Pair of Japanese byobu screen paintings, each with two folding panels, painted with views from a bamboo grove, painted in mineral colors and ink on a pale silvery ground, the subtle beauty of a flowering morning glory vine peeks through the bamboo leaves in the upper right corner of one of the paintings, new bamboo shoots rise up, put together the two paintings give the distinct feeling of actually being in a beautiful bamboo grove...

Screen of 2 panels, watercolor on paper. The background is glued with gold leaf square . The scene represents young women in the garden, one of them capturing fireflies. The charming subject is quite unusual for this type of screens which are usually decorated with warriors, animals, plants or landscapes...

Japanese 2-panel screen painting depicting a scene of a samurai standing with armor on but with a nuns head cloth and with monks beads in his outstretched hand, behind him are three beautiful warrior women wearing beautiful brocade underneath their armor and nuns head cloths with blossoming plum branches, each has a bow and arrows. Painted in mineral pigments and ink on paper. Painted by Kitamura Meido (1896-1962), known for specializing in human subjects...

Japanese 2-panel Taisho Period screen painting of woman in flower garden, she is almost obscured by bright blossoms but can be seen bending over, a pair of scissors in her hand, her flower basket sits on the ground beside her, painted in bright colors with much use of raised gofun on gold silk, signed and seal "Gaun" which is the artist name for "Yamanouchi Shinichi". Size:67" high x 74" wide Yamanouchi Shinichi. Biog.: Western-style painter...

Maeda Toshinaga was a Japanese daimyo, who was the second head of the Kasa Domain. He was the eldest son of Maeda Toshiie and married one of Oda Nobunaga's daughters, Ei-Hime. He supported Tokugawa Ieyasu and, after receiving his brother Toshimasa's lands (Noto, 215,000 Koku), controlled a total of 1,250,000 Koku, an amount exceeded only by the Shogunate. Toshinaga built and resided in the Kanazawa Castle. He had no children and adopted his brother Toshitsune as his heir...

Japanese six panel byobu (folding screen painting). Hand-painted with imagery of realistic swimming fish and flowers with gold flecks. Signed in stylized calligraphy with 2 red chops.

Late Meiji/Early Taisho Period

Dimensions: 109" L x 53.75" H

Antique Japanese small table top screen painting. A scene depicting a Spring landscape of green rolling hills and trees. A red sun (also a symbol of Japan) hides behind a finger of haze. On the left side of the screen, butterflies flit over a lizard who is hungrily eyeing a bee. Painted in light mineral colors on silk.

Meiji Period (1868-1912)

Dimensions: 15 1/2" high x 38 3/4" long

Antique Japanese small 6-panel screen painting for table top, painted with a scene of stream and flowers, painted in mineral colors on silver leaf, the silver has oxidized a beautiful dark color, Edo Period, 18th century. Size: 18" high x 50 1/2" long

Japanese two panel byobu screen painting of a fierce rooster watching butterflies floating overhead. Pigment on silk, with black lacquered frame. Attributed to Goun.

Taisho Period (1912-1925)

Dimensions: 56" x 64"

Japanese two panel screen depicting a family of horses. Painted with a simple flowing style of sumi ink on paper. Bordered in original aged gold leaf and black lacquered frame.
The horse has always been considered the sacred mount of the kami, Japanese gods. During the Nara period (710-794), the practice of shinme, consisting in offering a horse as a votive offering to a shrine to serve as a divine mount, spread...

Exquisite Japanese 6-panel byobu screen painting of grand mountain landscape with high peaks and distant waterfalls. In the foreground, men water their horses before ascending the narrow mountain trail. There is a beautiful sense of whimsy conveyed in the group of horse and men as they wade in the mountain stream in the shade of weeping willows. Far in the distance, the mountain range disappears in the mist. Painted in sumi ink on paper. Signed and with a large chop seal...

A large screen depicting a samurai replete with the Jakumei crest of the Takeda Clan rearing his horse in a shout of battle, wand extended at arms length giving the order to charge. The horse appears to be fighting panic, possibly at the deafening sound of the guns of Oda Nobunaga, a sound which brought in the modern era of warfare to Japan in a pitched battle between Oda forces and those of Takeda Shingen...

Lovely Byobu Screen 6 panels with Autumn Flowers.
The size of Screen: 148" L x 66" W (376 cm x 168 cm)
This is Byobu was made finely and fine condition. Gold leaves and
Painting is very lovely. There is no place to be repaired.
It has the signature of artist name, Nofumi, but we do not
have profile information. Dating of screen from 1950’s...

Lovely Japanese Byobu Screen 6 panels with Spring Flowers.
The size of Screen: 148" L x 66" W (376 cm x 168 cm)
This Byobu is made finely and fine condition. Gold leaves and
Painting is very lovely. There is no place to be repaired.
It has the signature of artist name, Naofumi, but we do not
have profile information. Dating of screen from 1950’s...

This tranquil pond scene is done in sumi on gold leaf and has a black lacquer wooden frame. Appearing to date from Meiji or early Taisho, the various cranes and songbirds are depicted with light and playful brushstrokes giving the piece an air of serenity and calmness. Especially eye-catching in low-light atmospheres, the gold leaf appears resonant and warm.

This screen stands 67 inches tall (170.5 cm) and each panel measures 25.2 inches in width (64 cm) for a total length of 151.2...

A beautifully painted Meiji Period Japanese Namban screen depicting a Portuguese Caravel ship. Japanese screens featuring Portuguese are rare. 60h x 56w inches, 152h x 142w cm.

A later Meiji period two panel screen, Pigment on silk, signed Hosen (Usui Hosen) dating 1900-1910. Shunkei lacquer frame with cloth backing. Quintessential for the era, the scene is brushed in an abbreviated style, allowing the viewer to participate by completing the details. Muted colors and the lack of hard lines lend the screen an ethereal quality, as if recalled from a distant memory. The screen is 56 inches x 5 feet (142 x 152 cm) and is in fine condition but for some stress in the sil...

A typical Muromachi style Sansui screen showing scholarly travelers in a ragged landscape of precipitous hills and temples dusted with clouds of gold flake likely dating from the late 16th century. It is bordered in fine antique patterned brocade with a black lacquered frame. The gold mist engulfs the scene, giving life to the unusually large figures, a Muromachi-Momoyama trait. In the area about the travelers’ path, gold has been rubbed into the paper, giving it a soft sheen. The screen m...