An Arita moulded dish of shuronogata, Hemp Palm, form decorated in underglaze blue with gilt outlined enamels, somenishikide, dating to the late Mid Edo period. The dish decorated with a kachoga design evoking an image of late Winter or early Spring incorporating the Shochikubai, the Three Friends of Winter. The under-glaze blue portion of the design a Bamboo “Tree” with shattered trunk and a pair of enlarged yukiwa, snow flake roundels, to suggest seki, viewing stones...

A Japanese Arita lobed dish decorated with a dragon descending from clouds, grasping the pearl of wisdom. The back with a fuku mark. The dish dates from 1750~1790. A similar design to Chinese examples of the Yongzheng period.

Approximately 14 cm diameter. Perfect condition. A little kiln dross in the cloud.

Please study the photographs.

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A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal...

A small lobed Arita porcelain bowl decorated with scrolling karakusa. The interior with the shochikubai, the three friends of winter. The base has a four-character Fuki Choshun, "good fortune and long life" mark. Late 18th or early 19th century.

Approximately 10.8 cm. Diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal...

A Japanese Arita shallow plate decorated with radishes, daikon, iron-dressed rim. The back with four kiln support spur marks.19th century.

Approximately 19 cm diameter. Some light wear from use, otherwise perfect.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal...

Japanese green studio crackle ware vase with applied silver floral motifs. With tomobako. The foot is signed Shofu Katei (1870-1928). Small wear losses.

Shofu Katei was born in 1870 in Seto, Japan. He later moved to Kyoto where has was adopted into the prestigious Shofu family kiln to create Japanese ceramics. In 1908, he set up the Shofu Ceramics Company, Ltd. and was awarded a Green Ribbon in 1915.

Dimensions: 5" W x 7 1/2" H (Tomobako 6 1/2" x 9" H)

A very large Imari charger with a painted dragon in the center chasing the elusive flaming pearl. The panels have various paintings of dancers and country scenes. It is unusual to see dragons in Japanese Imari plates. The back has been wired for hanging. Size: Diameter. 45.3cm. Condition: Perfect.

A very fine sometsuke dish of scalloped octalobed form painted with a mon form central motif of a symmetrically arranged pair of leaping carp. Framed by a continuous band of botan karakusa, Peonie lotus scroll, within which are reserves containing, dragons, Ryu, in clouds and a gilt rim, kin-beni. The reverse decorated with hagi-karakusa, vine pattern and a six character mark for the Chinese Emperor Jiajing. The quality of the painting is of the highest standard...

A rare set of three Deshima (Scheveningen) small bowls of lobed lotus petal form, two of which have all the elements of the traditional Deshima pattern, cups in this pattern appear to be exceptionally rare in the literature compared with flat wares, and one with a Chinese interpretation of the scene, where the figures and landscape are transposed into Chinese Immortals and a traditional Chinese style landscape, examples of which appear in the Burghley Collection etc...

A spectacular faceted work by Ueda Mitsuharu enclosed in the original signed wooden box titled Shigaraki Mentori Kabin. It is 9 x 11 x 11 inches (28 x 24 x 28 cm) and is in excellent condition.
Born in Fukuoka in 1957, and studied initially pottery in Tamba under Ogami Tsuyoshi before entering the Kyoto Prefectural Ceramic Research Facility, which he finished in 1983 followed by a year studying glazes in the Shiga Prefectural Kiln...

A Yuteki Tenmoku chawan in sumtous colors, dark blues within, midnight drizzling to sunrise pinks and sunset oranges on the side by Kimura Moriyasu enclosed in the original signed wooden box. It is 4-1/2 inches (11.5 cm) diameter and in excellent condition.
Kimura Moriyasu (b. 1935) studied pottery initially at the Kyoto Ceramics Research Facility (which turned out such masters as Hamada Shoji and Kawai Kanjiro) and then under his brother Kimura Morikazu...

Scraped cut and beat out of form with looping ribbons of clay for handles, here is a mizusashi which certainly does not let down; everything we have come to expect from this popular Japanese artist enclosed in the original signed wooden box. It is heavily potted, creating a bold, lively experience. The piece is 8 inches (21 cm) tall, 7 inches (18 cm) diameter and in perfect condition...

A squat form quintessentially Kishi Eiko enclosed in the original signed wooden box dated 1997. Purchased from the artist, it is 21 x 14 x 19.5 cm (8-1/4 x 5-1/2 x 7-3/4 inches) and is in excellent condition.
Kishi Eiko was born in Nara in 1948, and largely trained in the Ceramic Institute of Tekisui Museum. She was first exhibited in 1981 at the Women’s Association of Ceramic Art and was awarded that year. She took the grand prize at the 1985 Asahi Ceramic Art Exhibition, and from the...

An incredible work of florals on gold signed on the base Kutani Kaburagi Sei showing the very best of that regions pottery dating from the Meiji to Taisho period, when quality and craftsmanship was at its peak. It is 9 inches (23 cm) diameter, 13 inches (33 c) tall and in overall fine condition. There is a small tori-ashi (birds foot) glaze crack in the bottom but does not leak, and is only visible on the outside bottom.

Enigmatic designs in free flowing black and rigid lines impinge on the yellow square of this raised plate by Kim Hono. It is 24 x 25 x 4 cm (9-1/2 x 10-1/2 x 1-1/2 inches), signed underneath. This piece is from a private collection of modern art and was purchased from the artist. There is no box but one could be had for an additional fee.
Kim Hono was born in Seto City Aichi Prefecture in 1958, and graduated the Prefectural Ceramics School in 1977, then taking up apprenticeship at a lo...

Japanese set of 7 blue and white porcelain condiment cups. Each cup is formed with dramatic four lobed foliate rim, eggshell thin body with cobalt blue under enamel scene of Mt. Fuji and flower medallions. The foot of each cup is recessed and incised with lines in a circular order. Dates from the 19th century.

Dimensions: 3" x 2 1/2" x 1 1/4" H

An exquisite vessel by Seifu Yohei IV decorated in slight relief under pale green glaze. It is 8-1/4 inches (21 cm) tall and in excellent condition.
Seifū Yohei IV (Seizan: 1872-1946), the second son of Seifū Yohei III (1851-1914). He studied literati-style painting under Tanomura Shōsai (1845-1909), a son of Tanomura Chokunyū, in Osaka for three years. In 1914, he succeeded to the head of the family and produced works mostly in his father’s style. He won a number of prizes includi...

The size of Plate: 7 1/4" Dia x 1 1/4" High. Fine quality Japanese Ko Imari Porcelain Plate. The plate has three section window divided by Gold and red Karakusa design. There is Crane design in circle. Well control Yoroke design in gold green lavender colors. Window has Japanese flower in enamel work and butterfly. The center of plate with blue underglaze landscape design accented with gold. Well done plate. The shape and also the glazing is fine quality porcelain body. Outside has treasure desi...