Inrô with four compartments in fundame lacquer decorated with a pavilion near a river in a mountain landscape in hira maki-e, taka maki-e lacquer and kirigane.
The inside in nashi-ji gold lacquer.
INRO MANJU NON INCLUDED (SOLD)

Japan, Edo period (1615-1868)

Inrô : height 7,5 cm -3 in

Six compartments inrô in black, gold and silver lacquer, depicting cranes in a landscape. The inside is in nashi-ji lacquer. Signed Kajikawa underneath.

Kajikawa was one of the most talented families of lacquer artists, specializing in inrô. They worked for the Tokugawa shogunate from the 17th to the 19th century. It is almost impossible to assign any individual pieces to the different members of this family. They often used encrustations of metal or nacre...

Layer upon layer of lacquer has been carved with scrolling designs revealing the depth of the surface in a style known as Guri by Suwa Sozan I enclosed in a wooden box titled Guri Kobon. It is 23 x 33 cm (9 x 13 inches) and in excellent condition, the artist seal inlayed in mother of pearl beneath. The box is annotated by his adopted daughter and heir Torako (Suwa Sozan II)...

A large table made of layers of lacquer carved through to reveal the various colors by Suwa Sozan I enclosed in the original signed wooden box titled Guri Joku and bearing the Teishitsu Gigei-in Seal of the Imperial Art Academy. It is 65 x 40.5 x 20 cm (25-1/2 x 16 x 8 inches) and is in excellent condition. The artists seal is expertly incised into the back of one ball shaped foot...

Antique Japanese suzuribako. Made for holding materials for fine calligraphy writing. The cover of the box is decorated with gold maki-e wild flowers including ferns and daisies with silver details and clouds of gold flakes. The interior of the box holds an ink stone, a copper water dropper and areas for resting brushes all treated with clouds of fine gold nashiji on a black lacquer ground. The underside of the lid is decorated with a scene of a rocky riverbank covered in wild flowers...

Large and wide tray, in Japanese lacquer, black, gold and silver according to the techniques of hiramaki-e and takamaki-e. It offers a setting of two large rabbits in autumn grass looking at the sky, under a large silver crescent moon, on a black background. Length: 66cm x Width: 44cm. With a base. Japan Edo (1603-1868) 19th Century

Japanese antique Shibayama inlaid horn vase, decorated with lotuses in a pond with flying cranes and song birds in shell inlay and gold maki-e lacquer. Inscribed with three characters and mounted on a wooden stand decorated w maki-e lacquer and carved design of scrolling vines.

Meiji Period (1868-1912)

Dimensions: 8 5/8" high

A pair of wood and lacquered Niō, guardians of Buddhist temples, finely carved in polychromy with the muscles in evidence and the veins in relief. The Niō (Jp. = benevolent kings) are a pair of protectors – Agyō and Ungyō – who stand guard outside the gate of Japanese Buddhist temples, one on either side of the entrance...

Thick hirame polished gold disks glimmer on the surface of this peach-shaped container by Okada Yuji enclosed in the original signed wooden box titled Toju. The peak is tinged pink, while a green leaves embedded with kiri-gane gold wrapping up the sides. A striking work of kanshitsu (dried lacquer art) from the pinnacle of the artists career. It is 7.5 cm (3 inches) tall, the same diameter and is in excellent condition...

Pair of Japanese Lacquered jubako or tiered box used for placing sweets inside. The box is decorated with motif of waves done in mother of pearl. The lid and the side of the boxes contain images of prunus done in hira-makie. The jubako was done in the Ryukyu Islands where the motifs contain influences from Japan, China, Korea, and Southeast Asia. Age: Mid-Edo Period (Circa 1700) Size: (per box) height 18.75" width 11.25" length 13.75"

Small gold lacquer tray, magnificent example of kirikane and multiple lacquer technical and multiple lacquering techniques. Absolutely exceptional quality, very rarely encountered. Presence of small details in mother of pearl. I think it must have been part of a set, most probably inside a box? But it is possible that it was created alone. Perfect state of conservation. Difficult to date exactly, I would say around 1800. Dimensions 105x80mm.

A striking work of lacquer art in unusual blue by the ever-challenging Okada Yuji dating from early in his career, circa 1975. The work is performed on a panel with built up mounds over which has been applied colored lacquer and gold foil. Down the center a zigzag line of mother of pearl is inlaid. To this design has been added extruded lacquer decoration bordered in burnished Suzu-ita metal overlay. The panel is 80.5 x 145 cm, about 2.5 cm thick, in excellent condition...

A Japanese inro made in lacquer with great craftsmanship and decorated with the image of six monkeys. The outer surface of the Inro is coated in gold lacquer which creates an elegant contrast with the metal monkeys. This Inro depicts a scene in the round, in which monkeys interact in an evocative natural environment...

Lacquered wooden box inlaid with gold, silver and mother-of-pearl mosaic, typical work of the famous Somada family of Japanese lacquerers. The box is made up of two superimposed parts which are partially covered by a surprisingly openwork lid, largely revealing the sides. Inside there is a small tray. The preciousness of this box is matched only by its fragility; however, it is in a perfect state of conservation, which is exceptional...

Lovely antique Japanese large rectangular tray with a scene of a woman gazing at the moon (inlaid mother of pearl), she is sitting near a small stream with flowers and grasses, misty clouds above, the tray is made of kiri wood and the decoration is made of beautiful cherry wood bark, outer sides are also covered in cherry bark, Taisho Period. Size: 24 3/4" long x 15 1/4" wide x 3 1/2" deep.

Antique Japanese 2-section shodana, display cabinet for heirlooms and works of art. It's rare, mostly open configuration gives a floating appearance to it's multi tiered shelves and compartments. It has intricate pierced carved details of phoenixes and curling flower vines. A rectangular compartment in the center portion has a hinged door that is decorated with blue lacquer and bone shibayama inlay of a bird in tall grasses stalking a bee...

A stunning large antique Japanese lacquer bunko (document box). Decorated all over with raised blossoming white rhododendron. Charming details of the leaves show where they have been nibbled appreciatively. Very unusual and beautiful use of takamaki-e lacquer technique. Signed on the underside of the lid by 源十郎 Genjūrо̄. Considered the representative lacquer ware artist of the Showa era, 吉田源十郎 Yoshida Genjūrо̄ (1896-1958) exhibited at the Bunten, Teiten, Shinbunten and...

A very modern and sleek interpretation of the classic lacquer sake warmer otherwise known as a “chōshi” in Japanese. The author of this piece, Kado Isaburō, was born in the town of Wajima in Ishikawa in 1940. Born into a crafting family, he learned the family trade from a young age from both his mother and father and would later go on to do an apprenticeship under Hashimoto Tetsuhiro. In 1962 he would win his first award at the prestigious Nitten exhibition for modern art with ...