Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature. In fact, if you look more deeply into Raku, you find that many of the shapes and motifs are also inspired by nature...

An incredible monumental Japanese solid cast bronze Peace Bell custom iron stand with clapper. Inscription with dated, location and donor of bell. Bell is in excellent original condition with no repairs or damage...

In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...

19th Century Japanese Bronze Katsuma Dorje Vajra

It is 4.9 inches (12.5 cm) in length by 4.9 inches (12.5 cm) wide. It is 326 gram.

It has loss of patina, oxidation, and surface wears and scratches (as seen in the photos).

The Katsuma is a cross made with three prongs on each arm, thus forming 12 prongs, which symbolize the 12 aspects of the laws of cause and effect. Its full name is Katsuma Kongo, or gilt-bronze katsuma...

1900's Japanese Bronze Dragon Carry Vase

It is 11.75 inches (30 cm) tall by 7.5 inches (19 cm) wide. It weighs 2353 gram.

It has pitting, oxidation, rubbing of patina, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...

One of the most important Japanese potters of the 20th century, skilled in an impressive number of styles, today his pieces can be found in museum collections around the world...

19th Century Japanese Cast Iron Kettle Teapot Tetsubin with Relief Dragon

It is 8.7 inches (22.2 cm) tall handle up by 7.2 inches (18.5 cm) wide. It is 4.7 Lb.

It has oxidation, rubbing gold at the handle and painted stain and surface wears (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

An amazing japanese table composed of two beautifully decorated shelves. The upper shelf depicts a waterfall, high waves and pine trees in gold and brown takamaki-e, hirakami-e lacquer and kirigane on a base of nashi-ji. It lies on two openwork side panels.
The lower shelf is more sparsely decorated but still finely executed. It depicts a cottage surrounded by hills and trees in gold and brown takamaki-e and hiramaki-e lacquer, kirigane and nashi-ji...

This beautiful Red Raku tea bowl is the work of Raku XI Keinyu (1817-1902), the 11th Raku potter in an unbroken line of artisans stretching back over 450 years. Keinyu was adopted into the Raku family after marrying the daughter of the 10th Kichizaemon, thereupon becoming torchbearer for the most noted and celebrated tradition of pottery within the world of Japanese tea...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature...

Tamba-yaki, with its origins reaching back as far as the end of the Heian Era or early Kamakura Period (1180-1230), is one of the six ancient pottery centers of Japan along with Seto, Tokoname, Shigaraki, Bizen, and Echizen...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamamizu VI, deno...

1900's Japanese Sumida Gawa Pottery Vase By Inoue Ryosai with Monkey

It is 11.6 inches (29.5 cm) tall by 10 inches (25.4 cm) wide. It is 4.7 Lb.

It has chips at the monkey's hand and rocks, skip glazes, rubbing of paint, and surface wears and scratches (as seen in the photos).

A similar vase can be seen in the book "Sumida According To Us" by Herbert Karp & Gardner Pond, page 187.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if y...

1900's Japanese Cast Iron Gold & Silver Inlay Tetsubin with Bamboo & Bird

It is 7 inches (17.8 cm) tall measured with handle up and 4.5 inches (11.5 cm) tall measured with handle down by 6 inches (15.2 cm) wide. It is 2.5 Lb. It will hold 900 ml (cc) water.

It has rust, loss of gilding, missing a leaf of the finial, oxidation, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purch...

Japanese Makie Wood Lacquer Kogo by Otomaru Kodo (1898-1997), Showa Period 人間国宝 音丸耕堂

It is 1.2 inches (3.1 cm) tall by 2.05 inches (5.2 cm) wide. It is 55.1 gram.

It has a flea bite chips at the inner rims and surface wears and scratches (as seen in the photos).

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Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund...

Cast bronze candlestick. Finely chiseled decoration of tao tie masks and stylized cicadas in the archaic Chinese style. The cast is perfect without the slightest defect. The carving is precise without error. The object has a very elegant atypical shape. Below a mark of 6 characters must announce the name of the artist who is necessarily excellent. Very beautiful object absolutely unique. In a perfect state. Wear of multi-secular use. Japan Edo period. Height about 25cm.