A pair of gold screens with bold shishi on genuine gold leaf. It is signed Miyauchi Gohogan Shinsai Fujiwara Morimichi sei and stamped Hogan Morimitsu no In. Each panel is 37-1/4 x 68-1/2 inches (94.5 x 174 cm). The screens have been restored, with some old repairs visible. These appear to be remounted from what is likely a different composition, possibly a set of fusuma doors...

Pair of painted Japanese interior sliding panels. Depicting wild sparrows amongst the rice fields. Sparrows are regarded as symbols of personal prosperity, rich fruit crops. Stocks of flowing rich reach out. The fields are said to represent providence, creation, blessing, and joy.
Speckled gold throughout the the images radiating warm glow off the paper. A scene of serenity.
Signed by the painter: Kishi Ganku, 1749–1839. Signature: 雅楽助岸駒寫 Utanosuke Ganku...

Cranes flock to the shore, greeted by their compatriots grazing among dry winter grasses on the wave lapped beach of this anonymous pair of Mid Edo period six panel screens. Performed with Ink and pigment on paper with scattered gold flake in a blue silk border with kuwa (mulberry) wood frame and sturdy blue cloth backing. Fully remounted, each screen is 65 x 142 inches (165 x 361 cm). A quintessential Kano style Edo period scene.

Pair of 6-panel screens; ink, colors, gofun (crushed calcified crustacean shell) and gold on paper framed by a double silk brocade border. The screen on the right represents numerous geese (14), some flying down in front of a black moon, others in search of food or resting among the grass at the edge of a body of water with a background of a mountain. The left screen depicts egrets (7), three of which are perched on the trunk of a majestic weeping willow, covered in a white pigment represent...

Framed beneath a slender sapling, a wispy figure kneels at the shrine steps hands together in prayer. Beautifully painted details performed with thick pigments on silk. Darkening Cedar trees naturally frame the calming scene. Condition is excellent and ready to display.

Signed Kuniyama (Kokuzan) Possibly the work of Higashiyama Kuniyama (elder brother of the famous artist Higashiyama Kai)

Taisho Period (1912 - 1926)

Dimensions: 69" High x 68" Wide (each)

A pair of mounted panels painted with battle scenes from the Tales of Heike. One panel appears to take place during the battle at Dan no Ura. This painting of samurai contains the signature crest of the Heiki clan (the butterfly). The other panel is a portrait of the famous monk warrior, Benke, on horseback in the Shichi-henge form (where he carries many weapons)...

Japanese pair of 2 panel byobu screens, with hand-painted scenes of small flying birds, a pond with foliage, a blossoming plum tree branch with gold flecks.Applied gold clouds and pigment on silk. enclosed in a black lacquered frame dating circa 1930.
Yamashita Chikusai (1885-1973) was born in Kyoto and studied under the important turn of the century master Yamamoto Shunkyo (1871-1933) from the age of fifteen, becoming one of his highest ranking pupils...

A pair of original Japanese full six panel byobu screens. Beautifully handpainted with sumi pigments on stunning silver leaf background. Depicting a naturalistic scene, including rolling hills, trees, and bay water expanse.
Byōbu (屏風, "wind wall") are Japanese folding screens made from several joined panels. May be used to separate interiors and enclose private spaces, creating a among other uses. May easily be mounted on the wall for a modern home today...

Antique Japanese pair of screen paintings, one of early Summer (or Spring): rabbits, blossoming wisteria and peonies. And the other of Winter: birds including sparrows and kingfishers with snow-covered bamboo and red clusters of berries on a large nandia bush. Painted using mineral colors and gold leaf on paper. Signed Eigaku Kano (1790-1867).

Eigaku Kano was the ninth head of the "Kyo Kano", the Kyoto branch of the Kano School...

Oarsmen battle Tempestuous seas to carry safely home their cargo of courtly women in this vivid scene signed Hakushun dated 1932. The oars bend under the strain of the ferocious seas, the oarsmen pull with all their might. Behind bamboo curtains the young women huddle together, their courtly robes flowing about like the oceans mad waves. A very powerful scene supervised by a noble seated at the back of the small ship, witnessed by a gaggle of cormorants resting on a jagged rock cluster...

A Meiji scene of samurai preparing for battle, a noble women looking on with apprehension as a courier brings word from the battlefield. The lord fixes the knot on his helmet, preparing to rush into the fray. The scene is performed in pigment on silk, and we have had it completely re-mounted with a black frame reflecting the original style with sturdy cloth backing...

A noborigama (multiple chamber climbing kiln) ascends the right side of this wildly brushed Autumnal Nihonga screen signed Takuji, which dates from the late 1920s or 1930s...

A lurid landscape spreads across two two-panel screens by Shirakura Niho signed and dated 1929. Two colorful scholars share a quiet moment in the shelter of a thatched hut. On first examination it appears nonsensical, a chaotic collection of dashes and dots, however the closer one examines the painting the more one realizes the detail and planning that went into the imagery, It is performed with ink on paper framed in dark mulberry frame and has been recently re-backed with forest green paper....

Rare 18th Century Japanese Tea Ceremony Screen Painting of a Pine Tree. Exquisite painting on gold leaf. Set in a wood frame with a sumptuous silk brocade border. Featuring two poems on the back. The Japanese tea ceremony, also called the Way of Tea, is a Japanese cultural activity involving the ceremonial preparation and presentation of matcha, powdered green tea. Frame: 26 x 19 inches, 66 x 48.25 cm; Painting: 21 x 13 inches, 52.25 x 33 cm.

Japanese rare antique 3-panel screen painting of Raigo Zu: Amida Buddha in Raigo pose. The screen has three panels with the two outer panels half the width of the central panel so they open like shrine doors. A bronze butsudan latch keeps the doors closed. The screen opens to reveal a central panel with a large image of Amida Buddha painted in mineral colors and gold on silk and framed with silk brocade of golden clouds. The outer frame is lacquered red.

Age: Muromachi/Momoyama Per...

Rare Japanese 6 panel-screen in ink, color pigments and gold leaf. On the second screen, on the last panel on the left, one can distinguish many Tartar warriors hunting as well as falconers on horseback. On the rightmost three panels, a lake and rice paddies, a variety of wild birds, all against a backdrop of mountains, waterfalls and trees in the style of the Kano school interspersed with clouds of gold and gold flecks. These Tartars (or Tatars) are identifiable by their dashing equestrian p...

Two panel Japanese folding screen with image of two deers set on a grassy meadow-like surrounding with a waxing gibbous moon set on the left panel screen. The simple watercolor appearance, minimalist lines, and motif like appearance of the images are the signature elements seen in most Rinpa School. Age: Edo Period (18th-19th century). Size: Height: 67.5" Width: 68"

Starting with the famous verse by Chinese Scholar YoYu (AD 53-18) ”The written character is a picture of the heart” (Sho kokoro Ga nari) here are written 42 rules of calligraphy spread over 10 narrow panels by the famous calligraphist Ide Gakei dated 1677. The verses appear to have been written in one sitting, the style going from crisp perfect Kaisho characters through Gyosho stylized characters and into the elegantly running Grass script (Sosho). The way the artist allows his hand to flo...