Small painting of the 11-headed Kannon standing on a lotus dais, flanked by Bishamonten and Fudo Myoo.
In the front two red colored Nio are guarding the deities.
Inscription on the central base reads: Ichijoten (name of the temple hall), junsan koichi hongu.
The inscription on the bottom reads: Kazusa Shibayama Tenozan Kanon kyoji.
Rollers cut off and framed in mounting.

Black ink and colors on paper...

VOTIVE GOOD LUCK SACRED HORSE

Worshipper's wooden tablet dedicated to the shrine called 'Ema' (lit. 'Horse picture'). Heisei period, 20th century, Japan. approx...

VOTIVE RUNNING DOG

Worshipper's wooden tablet dedicated to the shrine called 'Ema' (lit. 'Horse picture'). Heisei period, 20th century, Japan. approx...

VOTIVE HAND

Worshipper's wooden tablet dedicated to the shrine called 'Ema' (lit. 'Horse picture'). Heisei period, 20th century, Japan. approx...

Antique Japanese pair of paintings depicting two dragons in a dense mist. Gold flashes light up the clouds. Symbolizing the ultimate yang, or masculine energy, the dragon is the controller of both winds and water. Painted in sumi and gold ink on silk and signed by the artist. Both panels are loose (unmounted)...

Large shrine, zushi, made on special order for a temple. Inside, right in front of the back wall is a silk covered panel. Towards the bottom of the panel, on a gold background, are painted Fugen Bosatsu on his companion the elepahant, and Monju Bosatsu, sitting on the back of his companion the tiger. Above them, set in the center of a red painted circle is a circular crystal reliquary, sitting on a gilt bronze lotus dais, surrounded by gilt bronze flames, forming the wish granting jewel hojugata...

Pair of ancient paintings on paper, with polychrome colours and gold. The first painting represents a noble lady, in formal attire, sittings on an elevated platform. Two characters are painted at the back. This painting is partly folded, the paper is stained due to age and has suffered three insect attacks. The second painting represents a noble man in formal attire and sitting on an elevated platform. Two characters are painted at the back...

Antique Japanese album with 12 pages of paintings depicting one large scene of rural life. A woman with a child carries lunch to workers in rice paddies. A man and ox plow a field of grain. Two men chat as they peddle an irrigation apparatus while a child looks on. At a mill, men sift and grind grain. Many other charming vignettes, including a man with a monkey. Painted in mineral pigments and sumi ink on paper with gold leaf and square flecks. Bound in silk with dragons...

A mandala from the Main Kyoto Nichiren Sect Buddhist Temple Honnoji cut from a hardwood slab used in the rebuilding of the great hall in the Taisho period. Written on back is “Given in Taisho 14 (1925) to the temple supporter’s representative as a prayer for good fortune upon the occasion of the ceremonial raising of the roof beam of the main temple structure (Honden), the plackard cut from wood used in the rebuilding”. It is signed Nichijo-gan. Nichijo was the 62nd head of Honnoji Templ...

Japanese Meiji to Taisho period ogi folding fan decorated with a single bird in flight over treetops. Signed at the right and with artist's seal. Late 19th to early 20th century. Measures about 8 3/4" vertical x 18 7/8" across from tip to tip. Very good, clean overall condition with some minor crinkling of the paper at the corners. The paper at the right edge is slightly distressed. From an old New Orleans collection.

The battle of Dan-no-ura was a major battle of the Genpei war, occurring at Dan-no-ura, in the Shimonoseki Strait off the Southern tip of Honshu in the year 1185. One of the crucial factors that allowed the Minamoto to win the battle was that a Taira general Taguchi Shigeyoshi defected and attacked his Taira Clan from the rear. He also revealed to the Minamoto Clan which ship the 6 year-old Emperor Antoku was on. Their archers turned their attention to the helmsmen and rowers of the emperor's sh...

A striking abstract work in red on silver over textured washi paper embedded with strands of tatami mat by revolutionary artist Hori Kosai signed ‘91 Hori. It is 13 x 23 cm (5 x 9 inches) mounted floating in a modern frame, pigments on hand-made Washi paper. Here is an opportunity to acquire an important abstract Japanese artist as yet entirely unexplored in the west.
Hori Kosai (b. 1947) is a contemporary artist and Lithographer from Toyama prefecture living in Tokyo. He entered the ...

A set of four fans (uchiwa) made of bamboo and washi (Japanese hand-made paper). Each has hand-painted pictures and signs such as three kabuki "kumadori" which is special makeup of the kabuki player and Otahuku. All have the same written seal marks, however the name of the artist is not clear. Two are painted with kakishibu (persimmon tannin) 20th century. In excellent condition. W:30.5cm H:35.5cm

A nicely painted fan painting of waterfall landscape by an unknown japanese artist to me, an old piece taken out of a real fan that was used

Antique fan painting on rice paper by various Japanese painters

14 images spanning two pages each are sandwiched between the silk binding of this two sided accordion album by Zen Priest Inaba Shinden enclosed in the original storage sleeve. The images span from Mount fuji to the Daruma to Zen Circles, each annotated with some verse or Buddhist anecdote. It is in excellent condition, the album (closed) measuring 8-1/4 x 12 inches (21 x 30 cm).
Inaba Shinden (1906-1986) was an important priest of the Rinzai sect of Japanese Buddhism. Born in Aichi, h...

Japanese framed print signed by artist known as Ay-O 靉嘔(1931-present). His full name is Takao Iijim, a prominent member of the Fluxus artist movement since its beginning.

Fluxus is described "the most radical and experimental art movement of the sixties".

Ay-O represented Japan at the Venice Biennale in 1966 and at the São Paulo Biennale in 1971. He also built the famed "Tactile Rainbow" at the Osaka World's Fair in 1970. In 1971, true to his Demokato debu...

Antique Japanese framed floral painting, with silver and gold flake accent clouds, of grape clusters on vines and large leaves, with red chop, possibly by Ogata Korin (1658-1716), Rinpa School.

Size: (entire frame) 28.5" L x 25" H (artwork only) 18.75" L x 13.5" H