A rare Kuro Raku Chawan by the 7th-generation successor of Raku ware, Kichizaemon Chonyu (1714-1770).

It comes in fine antique condition with a very old red Urushi lacquer Kintsugi and its antique wooden box with an attestation and appraisal of the Urasenke Tea House "Shikien" Kyoto, signed and sealed in 1950.

Born as the eldest son of the 6th generation Sanyu, he took over as the head of the family and didn’t retire until age 49, later passing away at age 57...

Wan shape with a small foot and no Kagami (mirror - tea pool) inside.

The light iron bearing clay is decorated in the style of a Korean Miji-Hakaeme bowls: inside and the upper three quarters on the outside covered with a whitish Engobe over which a transparent ash glaze was applied, just sparing the inner part of the foot.

The Uchigaso kiln was the second of the Takatori kilns established by Korean potters, it was active between 1614 and 1624.

The bowl was ex...

This is an absolutely rare black Seto chawan ( setoguro chawan ) from the late Momoyama Period, which means the late 16th century or the changeover from Azuchi Momoyama to early Edo.

Blackish-brown glaze amalgamates with a wild and roughly thrown body. It is very heavy for a tea bowl, almost 500g. Please note that there is also an interesting kiln mark ( watch image number 3 )

Setoguro yaki is high-fired ware that originated in the late 16th century...

Our Kutsu / gutsu gata ( shoe shaped ) tea bowl is made of iron bearing Karatsu clay.

Its fastly but expertly thrown body is glazed inside and outside, with the exception of the bottom including the roughly cut foot ring with an ash glaze which has some Feldspat mixed in glaze...

We offer a really rare kiseto ( yellow seto ware ) chawan from the Momoyama Period with tanpan marks ( copper green marks ).

It is a high fired ware from the end of the 16th. century in the Aburage-Hada style.

The early Kiseto glazes ( yellow Seto ) from the Muromachi period are considered to be attempts to emulate Chinese celadons from the Song dynasty...

We like to offer you a distorted cylinder shaped ( hanzutsu ) tea bowl made of light, fine but unrefined Mino clay. It dates from the early 17th. century and is in stunning condition.

The expertly thrown body is covered with the typical feldspatic Shino glaze inside and outside, with the exception of the bottom and the roughly cut foot ring...

Here we are proud to present another perfect early 17th. century chawan in museum quality.

Low cylinder shaped (hanzutsu) tea bowl made of light, fine but unrefined Mino clay with sone iron oxide content. The expertly thrown body is covered -with the exception of the bottom and the roughly cut foot ring - with the typical feldspatic Shino over an iron oxide based engobe...

This is a rare Wan type chawan, around 400 years old in shape close to a tenmoku tea bowl. It is thrown on a wheel from coarse, unrefined iron bearing clay.

The grey ash glaze has been painted on the body with a straw brush as seen on Korean hakeme chawan. A stone in the wall has exploded in the fire - a very sought after effect ( see pic number 2 ), giving this type of Karatsu bowls its name: ishihaze (exploding stone)...

Late Momoyama period cylinder shaped (Hantsutsu - slightly destorted but not a Kutsugata yet) tea bowl made of light, rough Mino clay. The fastly but expertly thrown body in the style of a Narumi-oribe bowl, which is a variation of green Oribe style. The whole body with the exception of the foot and it surrounding area are covered with a thin ash glaze, a low iron content of the body has coloured the the glazed part light brown; the brim is accented with copper oxide glaze...

Only one of a kind! Distorted half cylinder shaped (near kutsugata) tea bowl made of light, coarse unrefined Mino clay. It dates from the Momoyama Period.

The expertly thrown body is covered with the typical feldspatic shino glaze inside and outside, with the exception of the bottom' the roughly cut foot ring. A very minor iron oxide content of the clay has changed the white shino glaze to light pink (beni). This is absolutely rare...

Best of the best! Distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay. The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom' the roughly cut foot ring and window, which is decorated with plover birds (chidori) over waves in black under a shin on type glaze. Next to the roughly cut foot ring is a kiln mark (kama jirushi)...

Wonderful kutsugata chawan of the late Momoyama Period.

Distorted shoe shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay.

The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom, the roughly cut foot ring and window, which is decorated with a geometric pattern in black under a transparent Shino type glaze...

Very old Karatsu Chawan (early Edo), slightly deformed rare wan type.

It is thrown on a wheel from coarse unrefined iron baring clay and has tasteful colours.

Smooth feeling in the hands and great antique condition with expected fine hairline cracks and inborn kiln cracks.j

Size: 11cm diameter, 7cm in height.

This gorgeous grey Shino-Oribe Chawan was made around 1620, the late Momoyama and early Edo Period.

The cylinder shaped (hanzutsu) chawan is made of light, fine, unrefined Mino clay. Shape and style (flaring mouth) make it contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immedia...

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay. The style of the foot lets it appear contemporary with the late Oribe bowls. But the shape of the expertly thrown body, the orange skin effect on the typical Shino glaze with beautiful orange 'fire colour' recalls the days of the single chamber kilns, but the glaze and the somewhat irregular foot is typical for the late production of the 1620's at the Motoyashiki and Kamagane kilns.

The bowl has a beaut...

Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical black iron oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in two different technics: on the left in nezumi shino style are hanging persimmons (hoshikaki) scratched into the engobe and on the right a tea room window and a plum blossom painted...

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay. Shape and style (note the trimmed walls) make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical white, feldspatic Shino glaze has been poured under which a decoration of a willow tree (yanagi) and a fence have been applied in iron oxide (oni ita). Just the foot ring and its immediate surrounding was left unglazed. The somewhat irregular foot is typical ...

Our collection of Tea Bowls offer always spectacular chawans - this is one of our best: Hakeme Glazed Ko-Hagi Chawan Dating to 17th Century made by the first Saka Koraizaemon.

Toujin-bue (Chinese flute) flat shaped tea bowl made of coarse, unfined clay with a high content of iron oxide. The body shows the tracks of the fingers when it was thrown on the Korean kick-wheel. The rim is a little uneven (intentionally). The unglazed foot ring was executed in the Korean bamboo node style....