Shino Ware: The Beauty of Whiteness and Organic Irregularity...

An original piece by the second in the line of Choraku potters. This bowl is stamped twice on the side and once on the pedestal with the mark of Ogawa Choraku II (1912-1991).

The Choraku line began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association...

Large and heavy antique Japanese Seto ware Kashiki (dessert) bowl made during Mid-Edo Period (1603-1868)

Seto pottery, dated as early as the 13th century, produced around Seto city in Aichi Prefecture, Japan.
It is also considered as one of the Six Ancient Kilns of Japan.

Size
5.8cm. high;
21.4cm. diameter;
835g weight.

Condition
Good considering the age.
There small old repairs of the rim, no cracks.

An ancient MesoAmerican Olmec bluegreen stone hand axe tool mounted on a custom stand. Neolithic stone implement.

Date: 1150-550 BC

Dimensions: 6" X 2.5" including stand, stone is 4" X 2.25"

Small kogo, incense box, in the shape of a crab in rest. Grayish brown grainy earthenware, much like Raku, with red glaze and with patches of green and white glaze. The eyes are accentuated with gold, as is a small area on it’s back.

Potter’s mark on the belly.

Japan, late 1700s.

H ca 1.25 x W ca 3 in.

Some of the gold rubbed, split in clay caused by firing at the rim of the lower section, which does not impact the stability of the piece...

The mark of the potter is stamped in the middle of foot ring.

Konyu was born the eldest son of his predecessor Raku XI Keinyu. He succeeded his father at the young age of 15, was succeeded by his son Seinyu and retired at 63 and died at the age of 76. He was a mild-mannered man, and is said to have dedicated himself to the continuation of the Raku family and its legacy...

ZEN ZEBRA

Upside-down Japanese bamboo ikebana vase painted in black and white calligraphy, attached with aluminum plate on the top and pink corrugated urethane foam at lower part, made by Dai Okumura (@dai_okumura), 2023, H 74.5 x W 40 x D 30cm (29.33 x 15.74 x 11.81in)

This is a form of 'Bi No Yo' (lit. 'Usage Of Beauty' - Adaptation from perfection) as a counter for the recognition of art called ‘Yo No Bi’ (lit...

Small cast iron tea-pot. One side is decorated with lotus flowers, the other side is without any decoration. The spout is doubled in bronze, the handle is in copper as well as the lid which has a decoration of small rounds in light relief of different patina, perhaps formerly gilded. The grip button is in silver plated copper and shakudo. It is likely that this type of jug was also used for alcohol as specified on the invoice issued by the seller in Kyoto which dates it to 1850...

A bronze plate with shaped rim, beautifully decorated, in gold lacquer with sparrows among bamboo and plants. Base signed "Kyoto Okuda sei". Dimension: diameter: c. 20.3 cm, c. 1.2 cm high. Condition: fine, only minor wear and lacquer loss.

The chawan is adorned with a delicately applied ash glaze, exhibiting a graceful transition from a deeper hue to a lighter shade on the bowl's sides...

This piece was fired in the kilns of one of Kyoto’s most prolific Raku-yaki workshops by an artist known as Heian Shoraku. In 1905, the first generation Shoraku established a kiln near the famous Kiyomizu temple, nestled at the foot of the eastern mountains in Kyoto. In 1945, the kiln was moved to Kameoka near Yada shrine where it remains today...

Morigami Jin bamboo flower basket Hanakago High shape with an extended rim. Made with very thin strips of madake bamboo in different techniques, rattan and lacquer. Insert water container in black lacquered bamboo. Unsigned but it comes with the artist’s old information paper and old Japanese paper box. H 19 cm x Ø 17 cm Perfect. Morigami Jin ( Osaka b.1955 ), is now living and working in Beppu, Kyushu, Japan...

This chawan was made by the 8th generation Ohi Chozaemon (1851-1927) based in Kanazawa and is done in a style known as “ameyu” or candy glazing. The glazing is a wonderful example of ameyu and, in fact, approximates the color of a caramel candied-apple. The interesting color scheme and glossy sheen make it an attractive backdrop for a frothy bowl of dark green matcha. While some tea bowls may look best in the confines of a dimly lit tea room, this bowl looks much better in bright light...

Lovely C.1935 half moon bamboo flower basket. Smoked bamboo `susudake` from an old minka farm house hearth roof. Rich patina strips of bamboo woven into the weave. Excellent condition. Ask for shipping quote.

Living National Treasure Fujiwara Kei (1899-1983) Bizen ware Hidasuki Chawan for Tea Ceremony.
The mark of the potter is carved on the bottom.

Hidasuki or fire sleeve-cording technique results when the ceramic items are wrapped in rice straw and then it burns in the kiln with beautiful red markings left on the surface.

Kei Fujiwara has become the second Bizen Living National Treasure in 1970.

Bizen pottery was originally produced in Imbe village of Bizen pro...

A rare bamboo chado tea caddy for powdered green tea, the interior covered with black lacquer. The exterior carved with the four gentlemen of winter: plum, bamboo, chrysanthemum and orchid. Subtly embellished with silver wire. Condition: lower part with a crack, silver wire partially lost, a bit dusty, traces of age. Dimension: height: c. 6.3 cm, diameter: c. 5.7 cm.

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a white translucent overcoat that beads in areas.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

The creator of this extraordinary work, Shibuya Deishi, is best known for his works of “Oni-hagi”—typically made with rough clay and heavy dripping glazes. This piece by contrast seems delicately crafted and has a very soft and warm quality to it. The outside is covered with overlapping molded flower petals done in an almond glaze with ivory accents at the tips of each petal...