Japanese Sashimono war banner, to be worn attached to the back of a samurai's armor by special fittings. In the form of a group of medicine gourd bottles in gold gilt lacquer. The largest gourd stands the tallest on top of the Sashimono pole surrounded by smaller gourd bottles. The Sashimono captures the high drama of the fully outfitted samurai warrior in all of his glory...

An excellent shakudo tsuba inlaid with a "thousand flowers" decoration in gold, silver and sentoku. The technique is particular, the tsuba is first cast in shakudo with all the flowers in relief, then chiseled. Then each flower is covered with a thick sheet of metal, gold, silver or sentoku, this sheet is hammered on the sides of the flowers as one would border a bed sheet. Excellent work , exceedingly difficult more than inlaid...

A fine, Mishina school tanto, forged and signed collaboratively, Omi no Kami Minamoto Hisamichi and Chakushi Minamoto Rai Hisatsugu with edakiku (branched chrysanthemum) above the two signatures. Dated on the verso 'a day in August of Genroku 15' (1702). In full polish, in shirasaya, accompanied with original koshirae with fine fittings including floral and snow on persimmons motifs. Included are kozuka, kogai, tsuba, fuchi-gashira, menuki...

The Japanese matchlock was introduced to the Japanese by the Portuguese during the Sengoku period. Originally called teppo, it was known as the name tanegashima where its origins was founded.
The tanegashima rifle where used by the samurai class and their foot solders (ashiguru) and within a few years of the introduction of the munition it completely altered Japanese warfare. This long rifle gun has an octagonal russet iron barrel with a flat sighting plain on top and a bore of 3/4”...

Antique Japanese full length tanegashima rifle with working original matchlock mechanism. Made of burl keyaki hardwood with original lacquer finish. The hand forged iron barrel is inlaid with a 3/4 length silver dragon swirling through clouds. Original decorative brass fittings with auspicious animals such as fu-dogs, birds and flowers. Unusual silver inlaid stripes on the mouth of the barrel.

Comes with custom iron stand to aid in display...

Rare maedate (frontal element of the Japanese helmet) representing a Ho-oh (phoenix). The bird is in cut, embossed and chiseled copper. Red oxide patina, gilding and silvering. Metal maedates are very rare and almost always made of iron. The most common, without much interest, are made of wood. This one is an exceptional model in terms of material, quality, interesting subject matter and the shape elegantly occupies the allocated space...

A set of 5 Japanese karimata arrow collection. Forged iron, mounted on steel plates and armature wire.

The forked arrowhead (karimata) was named after its resemblance to the V-formation flight of wild geese. Such arrows of different sizes were highly prized on the battlefield and for hunting large game. The Japanese arrowheads, many resembling miniature spears, were made in hundreds of varied shapes of folded, tempered steel...

Antique Japanese matching Katana (long) and Wakazashi (short) swords, from the Shinto Period (1579-1763). Both swords have a beautiful dark brown patina on the tang with visible laminar construction on the blades. The blades have been fully polished and have paper work from the NBRHK in Japan. Each sword comes with a matching bag for protection. Wonderful details including side knives and menuki. The tsuba on the Wakizashi is shakudo...

This superb helmet bowl is comprised of 64 iron plates that are slightly embossed between the suji, double front plates, and a washer underneath the top front riveted inside. The bowl has been given a very dark russet finish and fitted with a simple iron visor...

The menpo features the gentle countenance of a deep vermillion red lacquer. It is composed of three parts; The removable nose armor with white horse hair mustache and its Nara style gilt teeth and open mouth, the cheeks and lower jaw with strap holder posts and its central vent hole for perspiration to escape out. The ears are pierced with both plum blossom design, and finally the four attached yodare with pale ocher silk. The reverse backing is lacquered in black and red. The menpo is mount...

The forked arrowhead (karimata) was named after its resemblance to the V-formation flight of wild geese. Such arrows of different sizes were highly prized on the battlefield and for hunting large game. The Japanese arrowheads, many resembling miniature spears, were made in hundreds of varied shapes of folded, tempered steel.
They were attached to the bamboo shafts by means of long, thin tangs (Nakago). The most common were narrow, roughly-filed, pointed arrowheads used to penetrate armor...

Antique Japanese hikeshi banten, fireman's coat. Made of layers of cotton fabric and stitched in the sashiko quilting technique. Fires were common in Japanese urban areas due to the dense population as well as construction material (primarily wood and paper). Fire brigades were made up of samurai class (buke hikeshi) as well as common class (machi hikeshi). Their primary goal in containing a fire was to tear down the surrounding buildings so the fire had no more fuel. These special coats were w...

Hard to find Japanese red lacquer Chochin Kabuto. This example of munition has the ability to fold for compact storage. The front 2 prongs are made for the meadate ornament. The underside of the shikoro (neck guard) in black lacquer, and the lames plates are secured with blue silk cords. Mounted on custom steel stand.

Red lacquer menpo may be purchased separately. (#1371484)

Edo Period 19th Century

Dimensions: 13" x 12.5" x 10.5" H (18" H on stand)

This type of menpo would have fitted a formal and archaic style gosuku with silk lacing and large sode style of the Heian period. The menpo is lacquered in a dark brownish black with stylized wrinkles. The ears are pierced with plum blossom configuration, turned strap holders, and a vent hole. The nose plate is well rendered with horse hair mustache and hook-holes insertion. The interior of the mask is lacquered in red. The yodare is fabricated with stenciled leather and 3 plate kiritsuke laced ...

Japanese antique samurai kura horse saddle. Carved of wood and lacquered black with shell inlay covering the maewa (front arched plate) as well as the shizuwa (rear arched plate). The maewa and shizuwa are connected by two igi (contoured side bands). The igi rest on either side of the horse's spine and serve as the under frame for the leather seat (basen or kura tsubo) and are slotted for stirrup straps (chikara-gawa or gekiso) to pass through. Obscured signature on the bottom. Mounted on cust...

Antique Japanese Tanegashima long matchlock rifle. The entirety length of cast iron barrel is decorated with mixed metal inlay of birds and flowers, an unusual motif for a rifle. The gold mon is of the Kobayakawa clan, a powerful samurai clan with close ties to the Mōri family.

Guns were first introduced to Japan during the Sengoku era through the Portuguese in 1543. From just a couple samples, Japanese metal smiths were able to copy and expand upon the matchlock rifle, changin...

Rare and exceptional tanto of the Koto period with a polishing perfectly revealing the metallurgical qualities of the blade accompanied by a completely extraordinary lacquer and inlays sheath. The blade is in hira zukuri with a forge (hada) itame, a quenching in suguha. The tip (boshi) is chu maru. On the nakago in ubu keitai there are 2 mekugi ana. Length of the nagasa blade 28.8 cm. The scabbard (koshirae) in dark brown lacquer and ro-iro black lacquer for the decoration of gourds and folia...

This exceptional tanto is very original, unique in its kind, it represents a bundle of lotus flowers wrapped in a canvas. The mount is in silver, embossed for the leaves of the sheath and cast for the flower buds at both ends. The seppa are in shakudo and gold. Some elements in gilded bronze. The design of the sheath is unique, it is a perfect imitation of a fabric canvas. It is made of woven bamboo fibers covered with lacquer. The effect is striking, the impression of a real fabric is real, we ...