Large Chinese late Qing dynasty export porcelain punch bowl decorated around the circumference in famille rose enamels with birds, flowers, and butterflies. A dense polychrome enamel border extends around the interior and exterior of the top. A few blue bats are scattered on the exterior border and gilt highlights the rim. 14 1/4" diameter x 6 1/2" high. Late 19th century. Very good overall condition with no chips, cracks, or repairs...

Width: 29 cm (11.6 in)
Height: 4.8 cm (1.9 in)

Chinese porcelain famille rose low bowl; features nobles seated at a games table surrounded by children and auspicious objects; good condition

Rare table size Chinese white jadeite snuff bottle with apple green and emerald green markings along with some blushes of lavender. Nicely carved in a reticulated openwork design, it is in excellent condition measuring 5.25" high x 3.25 across. On stand it measures 6.125"

An antique Chinese Qing Dynasty 19th century silk brocade tapestry woven with dragons & cloud patterns; the silk ground is coral red color, backed with light brown linen; probably made for the imperial household; Excellent condition, minimal sign of use. Measurements- Overall 79" long x 55" wide ( There is a seam in the middle, 2 pieces of 27.5" wide joined together ). Showing on picture #1 is folded (2/3 of the length )

Chinese 18th century bronze censer / incense burner with Xuande mark. Good condition ( No dent, no repair ) censer has been cleaned. Size : 18,5 cm wide from ear to ear. 13 cm mouth diameter. 7 cm high. 1819 gram weight.

19th century Chinese carved green fluorite scholar's table libation cup/brush washer with nice purple highlights on the superbly done top rim. It is carved in high relief with birds, flowers and rockery with the bottom part having a twisting stem type riser. In excellent condition, it measures without stand 3" high x 3" long (at the very top rim) x 2.25" wide as the top rim flairs out more across the length.

The sculpture is of excellent quality. The Kouanyin is represented seated in a position of royal relaxation. Very heavy wood is covered with several coats of paint. The details are finely incised but are almost all covered by the paintings. The hand was made apart. The expression of the face is calm, attentive and benevolent. The movement of the fabrics is elegant.Traces of textiles.Yuan style but I am not able to certify the authenticity because there are so many copies...

A very well carved and inscribed wooden tablet made for use in the family house, on the ancestor´s altar for worshipping of the deceased husband . This â€spirit tablet†has the name of the man, Chun Fa from Lin Prefecture , and the name of the donor, the respectful wife Niang, born Song. In the inside it says that Chun Fa was born in the cyclical year of XianFeng, eleventh month, ninth day =1850, lived forty two years and died in the cyclical year of Guangxu 1891...

Stunning Chinese Buddha Head made of natural stone, late Qing Dynasty (1626-1911). It comes on a custom made natural stone stand and has a total weight of 18,8 KG.

The Buddha Head is in great antique condition. The natural stone base has a small flaking at the back left, which is hardly visible.

Size: 37 cm height x 20 x 20

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An octagonal wooden box with hinged lid, the interior with original pewter tea caddy, original key. Finely painted in two different gold tones showing scenes with figurines in courtyards, on a black lacquered ground. Condition: fine quite pristine, few traces of usage, the lock seems not to work. Dimension: 17.3 x 12.1 x 10.3 cm, weight: 740 g.

Pair of 1900's Chinese Brass Sai Forked Mace

They are 20.2 inches (51.5 cm) long by 7.1 inches (18.1 cm) wide. It is 3.6 Lb.

They are tarnished and have rubbing of patina, pitting, surface wears and scratches. One has missing one yoku (as seen in the photos).

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Circa 1820-1840 large table size rock crystal snuff bottle. Superbly done with the greatest skills depicting carvings of birds, foliage, and a Qilin mythical beast. The bottle rests on a fine custom rosewood stand that is also expertly produced. In the 2nd photo, it is shown next to a normal rose quartz snuff bottle so you can compare its large size. Origin is Canton, China. In excellent condition with only a few flea bites to the cover's bottom edge, otherwise it is superb...

Circa 1850, Chinese flattened circular form black tixi lacquer box. Decorated with alternating layers of black and red cinnabar lacquer deeply carved to create intricate designs, the box has a beautiful sheen to the surface so that the layers of lacquer simply pop! On the bottom you can see the swirling layers of black lacquer. High quality and in excellent condition, it measures 3” diameter, 1” high.

Late Qing Chinese red tixi cinnabar circular box decorated with alternating layers of red and black lacquer deeply carved to create intricate designs The box has a beautiful sheen to the surface so that the layers of lacquer simply pop. High quality and in excellent condition, it measures 3” diameter, and 1.5” high. Circa 1850.

Chinese Famille verte porcelain cover. Decorated with bird and flowers in predominantly green enamels. 19th century China, copying a Kanghi model. Ideally suited for a vase with an opening of 132 to 145 mm in diameter. Outside diameter 198 mm (7,8 inches) Interior dimeter 130 mm (5,1 inches)

Circa 1860, Chinese export green glazed pottery statues of a parrot perched on a sancai glazed rock. In excellent condition, they measure 10.25 inches high, 3.5” wide, 4” deep.

17th century scene of "Son Returns Home After Making His Fortune to the Surprise of His Family". Hand painted with inks on silk, we are dating this painting pre 1900. Not examined out of frame, it looks to be in excellent antique condition. Measures in frame 20" x 38" high, site size 14" 27" high.

Chinese Qing dynasty ink and color on silk painting in the imperial court style depicting two birds on branches set against flowers by Ma Jiatong (1865-1937). The inscription reads “following the spirit of the brush of Prime Minister Jiang Nansha” (referring to the early Qing painter Jiang Tingxi), by Xiangdong Jushi Jiatong.” Two seals of the artist are below. The second reads "Ma Jingfan.” 19th century, Tongzhi to Guangxu period...