Japanese Sadao Watanabe print of pouring water (1913 - 1996). Striking red background with four characters pouring water. Numbered 16/70 printed in 1971. Great condition, with no rips or condition issues. 1971 Dimensions: 27 1/2" High X 23" Wide

Japanese Sadao Watanabe (1913 - 1996) print of the Three Saints. Attractive red background highlighting the three saints with birds sitting atop a terrace. Print # 10/70 in 1971. Print on Paper 1971 Dimensions: 27 1/2" High X 23 1/2" Wide

Contemporary print by Mayumi Oda. A baby rides a catfish that leaps out of the ocean. The waves are outlined below the fish. The print is signed at the bottom in pencil.

Japanese framed print by artist Tsuyoshi (Go) Yayanagi (born 1933), numbered 27/50, titled "Les Faux Amants" and signed in pencil.

Size: 19.75" L x 25.6" H (entire frame)

A framed screen print titled "Soroban 305-S" (soroban means abacus in Japanese), number 38/50 in its series, signed by artist Yoshio Sekine (1922-1988). Dated 1973. Size: (entire frame) 25.5" height, 19.75" width, (artwork only) 19.25" height, 13.75" width

Oversized limited edition etching and relief print by Ouchi Makoto (1926-1989) titled “Firebird” dated 1971. The print is pencil-signed, numbered 30/60, and titled in kanji in the lower section beside the artist’s red seal. Paper size: 35 7/8”V x 23 1/2"H. Very good overall condition. The right paper edge cut is slightly irregular. This image is illustrated as plate 19 in the reference book “Aramusha: Ouchi Makoto The Artist Warrior” by Mary and Norman Tolman...

Oversized limited edition etching and relief print by Ouchi Makoto (1926-1989) titled “Yuki” (“Snow”). It is undated, but likely dates from the 1970s. The image is pencil-signed, numbered 13/35, and titled in kanji in the lower section. The paper size is: 37”V x 25”H. Very good overall condition. There is a small abrasion in the paper just under the penciled kanji title and the paper in the upper left corner is slightly wrinkled...

“I am here” she whispers as the bespectacled gentleman pours the last drops from his bottle and says “I am going home”…a lithograph by Kei Hiraga numbered 50/120 and signed Key Hiraga ’88 with the artist’s seal in red. The paper sheet, matted and framed, measures 50.5 x 42 cm (20 x 16-1/2 inches) and is in excellent condition. This is an superb example of his work, showing both his eros and playful nature in the abstracted figuration for which he is most remembered...

Japanese limited-edition copperplate etching and aquatint by Tanaka Ryohei (1933-2019) titled “The Great Ginkgo Tree." Pencil-signed, dated ’04, and numbered 18/100 in the lower margin. Paper size: 19 1/2” x 13” (image: 15 1/2” x 9 1/4”). Never framed. Excellent original condition.

Pencil-signed etching by Czech artist Emil Orlik (1870-1932) titled "In the Evening" (Im Abend) dated 1902. This etching was produced shortly after the artist's arrival in Japan in 1900. Plate size: 6 1/2" x 4 5/8" with large margins and deckled edges to the laid paper (paper size: 9 3/4" x nearly 8 1/2"). Very good overall condition. Slight toning is evident...

Modern limited-edition Japanese etching by Takahiko Hayashi (b. 1961) titled “The Wind Filled with Roots, Countless Small Beginnings” dated 2001. Pencil-signed, titled in kanji, and numbered 45/50 in the bottom margin. Paper: 25” x 23” (frame: 26” x 23 1/2"). Very good overall condition. Floated on an archival mat in a shadow-box frame with UV glass. The wood moulding has a coppered finish. From a Tucson, Arizona collection.

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) titled “Hasami” (variously translated as “Scissors” or “Nail Clipper”). The print is pencil-signed “Y. Mori” at the lower left, dated ’79, and numbered 24/50. The artist’s red seal is above the signature. The lower edge of the paper verso also contains the title and the original purchase price of 120,000 yen. The paper measures 17”V x 22 1/2”H...

Original Japanese print by well known artist Mayumi Oda (1941-present), titled "Let Wisdom Arise Within Us" (Blue) , number 23/100, and signed in pencil along the bottom. Wonderful depiction of a goddess wielding a sword while riding on the back of a growling fu lion, surrounded by large bouquets of peonies, the flower petals blown around her by mystic winds.

Size: 19" W x 26" H

American artist Guy Diehl, born in 1949 in Pennsylvania, is most famously known for his still life paintings and prints. Diehl's family moved to California in 1960, where he began taking courses in art at Diablo Valley College in 1968. He moved onto study under Mel Ramos, one of the originators of figurative pop art at Cal State University, Hayward. Diehl earned his master's degree from San Francisco State and graduated with honors in 1976...

American artist Guy Diehl, born in 1949 in Pennsylvania, is most famously known for his still life paintings and prints. Diehl's family moved to California in 1960, where he began taking courses in art at Diablo Valley College in 1968. He moved onto study under Mel Ramos, one of the originators of figurative pop art at Cal State University, Hayward. Diehl earned his master's degree from San Francisco State and graduated with honors in 1976...

Antique Japanese framed abstract print, signed Takeshi Hara (1942-present) in pencil, number 36/60, titled "Strokes 74-1". Hara was born in Nagoya, Japan in 1942 and graduated the Oil Painting Dept. of Tokyo National University of Fine Arts in 1967. He later went on to become a professor in the Dept. of Painting at Tokyo Zokei University until he retired in 2008...

Oversized limited edition Japanese "kappa-ban" (stencil print) by Sadao Watanabe (1913-1996) titled “The Triumphal Entry to Jerusalem.” The print is signed, dated 1968, and numbered 25/50 in white ink at the bottom...

Japanese limited edition aquatint etching by Sarah Brayer (b. 1957) depicting two black cats on a snowy village lane titled "Footprints." The print is pencil-signed, titled, dated ’99, and numbered 80/80 in the bottom margin. Visible paper size: 23 1/2” x 14 1/2" (image: 22 1/2” x 13 3/4”). Original Kanda Gallery frame with non-glare glass measuring 32 3/4” x 22 1/2." The print has not been examined out of the frame, but no condition problems are visible.