raku Chawan by greatest Kichizaemon Tan-nyu, ennobled with a REAL kintsugi gold repair.

Half cylinder shaped (Hanzutsu) tea bowl with a rounded brim, in the typical hand built style of the Raku family. The body is fully covered with a white engobe before the red glaze was applied.

The red glaze turned to to grey where it got in contact with charcoal in the kiln...

With a traditional wheat-straw pattern commonly seen in Seto-ware and in the Mingei pottery movement of the 20th century, these lovely tea cups are perfect for an afternoon Japanese sencha gathering.

One of the most popular and important Japanese potters of the last 150 years, Rokubei Kiyomizu V (1875 - 1959) has been regarded by some as the most talented in a long line of Kiyomizu potters and as a cornerstone of the illustrious Gojo-zaka district in Kyoto...

Antique Japanese iron tetsubin (tea kettle) of an octagonal shaped body, with seaside village scenes, willow trees, and boats. The sides flute outward and then dramatically taper into the rounded foot. Its lid is bronze with a highly stylized signature from the artist.

Meiji Period (1868-1912)

Dimensions : 8” L x 9.5” H

Wonderful Minpei/Awaji ware tea bowl made by the legendary 1st Minpei Kashu during the Edo Period, with deep glaze cracks and soft cobalt blue pictures. It comes with a signed wooden box and a signed and sealed attestation of Hasshu Uewashi, issue number 256. Hasshu Uewashi was a famous judge of Japanese pottery who worked during the Meiji and Taisho Era.

Awaji ware was founded in the early 1830s by Minpei Kashu (1796-1871) from Iga village...

One of a kind! Wonderful Shiro-Hira Raku Natsu (Summer) Chawan made and sealed by greatest Kichizaemon Konyu XII.

The wooden box has an attestation written by Sokuchusai, the 13th Omotesenke master. The chawan is named shira-kumo, white clouds.

No chips or cracks except natural inborn and intended kiln cracks for a great wabi-sabi aura.

Born 1857 as the eldest son of Keinyû, he succeeded as the 12th generation in 1871 at the age of 15...

We are proud to present this extremely rare mugi-de Oribe chawan dating back to early stage of the Momoyama Period. It is a slightly distorted cylidrical shape Hanzutsu tea bowl with flaring brim and trimmed sides. The bowl was covered with a Shino-Oribe-type glaze (a feldspat glaze with a higher content of ash than Shino).

Under the decoration of vertical parallel lines in four different shades of brown, which gave this decor the name 'mugi-de', which means barley straw...

One of a kind! Stunning Kyo-yaki tea bowl in the style of Ninsei Nonomura with strong and vivid colors - made by legendary Nishimura Eiraku Zengoro XVII. It comes with its originally signed and sealed wooden box and is perfect condition.

The Nishimura/Eiraku family is part of the Senke Jissoku, 千家十職, the 10 families that make tea ware for the Senke school.

Senke jissoku is an honorary title used to refer to the ten occupations, such as lacquerers and carpenters, ...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...

This tea bowl crafted by one of the great masters of Japanese pottery depicts Meota Iwa—a famous Japanese landmark in Mie. Symbolizing the union between two divine deities, Izanagi (said to be the larger rock, though there is no consensus on this point) and his wife Izanami, the two are joined by a shimenawa (heavy straw rope used in Japanese Shinto ceremonies). This straw rope is quite massive and must be replaced several times a year in a special ceremony. One could think of this in terms of...

Ash blasted and bursting with inclusions, this chawan comes with everything you could want from a perfect Shigaraki bowl.  It dates from the late Edo Period (1603-1868). Over a terracotta clay burnt ash gray a smattering of pale flying ash provides the backdrop for molten drips of foggy green and orange shizen yu glaze.  The shape conforms beautifully to the palm, showing the master skill of this important chawan.

It comes with an old wooden box with appraisal, a silk pouch (shif...