Chinese Brass Lock and Key with Chinese Character signed inside, Ca. 1900 or before, outside measurement(3 1/4" long, 1 1/4" high, 7/8" deep, inside measurement(2 1/8" long, 3/8" high under stick, 7/8" deep), the round stick is 1/4" diameter, old age green patina or stain on brass, and in good working condition.

A delightful Japanese wood tray in the shape of a lotus leaf. Chiseled Katabori with raised veins and stem and stippled leaf rolled back on sides. The back of the tray is as detailed as the top with an intricate pattern of veins and curved stem. The tray is used in the tea ceremony.

Date: Meiji Period circa 1890

Dimensions:12" X 9" X 1"

Nagoro banana leaf tray lacquer over wood. The black lacquer shines through the red to reveal the ribs and veins of the leaf. In the literati tradition, banana leaves were used by scholar recluses as paper to write calligraphy. Later, this motif was incorporated into other forms of art making the image one of the symbols of the literati aesthetics.

Date: Tiasho circa 1920

Dimensions: 16" x 6" X 3/4"

A rare, large architectural Buddhist temple carving of a Dragon (Ryu), with reverse glass painted eye. The high relief carvings show the dragon's body coiled behind clouds of smoke and waves. Its serpentine body reveals his 3 appendages with classic three claw anatomy. The relief is solid keyaki "zelkova serrata" wood with the original red patina. The dragon which symbolizes the heavenly realm has control of rain, fire, and earth. Dragons are the powerful embodiment of yin and yang and are se...

Chinese large size Brass Lock and Key, etched design of Chinese characters and flowers, outside measurement(7 1/4" long, 1 5/8" high, 5/8" deep), inside measurement(4 3/4" long, 5/8" high under the stick, 5/8" deep), in good working condition.

Chinese Brass large Lock and Key, etched Chinese letters, outside measurement(7" long, 1 3/4" high, 5/8" deep), inside measurement(4 7/8" long, 5/8" high-under stick, 5/8" deep), 3/8" diameter for stick, in good working condition.

An Ai Kakiemon dish decorated with a repeating pattern of Hosoge, flowers of Precious appearance, which in this case would appear to be representations of auspicious Pomegranate fruits constructed from Ruyi, Acanthus style leaves and other disparate elements. The ring of Hosoge pierced by a circlet binding them together with a central motif of a gobenka. The reverse decorated with a lotus arabesque, karakusa, and a stylised fuku mark within a double square; a mark exclusively used by the Kaki...

Leaf images in various seasonal shades decorate the raw earth of these expertly crafted dishes by legendary artist Kitaoji Rosanjin, the set enclosed in a double box, the inner box the original age darkened kiri-wood box signed by Rosanjin, the outer box later covered in black lacquer showing the esteem for which both this dish set and box were afforded. On bottom is the star mark, indicating these were made for use in his restaurant. Each dish is roughly 18.8 cm (7-1/2 inches) diameter and in...

A small bulbous Chinese porcelain vase finely painted with two dragons among clouds chasing the flaming pearl in the "famille verte" palette. Condition: fine, minor wear to decoration. Dimension: 12.7 cm high.

A very large jade disc carved with a hole in the center. Both sides of this central hole are lipped which is very rare in "bi's." Compared with flat bi's, lipped bi's require a lot more carving and are much more difficult to make. The bi is beautiful with its complex colors and patterns. The colors range from cream to greys, ochres, greens and blues.Period: Neolithic ( 3rd millennium B.C.)

Size: Diameter = 26.7 cm (10-1/2 inches)

Condition: Very good. No cracks, breaks, chips...

Tibetan thangka painting in reverence to the bodhisattva Avalokitesvara. When he is shown having four arms, he is called Chaturbhuja Avalokitesvara. This is his most commonly depicted form. Chatur + bhuja are the two Sanskrit words that mean 'four arms.' He holds a white peony flower in one raised hand, and a stand of mala beads in his other. He is surrounded by various other bodhisattvas, including Mahakala, his wrathful form, below. Two human figures appear in a bed of flowers, and each ...

Antique Vietnamese polychromed figure of a standing Buddha, with red, black, and gold gilt lacquer traces. He stands on a lotus pedestal atop a wood platform. With small losses consistent with age.

Circa 1900

Dimensions: 7 1/2" w x 6 3/4" d x 17 3/4" h

Antique Tibetan Buddhist double mandala thangka, with the two central deities being Brahma and his wife Saraswati.

Brahma is a leading god and heavenly king in Buddhism. Lord Brahma rules over the heavenly realm of rebirth called the Brahmaloka– the most sought after realm for afterlife and reincarnation within the Buddhist belief system. He is depicted as having 4 faces and is seated in the center of the top mandala in a lotus position with his arms folded in front, thumbs touchin...

A charming antique Chinese basket with basket weave bottom. The inside of the basket is lacquered in red over black, while the rim and exterior are black lacquered with gilt lacquer banding and motifs of butterflies, fruits, and flowers. The basket has a lovely patina and wear consistent with age.

Dates Ming dynasty, 17th century

Dimensions: 12" x 12" x 3" h

A finely potted Hirado dish featuring three figures wearing capes and carrying heavy packages upon their backs descending down a high mountain trail. Inferred by the small gnarled Pine trees on the wayside. Although no particular scene is identifiable the figures are in Hokusai “style”. The reverse is painted with a Karakusa arabesque and has a single spur mark within the base of the footring. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18...

A finely potted six sun sized dish decorated with a traveller clutching his hat and leaning into a cold wind before a snow covered Mount Fuji. The design would appear to be derived from a print of travellers in the Mishima pass, one of the 36 views of Mount Fuji. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter and stands 3.4cm high at the rim. It we...

A well potted Hirado six-sun dish painted with a landscape with figures in the distance fording a river. This would appear to be a representation of the arduous crossing on the river Oi part of the Tokaido, probably derived from a topographical view, such as the Tokaide meisho ichiran, or similar. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter an...

A finely potted six-sun dish painted with the subject of two fisherman in a boat in the style Of Hokusai. The design is probably derived from several sources, notably the prints “Fishing in Rough Water” at Takamizawa, one of the 100 views of Mount Fuji and “Long line Fishing” on the Miyato river. The reverse painted with a Karakusa arabesque with a single spur mark to the base. The dish dates to the late Edo period and the middle of the 19th century. The dish measures 18.2cm in diameter...