Chinese snuff bottle, made with lapis lazuli, of a flattened flask shape, with carved Kirin front, and stopper made with yellow peking glass and agate.

Republic Period

Dimensions: 1.25" x 2.5" H

Chinese monochrome peking glass snuff bottle, made of an intense bright orange glass, with hard stone stopper. The bottle shows imagery of dragons carved in relief over ocean wave ground. Its base is signed with 4 character mark.

Republic Period

Dimensions: 2.25" x 1.25" x 3.5"

Paul Jacoulet
Hokkan-zan, Seoul, Coree (Hokkan Mountains, Seoul, Korea)
Date: December 6, 1937.
Size: Approximately 18.25 x 14 inches.
Jacoulet signature and watermark with tea jar seal.
Edition: 144/350.
Carver: Maeda. Printer: Honda.
Reference: Print #45 in The Prints of Paul Jacoulet by Richard Miles
Condition: Excellent color and condition. The back margin edges are toned. The back top margin has three pieces of archival tape.

A similar pair of dishes to EW 3037 but without the additional gilding and iron red decoration. Designs featuring Karako were popular both in China and Japan at this period they were both symbolic of joy and a wish for children, kodakara; the treasure that is children. The more famous Hirado patterns also date from this period. It was also a relatively common practice at this period to represent the Eight Immortals as children, so the design could also connote a wish for immortality, longevity ...

A pair of Arita dishes moulded in so-called suhama form; a stylised interpretation of a wave washed beach often associated with the Isles of the Immortals. Painted in underglaze blue with a group of five auspicious karako, Chinese Boys, bound together with a ribbon or rope; symbols of joy and a wish for offspring. In addition a Chinese style Fan and a Double gourd are painted in iron red and gilt to complete the design. These are symbols associated with the Taoist Immortals Zhongli Quan and Li ...

A pair of a very well painted Kutani porcelain sake bottles painted in “Kenjo Imari” style painted with gilt karakusa to the neck with various marumon, a band of diaper to the shoulder, and further aka-e dama, and stylised karahasna-mon. to the body of the bottle. The vases are thinly potted and wreathing to the interior of the neck suggests that they were originally thrown in two parts. Dating probably late Meji period. Each vase measures approximately 17 cm in height and are approximately...

Height: 3.5 cm (1.3 in)
Length: 4.2 cm (1.7 in)
Depth: 2.2 cm (0.8 in)

Japanese dragon fish netsuke modelled in the form of a Mokugyo bell; natural material; inlaid horn eyes; signed within an oval panel

Antique Japanese tansu from the Iwayado area. Made with Sugi (cypress) wood frame and dramatic Keyaki (elm) burl front panels, in original red/orange lacquer finish. The extensive iron plating is incised into flowers and Kiri leaves; The top drawer features a large flying Phoenix as its lock plate. The two drawers below are kept secure by the original lock bar with working key included; To the right is a hinged door with a large iron Fu Dog lock plate, holding two Keyaki front lacquered drawers ...

Chinese hardwood altar table. With jade "coins" wrapped into the wood apron, carved to resemble rope. Standing on four tall and narrow legs.

Dimensions: 48" x 16" x 33.25" H

Made of camphor wood, gold and red lacquer. The countenance of the Buddha has a full broad complexion and down cast eyes in complete contemplation, flowing robes, hand forming the crown mudra. The back has a consecration covering and three guardian entities; Goat, man, and pig.

The crown chakra (sahaswrara in Sanskrit) is the seventh of the main chakras and it is located outside of the physical body just above the head. It opens upward and comes to us in the ethereal realm and the di...

Mounted on a black lacquered platform with wooden wheels. The horse is carved from Keyaki wood, which is covered in lacquered brown leather. The eyes are reverse painted glass. It has ears of leather, with real horse hair tail and mane. The horse is outfitted with iron bits and silk harness. The kura saddle is lacquered in red, with a leather cushion seat and silk straps. Cords are attached to the abumi stirrups and aori mats. The bagu tassel fringes and cords tuck under the tail. The horse stan...

“I am here” she whispers as the bespectacled gentleman pours the last drops from his bottle and says “I am going home”…a lithograph by Kei Hiraga numbered 50/120 and signed Key Hiraga ’88 with the artist’s seal in red. The paper sheet, matted and framed, measures 50.5 x 42 cm (20 x 16-1/2 inches) and is in excellent condition. This is an superb example of his work, showing both his eros and playful nature in the abstracted figuration for which he is most remembered. Included is ...

A striking abstract work in red on silver over textured washi paper embedded with strands of tatami mat by revolutionary artist Hori Kosai signed ‘91 Hori. It is 13 x 23 cm (5 x 9 inches) mounted floating in a modern frame, pigments on hand-made Washi paper. Here is an opportunity to acquire an important abstract Japanese artist as yet entirely unexplored in the west.
Hori Kosai (b. 1947) is a contemporary artist and Lithographer from Toyama prefecture living in Tokyo. He entered the ...

Chinese large pair of restored cabinets, each in two stacking sections. These cabinets are made of jumu (elm) wood with dramatic grain. The bottom section of each chest has a large compartment with two shelves. The upper shelf of each compartment is outfitted with two small interior drawers. Each of the top sections has an interior shelf as well. Large round brass hardware. 19th century cabinets modified to fit with modern needs.

Dimensions of each: 96" high x 43 1/2" wide x 2...

Rimpa paint on Hinoki wood carving of Daruma. With polychrome hooded robe, decorated in tessellating pattern of gilt dragon mon and scrolling clouds on red ground. His face is painted in a fleshy tone, with painted mustache, beard, and exposed chest hairs. The iconic eyes are reverse painted glass. He stands on a blue ground painted cloud platform.

Late Edo Period (1603-1868)

Dimensions: 15 3/8" x 10 3/4" x 29" H

Originally, this graceful sculpture may have stood at the doorway of a palace or temple as a warning to all malicious spirits not to enter. The tradition of lions guarding doors and gates is ancient and common to a great variety of cultures, including the Egyptians, Assyrians, Romans, and Chinese. There is a strong Chinese influence in this piece, suggesting open relations between the two cultures.

18th Century - Rajputana, India

Dimensions: 16 1/2" x 5 7/8" x 11 5/8"

A boxwood sculpture of the elephant deity Shoten embracing the female Kangiten. In Esoteric Buddhism, they signify matrimonial peace and bearing of offspring. Shoten is derived from Ganesha and is regarded as a wild one. Kangiten is an incarnation of the Eleven Headed Kannon. She appeases and converts him to Buddhism. Shoten and Kangiten are usually kept in a closed shrine as "secret sculptures" or Hibutsu (because of the sexual allusion).

Edo Period (1603-1868)

2.5" x 2"...

A Very Fine/Rare/Large Korean Buddhist Painting (Ksitigarbha Bodhisattva)- 19th C.: Korea, Joseon dynasty, 18th to early 19th century, Amit’a, the Buddha of the Western Pure land, and Attendants. Painted in polychrome mineral pigments on silk. It’s in fine condition with colors but has some creases associated age. it measures 53 ½” h. x 52” w. (136 cm h. x 132 cm w.). ****** This painting has been mounted in paper and wood frame on back (was removed from a outer wood frame).