Three-legged toad in bronze.

The three-legged toad, originating from Chinese mythology, is a Feng Shui symbol of prosperity and wealth.
Chan Chu, the three-legged toad, is mentioned by the poet Qu Yuan in The Songs of Chu. He compares the moon to a toad with a rounded body, whose three legs represent the three phases of the moon.
According to some authors, the toad on the moon is the beautiful Chang-e, transformed into an amphibian by Xiwangmu, the queen of the Western P...

Tibetan thogchag figuring Chanadordje, 3,5 x 3,5 cms

Strap made of a piece of thick leather, and cast silver and brass ornaments with turquoise.
Beautiful typical Sino-Tibetan craftsmanship including the face and hands of Kirtimukha ("face of glory").
This kind of strap was mainly used to attach a big knife.
This belt strap has obviously been repaired and remade (see pix). The turquoise have been replaced by an other old one; the silver and brass pieces are at least 19th C. L w leather : 23 cms, L of silver pieces : 8 cms.T...

Beautiful horse head, probably ancient part of a Tharu house (window, roof ?). Nepal . H :28 L:11 l:6 cms

Nandi children wooden toy, body and wheels very used, beautiful patina. Nepal. H :13 L :20 l :10 cms

Hardwood shamanic Phurbu of traditional structure representing the 3 faces of the Shaman; interesting Makara's head, transformation of the shaman and representation of the Bhumba ; metal ending.
Beautiful usage patina. Nepal, Tamang ethnic group. 34 cms

A fine example of an early 20th century Chinese enamel cloisonné baluster form vase decorated with intricate foliate and vine patterns in an arabesque style design. The pattern, in shades of blue, is displayed over a pale turquoise ground accented by gold gilt base and neck. In excellent condition, it measures 12.5" high

Width of Bowl: 10 cm (4 in)
Height of Bowl: 5.9 cm (2.4 in)
Width of Lid: 9.2 cm (3.7 in)
Height of Lid: 3.2 cm (1.3 in)
Overall Height: 8.1 cm (3.2 in)

Quality Chinese porcelain famille rose lidded bowl; decorated with polychrome florals on the bowl and lid; Tongzhi marks on both bases; probably Guangxu Period; good condition

A rare blue and white bowl decorated with swirling grasses loaded with rice by important contemporary artist Kondo Takahiro enclosed in the original signed wooden box titled simply Sometsuke Hachi. Takahiro is known for his innovative mist series, however is also the recipient of a long ceramic tradition. The bowl is 18 cm (7 inches) diameter, 6.3 cm (2-1/2 inches) tall and in excellent condition.
Kondo Takahiro (b. 1958) was born the grandson of Living National Treasure Kondo Yuzo. How...

Brown silk homongi formal kimono with dots in jacquard and with gold threads interwoven, so that the fabric sparkles when the light hits it. The upper part is undecorated, except for three crests of the Sakagami family on the back.
On the section that is underneath the obi, there are hand-painted crossing strips, decorated in bright colors blue, purple, red, orange, green, yellow, silver and gold sprinkle with geometric, auspicious motifs: Waves, shippo, diamonds, kikko hanabishi (hexagons...

Japanese dated Edo period rectangular form wood "senryo-bako" hinged coin box on two geta feet with cast iron hardware including edge brackets, hinges, handle, and front lockplate. A barely readable black ink inscription on the bottom dates the box to the first year of the Bunkiu era (1861). Excluding protruding hardware, the wood measures about 15 1/4" long x 5 7/8"deep x 5 1/2" high. Good, solid overall condition with typical wear from age and use. One iron corner bracket has losses from ...

A long verse is incised into the side of this tea bowl by Otagaki Rengetsu. The poem reads:
Yorozuyo mo 10,000 ages
tae nu nagare to enduring the surge
shimetsu ran so well
sono kame no o no From Turtle Tail Mountain
yama no shitamizu. The water flows
The bowl is 12.2 cm (5 inches) diameter and in perfect condition. It comes wrapped in a silk cloth pouch, enclosed in an old box with original lid inside of which is a long verse. It has been appraised by t...

Wooden panel covered with a thick layer of green urushi lacquer decorated with a lake landscape. A pontoon on stilts in light relief brown, ocher and yellow lacquer is surrounded by flowering Irises. The leaves are also in green thick lacquer and the flowers are in mother-of-pearl and eggshell, probably ostrich. The work is particularly neat and very solid. No signature, but certainly an excellent artist. We think, without absolute certainty, that it is a Japanese work probably from the Taisho p...

Scrolling characters are inscribed into the side of this hand formed elongated basin by Otagaki Rengetsu enclosed in the original signed wooden box titled Hissen Chawan (Brush washer shaped Tea bowl). The poem reads:
Shigayama ya On Mount Shiga...
hana no shirayuki flowers like white snow
harahara to flutter down
furuki miyako no in the ancient capital
haru zo kure yuku. Spring is fading
The bowl is 17 x 12 x 7 cm (6-1/2 x 4-3/4 x 2-3/4 inches) and is ...

Cloisonne enamel vase on hammered copper base. The meticulously positioned wires are in silver, as are the borders. The decor is simple, showing a bridge between two hills but exceptional because of its historical interest. Indeed it is a vase commemorating the bold construction of an aqueduct by a Japanese electricity company in the 1900s. The Chinese characters written below must relate the event, date it and also probably give the name of the creative artist or that of the enameling workshop....

An unusual Tibeto-Chinese cloisonne gau box having a domed and hinged cover with a multi-colored scroll pattern surrounding a central cartouche. The cartouche features the Tibetan character “hum” which translates as “the spirit of enlightenment” or “the enlightened mind”. This gau would have been worn by a high ranking lama. An almost identical gau, which most likely came from the same workshop, comprised lot 428 of Christie’s New York, ‘The Scholar’s Vision: The Pal Famil...

Very rare lacquered wooden box, inlay of the "hundred precious items" type. The decoration represents sages and animals in a landscape, antiquity and friezes of stylized dragons. The inlays are mainly in mother-of-pearl, but also in stone, steatite and above all a superb lapis lazuli of a rare blue stained with green, details are in sculpted cinnabar lacquer and also inlaid, others are in tinted bone and horn, and finally details are painted with gold powder. Chinese work from the Ming period. T...