Japanese bronze rooster with artist sign.

Age: Japan, Showa Period, 20th Century
Size: Height 15.7 C.M. / Width 5.3 C.M. / Length 11 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Japanese bronze bird and bamboo.

Age: Japan, Showa Period, 20th Century
Size: Height 18.8 C.M. / Width 8.8 C.M. / Length 20.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Vintage Japanese wood carving of the face of Bodhidarma with his fly whisk. Also known as Daruma, the legendary intensity of the monk is expressed in his downturned mouth and heavy eye brows over wide eyes. A popular sign of good fortune for any business. Lacquered details in red, white and black.

Age: Showa period (early-mid 20th century)

Dimensions: 23 1/2" high x 19 1/2" wide x 2 3/4" deep

Antique Japanese set of 13 lotus leaves and blossoms. Carved of wood and lacquered gold. Made for a Buddhist temple altar, they symbolize the stages of the path toward enlightenment. This set is especially lavish with giant sized lotus leaves and towering lotus blossoms. They fit into a bronze vase.

Age: Early Meiji period (circa mid 1800's)

Dimensions: Total size: 57" high x 44" wide

Bamboo sitting toad. The node of the wood is used as the base of the statuette.

The toad and the frog, referred to by the same term in Japanese (kaeru) are associated with good luck and wealth. Kaeru means both "toad" and "coming home" in Japanese. This extension of meaning is due to the ability of the toad to return to the pond of its birth every year...

Bamboo toad on a bluebell flower. The node of the wood is used as the base of the statuette.

The toad and the frog, referred to under the same term in Japanese (kaeru) are associated with good luck and wealth. Kaeru means both "toad/frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the toad to return to the pond of its birth every year...

Wooden sculpture of a hare with coral eyes. In Japanese, the hare and the rabbit are designated by a single word: usagi. The hare has an important place in Japanese legends and superstitions. Like many other animals, it is supposed to reach a fabulous age and become blue at five hundred years. Japan – Meiji era (1868-1912) Height: 7.28 in. (18.5 cm) - width: 6.5 in. (16.5 cm) - depth: 13.58 in. (34.5 cm)

Polychrome bronze statuette of a group of mice around a pumpkin and a pomegranate. The five mice have a dark brown patina, while the hollowed-out gourd is dark brown and the split pomegranate is dark red.

Written in a cartouche on one of the pumpkin slices, "Shôsai Foundry" (正齊鋳, shôsai-chû).
Japan – Meiji era (1868-1912)
Height: 6.4 in. (16.3 cm) – width: 7.8 in. (20 cm) – depth: 7.3 in. (18.5 cm)

Bronze sculpture representing an owl on a tree stump covered with ivy. The owl, detachable from its base, has shakudo eyes. It is certainly an Ryûkyû scops owl (Otus elegans), present in the south of Japan in Ryûkyû Islands.
Red fabric glued to the base of the trunk to protect the base and the pedestal (not original).

The owl (fukurô, 梟) symbolizes good luck and protection from hardship...

Antique Japanese okimono carving of a little skeleton on top of a larger skull. Made of boxwood with a beautiful patina. Intricately carved to show every bone of the small skeleton and the teeth of the skull. The artist's humor is displayed in both style and subject matter.

Age: Edo Period (17th century)

Dimensions: 1 1/2" high

This is a wonderful slender pear shaped bronze vase from the Meiji era (1868-1912. It is highly detailed and decorated with three raised relief elephants. One of the images was deliberately overexposed to show off the fine detail. It has the original patina and is in excellent condition. Stands 12 3/4 inches tall and is signed underneath by Genryusai Seiya. Buyers should be careful because there are poor copies or fakes of this elephant vase showing up in auctions.

CROUCHING WOMAN

Fine anonymous wooden sculpture, with the sign of 1961, in finished or unfinished condition as is. Japan. H 28 x 16.5 x 28cm (11.02 x 6.49 x 11.02in)...

An antique Japanese gilt wood temple Ranma (transom). Hand carved depicting a pair of Kingfisher with 3 Swallows amongst Lotus blossoms and leaves. One Swallow has caught a small fish while one Kingfisher has caught the leg of a frog. Deep relief with inscription on left and partial inscription on right.

Momoyama Period (1573-1603)

Dimensions: 43" Wide by 11 3/8" High by 2 3/8" Deep

An antique Japanese temple fragment of the head of Amida Buddha in Hinoki (Cypress) wood. Hand carved in fine detail with a beautiful patina acquired over years of devotion and display.

Age: Edo Period (early 17th C)

Dimensions with stand: 11 5/8" High by 4" Wide by 3 1/2" Deep

Japanese bronze rabbit hollow sculpture.

Age: Japan, Showa Period, 20th Century
Size: Height 18.4 C.M. / Width 13 C.M. / Length 30 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Bato Kannon Ca. 1870 (horse-headed Kannon, also called Mezu Kannon), hayagriiva in Sanskrit, is one shape of Bosatsu (Bodhisattva) worshipped in Buddhism. It is one of the transformations of Kannon Bosatsu (Kannon Bodhisattva) and is also included in Roku Kannon (six deities of mercy). It has fierce expression, which is rare for Kannon. Granite stone, age wear, hands in gassho prayer mudra. Ask for shipping quote.

BAMBOO SPROUT MADE OF BAMBOO

Sculpture of bamboo shoot made with grown-up bamboo that back to the form of its childhood. Showa period, 20th century, Japan. H 27 x D 10.5cm (10.62 x 4.13in)...

Wooden sculpture of a mouse on a mushroom. The qualities of wood have been skillfully exploited to signify the lamellae of the mushroom, not visible unless the sculpture is lifted.

In Japan, the term nezumi refers to both the mouse and the rat. They are considered the messenger of Daikokuten, the deity of commerce and wealth...