This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Covered ashes make beautiful pattern. It could be used as small vase. Size 7.7cm(W) 12.8cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.5cm(W) 4.5cm(H) Accessary wooden box with signature

Marbled porcelain clay in lavender and black in wavelike scales form this sake set by Kusaba Yuji enclosed in the original signed wooden box titled Nerito Kuro Namimon Shuki Soroi (Matching Sake set of Marbled Black Clay). This is absolutely perfect for summer sake, the shape is open allowing quick pours and the high fired clay keeps cool, passing on the chill through your fingers as you pour...

A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era...

Ko Imari Arita Koi-gata Fish Shaped Dish Nagazara Genroku 17C A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era...

A striking configuration by the rising young female artist Tanaka Yoko enclosed in the original signed wooden box titled Yu-un Hai (Playful Clouds Cup). Yoko has created a unique technique whereby she combines glass and porcelain. It is roughly 7.5 cm (3 inches) diameter and in perfect condition, directly from the artist this summer.
Tanaka Yoko was born in Kanagawa prefecture in 1983, and graduated the design course of Tama Art University in 2007...

A large dish used for raw fish or shellfish (mukozuke) for the tea ceremony in which guests are served. It measures at 11.75” square x 2” high. This dish is designed in the traditional Japanese ascetic of simple brush strokes and relaxed design; such a dish was not intended for export and does not conform to the Western ascetic of gaudy and over crowded design. A true testament of genuine Japanese tradition. The plate dates to the late Meiji to early Tashio period (1900-20).

This wonderful Japanese banko nodder is somewhat unusual in that his head nods side to side rather than front to back like most nodders on the market. Dating circa 1880-1899, he was hand molded as evidenced by indentations and finger prints left by the artist on the inside of the bell/body. In excellent condition with the exception of one repair to the neck. At some point in his history, the weight broke in half and was re-attached. No other condition issues, no chips, cracks...

The size of Charger: 12 3/8" Dia x 1 3/4" High. Very Fine Japanese Aote Kutani Charger. Aote is green in Kutani ware terminology which was Miyamoto kiln originated. The charger is made with fine crackle glazing earthenware body finish as many Kutani piece in modern age. It has wonderful workmenship and design of Oshidori(mandarin duck) with Plum tree and bamboo. It has fine handpainted decoration of enamels. The plate was decorated with Kutani artist name Kitamoto Gakuyo...

Japanese pottery tsubo vase. An earthy, drab gray-green glaze on porcelaneous body with thin iron wash and with bold, rich red iron oxide glaze painted floral decoration on opposing sides of the tsubo form with thickly potted shoulder rising to a broad, everted rim. Two character impressed artist's mark inside the foot appears to read Kazan ('Ka' being the 10 stroke character also read as "hana".) A pleasant, substantial feel when held. Excellent condition. Height, 9 3/4 inches (24.76 cm)

A Fukagawa 11 7/8 inch fish service dish. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration including random butterflys. Mt. Fuji mark and Fukagawa Sei in underglaze blue inside the foot ring. Late Meiji or early Taisho. Good condition. We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

Solidly potted Japanese Mashiko stoneware teardrop form vase covered overall in a green drip glaze over a brown ground that ends at the unglazed base. The base holds an unidentified impressed potter’s seal. Mid-20th century. 7 3/8” high by about 7” diameter; weighs about 3 lbs. Very good overall condition with no chips, cracks, or repairs. This vase is from the collection of a Green Valley, Arizona couple who were expatriates to Japan in the 1960s and 1970s...

Solidly potted Japanese Mashiko stoneware rounded square form vase with wide shoulders tapering to the base decorated with abstract brown drips over a whitened kaki brown background. The flat foot rim is unglazed. The base holds an unidentified “Y” form impressed potter’s seal. Mid-20th century. About 9” high by 7 1/2” diameter; weighs about 4 lbs. Very good overall condition with no chips, cracks, or repairs...

Lovely Japanese antique Imari-ware porcelain bowl, eight sided, beautifully painted in traditional Imari colors with details in gold, scenes of mountain pavilions and baskets of chrysanthemums in alternating fan shaped reserves, Meiji Period. Size: 8 3/4" wide diameter x 3 1/8" high.

Japanese Imari Porcelain Lunch box/Jubaco with three(3) compartment with lid, 7 3/4" high with lid, 5 1/2" diameter and 2 1/8" high, 5 1/2" diameter for each compartment, Ca. 1920, decorated with typical Imari colors with character of "Happiness". Two(2) flake shallow enamel chips in red character area which is normal wear and tear over the years, overall in good condition.

Japanese Imari Porcelain Vase, Ca. 1868-1912, Meiji period, 12" high, 6" wide-widest measurement, 3" diameter-top rim, overglaze design of Bamboo, Maple, Pine and flowering trees inside the two cartouches, and Peony flowering tree wrapped around by stylized Peacock feather inside the other two(2) sides, all decoration are done by overglaze Imari colors on top of the underglaze blue, and highlighted in gold. The condition is good, no damages.

Japanese set of 7 blue and white porcelain condiment cups. Each cup is formed with dramatic four lobed foliate rim, eggshell thin body with cobalt blue under enamel scene of Mt. Fuji and flower medallions. The foot of each cup is recessed and incised with lines in a circular order. Dates from the 19th century.

Dimensions: 3" x 2 1/2" x 1 1/4" H

A fine and large stoneware dish by Sakuma Totaro (1900~1979). Decorated with a flowering plum tree against a transparent ash glazed ground. The back is plain and glazed with a clear ash glaze. Mid 20th century.

The original wood storage box (tomobako) lid is inscribed in ink with a title and the signature of the potter with his red seal.

First son of Sakuma Fukujiro, a mingei potter in Mashiko, Totaro studied ceramics with his father...