Antique Chinese vase with lid, made of green jadeite, with 8 faceted sides. Carved with scrolling floral motifs and filigree, with open carved filigree handles. The lid has a large finial over carved drapery. The base is carved with a lotus form over the tall, deeply recessed foot.

Dimensions: 4" w x 3 1/2" d x 11 3/4" h

A stunning Chinese porcelain Dayazhai-type jar grisaille painted with yellow ground. The monochromatic imagery of black and grey peonies against a yellow enamel ground scrolls around the body under a band of ruyi heads below a band of key-fret. With descriptive tag on the base "From the Hall of Embodied Harmony". There is also a Museum Porcelain Exhibition tag. The tag has some losses but shows that the Exhibition was in the 1960's - item #238...

Chinese hard stone carving of a standing woman with flowing robes. In her hands she is holding a raised cup and a lantern on the end of a ruyi scepter. With wood stand.

Circa 1900's

Dimensions: 2 1/2" w x 7 1/2" h

Antique Chinese square faceted box made of black lacquered wood with inset rattan panels. The top of the box is decorated with a rural scene of court figures in a garden painted in gold lacquer on a black lacquer ground. The box stands on small feet and cut-out details on the bottom portion of the box are lacquered red. A beautiful overall crackle of the lacquer speaks of the box's age.

18th century

Dimensions: 9 1/2" high x 14" wide x 14" deep.

Antique Japanese large single section todana tansu. Made of hinoki (Japanese cypress) wood. This piece 4 horizontal rows with 4 drawers in each row for a total of 16 drawers. All of them are the same size. The hardware is made of iron and each drawer has a warabite shaped drawer pull.

Meiji Period (1868-1912)

Dimensions: 29" high x 65 1/2" wide x 17 1/8" deep.

A small bulbous Chinese porcelain vase finely painted with two dragons among clouds chasing the flaming pearl in the "famille verte" palette. Condition: fine, minor wear to decoration. Dimension: 12.7 cm high.

Chinese Brass Lock and Key with Chinese Character signed inside, Ca. 1900 or before, outside measurement(3 1/4" long, 1 1/4" high, 7/8" deep, inside measurement(2 1/8" long, 3/8" high under stick, 7/8" deep), the round stick is 1/4" diameter, old age green patina or stain on brass, and in good working condition.

Chinese blue and white porcelain planter, decorated with cobalt blue underglaze designs of scrolling vines and flowers and three round medallions depicting waterside scenes, rock formations in the background and fishermen, huts, and pine trees in the foreground. The inner and outer rim are decorated with a band of floral scrolls and flowers...

A scholar's Yixing brush washer with a white crackle glaze interior. On the exterior raised in high relief and enameled decorated are two quilong chasing the flaming pearl. In excellent condition, it measures 4" diameter by 1.25 inches high. Dates circa 1880.

Circa 1860, cylindrical Chinese Yixing red stoneware teapot with dished flat cover and loose iron wire swing handles. Brightly decorated in colored enamels with a phoenix bird amongst lotus and foliage. The teapot has various stamped and incised marks, one on the lid, one on base bottom, and 2 incised marks on the pot exterior just under the handle on the side opposite the spout. Measures 5.25 inches high; length including spout 7"...

Chinese Qing dynasty stem cup with everted rim decorated around the exterior of the cup with two faintly incised green five-clawed dragons chasing a flaming pearl set against an egg-yolk yellow background. A green phoenix is at the interior well. A six-character kaishu form underglaze blue Guangxu mark is at the bottom of the interior stem. Probably of the period and dating circa 1900. 3 3/8” high x just under 4 1/2" diameter; weighs 120 grams (4 1/4 ounces)...

Two Chinese late Qing dynasty Guangxu period porcelain lidded ginger jars densely decorated around the circumference in famille rose enamels with a continuous spring fishing festival scene. This pattern is often referred to as the "one hundred boys" motif. Children are on the street performing the dragon dance, participants are seated in a dragon boat, and onlookers watch from a bridge and a traditional building. A large pine tree set against a mountain decorates the back of the jar...

During the Qing Dynasty, the feathers of the kingfisher bird were used to create ornaments for woman to attach to clothing and/or wear in their hair... Through the 1800's These ornaments were made and formed with heavy paper (light weight cardboard...) They had large areas of feathers and the edges of the paper form were bordered with gold paint...and the ornaments were often domed By the early 1900's the bird were becoming rare almost extinct ...so intricate and smaller sections of fea...

Antique Chinese carved zitan wood table. The curving legs on which the table top stands are ornately carved with pierced details. The edges of the round table top is carved to match. All original.

Early to Mid 19th century

Dimensions: 26 1/2" high x 38 1/4" wide diameter

Exquisite Painted Bronze Qing Dynasty Chinese Guan Yin Bodhisattva of Compassion. Height: 4.75 inches (12 cm). From an important and published collection. Provenance available upon request.

During the Qing Dynasty, the feathers of the kingfisher bird were used to create ornaments for woman to attach to clothing and/or wear in their hair... Through the 1800's These ornaments were made and formed with heavy paper (light weight cardboard...) They had large areas of feathers and the edges of the paper form were bordered with gold paint...and the ornaments were often domed By the early 1900's the bird were becoming rare almost extinct ...so intricate and smaller sections of fea...

In some regions of China, women made separate pairs of heels for their lotus shoes. That way, the heels could be worn with different pairs of lotus shoes, depending on the occasion, or mood. The heels had loops for straps which were used to tie the heels into place on the shoe...

This is a beautifully embroidered Chinese silk fan case, done almost entirely in the Peking knot technique, sometimes called "blind stitch." Both sides of the piece have been embroidered. Areas of the decoration have been skillfully raised to create a "3-D" effect. The embroidery is in exceptional, unfaded condition. Please note that one edge of the case is open, suggesting that the stitching has possibly come undone. Two rosy-pink glass beads are secured to the attached cord...