Antique Japanese painting of a tiger crouched on a rock, his eyes are turned toward the full moon which shows itself through the branches of a pine tree, beautiful detail especially to the tiger with his enormous paws, painted in sumi ink on paper, signed. antique frame without glass. Meiji Period. Size of painting only: 52" high x 23 1/2" wide. Size including frame: 56 1/4" high x 29 1/4" wide

Charming Japanese fan painting depicting a small bird on a branch, painted in ink and light color on paper, attributed to Kawabata Gyokusho (1842-1913), Meiji period circa 1900. Size: 17" long x 6" wide.

Beautiful Japanese antique fan painting of irises, painted in ink and mineral colors on paper that was once silver leaf but has worn and oxidized a beautiful sepia color, wet on wet painting technique, Rimpa School, !9 century- Late Edo/Meiji Period. Size: 21" long x 7" wide.

A hand painted piece of art of a plum tree, painted with ink on makuri paper with sign and seal of the artist - late Meiji Period.

I tried to find out the name of the artist, but it is difficult to read. The painting has a real nice and sensitive touch. It is hard to find similar items like this amazing one.

The condition is good - there is only some unimportant wrinkle and stain which gives the artwork that special touch of a unique piece of art.

Size: ca...

Japanese Fukusa Panel Depicting Two Kabuki Actors Performing the Lion Dance. Polychrome and Gilt Threads. A fantastic painting with wonderful movement and lush color on chirimen silk. 26w x 24.5h inches, 66 x 62.25 cm. Framed.

Late Edo Period Japanese Painting of Two Men Pulling a Horse. This classic Kano school painting is a perfect composition of line and form and color. Frame: 35 x 20.5 inches, 89 x 52 cm; Painting: 28.25 x 13.5 inches, 71.75 x 34.25 cm. Colors on silk. Signed and sealed by Kosui.

Antique Japanese large painting of carp escaping a net, painted in mineral colors with raised gofun for net and gold details, painted on silk and framed without glass. Painter: Mr. Tensyo Matsunaga. Born in Gifu Prefecture 12th year of Meiji Period (1880). He mastered Maruyama School style of drawing such as flowers and birds under Mr. Gyokusho Kawabata. His carp drawings are excellent and highly prized...

Large shrine board (known as an ema) of Bishamonten chasing after a demon. Polychrome pigments, gold, and sumi ink on wood.Dated Second year of Enki, year of the wooden bull (kinotoushi):1745, November (Shimotsuki). Board was donated by Omiya Souhachiro, who was living in the Kudara-cho district of Osaka City (near the vicinity of Shinsaibashi area). The board was painted by Hanai Bunsen Tsunemine (active early 18th century)...

A night in the summer when fireflies wink their light. The exquisite moment at dusk is finely depicted on the decorative gold leaf background. It is in excellent condition. This piece is a pair with another fan item# 1118796.

H 9 1/2” x W 9 3/4” (H 24cm x W 24.5cm)

Fine decorative fan featuring two white rabbits under the gleam of the moon. The sumptuous gold background is producing a shimmering effect. Rabbit is often appeared in East Asian folklore as a messenger from the moon, where it is seen pounding in a mortar and pestle...

Japanese Meiji Period painted poloma wood door (sugido). Ink and pigment on a natural wood ground, depicting a peacock perched on a flowering cherry tree, signed/sealed Sho[ryo], the reverse with scattered cherry petals floating near a flowering dandelion plant. Possibly featured in a retreat of the upper class. Height: 70.75 inches, 180 cm; Width: 34.25 inches, 87 cm.

A turned kiri-wood kogo incense case decorated with painting of plums and camellia with a silver rim. Inside wide leaves in god outline underlie the artist’s signature and stamp. The piece is 4-1/2 inches (11.5 cm) diameter.
Sekka (1866-1942) is known as the last great Rimpa Master, an artist of many talents who worked in painting, wood and lacquer. Taken from Wikipedia (they say it so much better than I) In 1910, Sekka was sent to Glascow to study Western art and craftsmanship...

Yuasa Koufuu is an accomplished Japanese calligrapher. She is the recipient of many honors and prizes in Japan. Her style is very graceful and reminiscent of the famed Edo Period master, Rosetsu. In this delightful piece, Yuasa Koufuu describes the beautiful scenery in a mountain river. Frame: 20 x 14 inches, 51 x 35.5 cm; Artwork: 13 x 9 inches, 33 x 23 cm.

A Beautiful Ode to Longevity by Watanabe Gashin, born 1944. Watanabe Gashin is a renowned calligrapher who has won many awards for his Japanese calligraphy. In this unique work, he spells out the joys of each decade, from the age of 60 to the age of 111. Frame: 36.5 x 18 inches, 93 x 46 cm; Calligraphy: 25 x 12 inches, 63.5 x 30.5 cm.

A most unique pair of Chinese Pig Skin Trunks, obviously painted by a Japanese screen artist who made these wonderful decorative, rare creations, featuring a marvelous crane and flowers painted in the Japanese style. Late 19th to early 20th Century. 22w x 9.5h x 13.5d inches, 56 x 24 x 34 cm.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature...