Earthen-toned glaze covers the fissured surface of this unusual small vase by Sugitani Keizo enclosed in the original signed wooden box. It is roughly 6 inches (15.5 cm) diameter and in excellent condition, directly from the artist this summer.
Sugitani Keizo was born in Osaka in 1959. In 1982 he graduated the Ceramic Art Institute of the Tekisui Museum of Art...

A sculpted large blue chawan buy Sugitani Keizo enclosed in the original signed wooden box. It is 13.5 x 14 x 10 cm and in excellent condition, directly from the artist this summer.
Sugitani Keizo was born in Osaka in 1959. In 1982 he graduated the Ceramic Art Institute of the Tekisui Museum of Art. He has selected for a number of group exhibitions including the International Ceramics Competition Mino and the Asahi Art exhibition, where he has been awarded...

A flash of gold blazes on the raw earth side of this masterpiece tea bowl by Kato Kiyoyuki enclosed in the original signed wooden box titled Hai-yu Chawan. Green ash runs down opposite the iridescent flash of gold. Inside the ash sees to catch on the horizontal furrows left by the artists fingers. It is 12.7 cm (5 inches) diameter and in excellent condition.
Kato Kiyoyuki was born in 1931, the heir to a long-established tile-making business in Seto...

Japanese Oribe Seto Ware Andon-Zara Dish - Edo Period

This stoneware dish is an andon-zara (or abura-zara), an oil lamp dish. It was made in the early 19th (or possibly late 18th) century, during the Edo period (1615 - 1868). It is heavily-potted and has a delightful slight warp to it. It is coated in a crackled glaze and decorated in underglaze iron-brown, the pattern featuring a stylised flower, two interlocking circles above what may be a fence. To the top right is an area of green glaze...

Japanese Oribe Seto Ware Andon-Zara Dish - Edo Period

This stoneware dish is an andon-zara (or abura-zara), an oil lamp dish. It was made in the early 19th (or possibly late 18th) century, during the Edo period (1615 - 1868). It is particularly heavily-potted and has a flat, slightly concave base. It is coated in a crackled glaze and decorated in underglaze iron-brown, the pattern featuring three stylised flowers above what may be a fence. To the top right is an area of green glaze...

Height: 17 cm (6.9 in)
Width: 10.5 cm (4.2 in)

Fine Japanese Satsuma vase by Hododa; depicting the Seven Lucky Gods known in Japanese folklore; mounted in silver, gilded on the base; signed Hododa; very good condition

Height: 25.5 cm (10.2 in)
Width: 12 cm (4.9 in)

Fine Japanese Satsuma vase by Seizan; features two main panels showing raised polychrome decoration of Geisha and kodomo within rural and garden settings; panels bordered by richly gilt diaper work over a royal blue ground; signed on the base in gold; minor wear

Gold shatters on the blue surface of this large vase by legendary female potter Ono Hakuko enclosed in the original signed wooden box titled Yuri Kinsai Hana Tsubo. It is 29 cm (11-1/2 inches) diameter, 31.5 cm (12-1/2 inches) tall and in excellent condition.
From Aichi prefecture, Ono Hakuko was trained by her father initially in the ceramic arts. However, she was most strongly influenced by the great experimentive artist Kato Hajime (1901-1968) and his work with gold...

1900's Japanese Hirado Porcelain Monkey Okimono

It is 6.3 inches (16 cm) tall by 6.7 inches (17 cm) wide. It is 1.2 Lb.

It has dark spots, skip glaze, a chip and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

1930's Japanese Awaji pottery Green Glazed Vase with Geisha

It is 9.9 inches (25.2 cm) tall by 6.3 inches (16 cm) wide. It is 3.1 Lb.

It has a firing crack at the foot , mild skip glazes, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A pair of Japanese porcelain blue and white charger dishes.

Age: Japan, Meiji Period, 19th Century
Size: Diameter 46.8 C.M. / Thickness 6 - 6.2 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

This plate is made of Shigaraki clay and covered with ash glaze, it's shaped just like as dynamic wood block. The one part is repaired by gold , it's called "Kintsugi". Size: 34.0cm(length) 35.5cm(width) 9.0(height) Accessary: none, wooden box signed by artist is available with extra charge.

One of the most beautiful pieces I have ever seen by this pioneering Shino artist, a spectacular Mizusahi by Okabe Mineo enclosed in the original signed wooden box titled E-shino Mizusashi. It is 17 cm (6-3/4 inches) diameter, 16 cm (6-1/2 inches) tall and in excellent condition.
Okabe Mineo (1919-1990) was born the first son of important artist Kato Tokuro, however the relationship with his father was volatile...

A rare set of Tokkuri by important artist Okabe Mineo enclosed in the original signed wooden box titled Seto-te Tokkuri. The shapes are twins, one in E-shino style with iron decoration under white feldspar, the other in austere Oribe green glaze...

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta. However, they needed expensive costs, so they could not be continued. And Sadamitsu Sugimoto re...

A veteran of Bizen pottery, Mori Tōgaku has been perfecting his style for close to seven decades now with most of his important work having been done in the last 35 years. Using a self-built large climbing kiln measuring 53 meters—one of the largest of its kind—he utilizes a number of interesting techniques including mixing different types of clay into one work to produce pieces like the mizusashi (fresh water jar) shown here. With an unmatched ability to keep his designs fresh and interest...

From a well-known series entitled “Chōtō” (Listening to the Waves) this contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors not ...

A classic tea form by pioneering artist Furutani Michio enclosed in the original signed wooden box titled Shigaraki Hanaire. It has been burrid midway in the embers scorching the earth black , molten ash covering the fire side, the rim torn and sagging, the perfection of imperfection. It is 10-3/4 inches (27 cm) tallr and in excellent condition.
Furutani Michio (1946-2000) is one of the Gods of Shigaraki, an artist who wrote the book on Anagama kilns, and one of the more influential art...