Old, Authentic Tibetan Pair of jha-phor, Butter Tea Bowl, Tsampa Bowl, made of Burlwood and finished with silver around the rim for the larger one and on the inside for the smaller, also at the raised foot of the cups. Diameter: 11 cm and 9 cm. High 5 cm and 4,5 cm ca. Tibet, Late 19th cent. The bowls are in very good condition and have a nice patina from use.

Cambodian semi antique Khmer basket circa pre 1950. Excellent condition, with natural lacquer and some painted design. Woven with split bamboo it is still quite serviceable, please view enlargements to appreciate the detail of this weave- you will not find any genuinely old baskets in Cambodia anymore (or anywhere else for that matter). Dimensions: 27cm/11.8in diameter and 15cm/6in height. There is some damage to the footrim noted in last enlargement.

A stunning HONGZHI (HUNG-CHIH 1488-1505) DEEP Rich Yellow glazed dish with rounded sides supported on a tapered foot, the interior incised with an Imperial 5- clawed Dragon amidst Ruyi Clouds, encircled by a band of motifs. The exterior is decorated with auspicious symbols, applied overall with this deep/rich, yellow, shiny glaze. The base has the 6 character HONGZHI Mark. Size: 8 3/4" diameter x height 1 3/4"

Width: 14.6 cm (5.8 in)
Height: 3.4 cm (1.7 in)

Chinese Kangxi Period porcelain poem bowl; Chinese script surrounds the internal wall; with lingzhi decoration to the exterior; double fish mark on the base; silver rim strap; marked by an owner; minor nibbles to the rim; good condition

Height: 7.5 cm (3 in)
Width: 1.7 cm (0.7 in)
Depth: 1.2 cm (0.5 in)

A fine example of a Japanese netsuke of a laughing Sennin; very well carved throughout; natural material; good condition

Rivulets of green glaze descend all sides of this sublime storage jar, the bottom raw red Tamba clay dating from the Edo period. About the rim are four “mimi” ears for tying down the wooden bung. The base is slightly concave and burnt to a rock like texture. The vessel is 12 inches (30 cm) tall, 11-1/2 inches (29 cm) diameter and in excellent condition. Tamba is considered as one of Japan’s six famous ancient kilns, along with Seto, Tokoname, Echizen, Shigaraki and Bizen. It is known ...

Lilian May Miller (1895-1943)
Hong Kong Junk.
Date: 1928. Marked first edition in pencil.
Signed, dated, and monogrammed within the image.
Stamped "Lilian Miller Oriental Woodcuts" in margin.
Size: Oban. Approximately 14.25 x 10.25 inches.
Medium: Japanese woodblock print.
Condition: Back margin has marks from former matte.

A matched pair of Chinese paintings of exotic fruits. Body colour on pith surface. Mounted with gold speckled Chinese papers and framed beneath rigid plastic sheet. E ach 39x26 cm. hanging ring on reverse, ready to hang. Excellent colour, a few chips to corners and edges of sheet. Undated, estimated to be mid 19th century. Can be viewed in central London and shipped worldwide.

Fine 19th Century Korean Royal Court Painting of Children at Play. This genre of Korean paintings always displays children playing in imaginary Chinese court costumes, and is called Baekdongja-do in Korean. From the ground-breaking Auspicious Spirits, Korean Folk Paintings exhibition catalogue: "Depicting the children as court nobility expressed an auspicious desire that one's own children achieve success in life." This exceptional example was displayed in the room of a wife in the Korean royal ...

Rare Pair of Boxes for Storing a Scholar's Name Seals, with Lovely Wood Grain and Metalwork. A scholar's name seals were among his most personal and treasured items. 6h x 5w x 5d inches, 15h x 12.5w x 12.5d cm.

A Japanese porcelain chawan, tea bowl, decorated with a continuous landscape. The concave foot left unglazed. The rim has a number of kintsugi, repaired chips using lacquer and gold dust.

A similar tea bowl is shown in Sekai Toji Zhenshu, Ceramic Art of the World, Vol 8. Edo Period III, no:240, described as Nakano Kiln, Hirado, mid 18th century.

Approximately 11 cm diameter. Fine condition.

Please study the photographs.

Within the UK payment by bank transfe...

A Chinese Shiwan stoneware fanghu vase with a jun glaze, late Ming/early Qing dynasty. The hollow tube handles associate this type of vase with the arrow game pastime but this example, given the small diameters involved would be unsuitable. The glaze is a transmutation glaze and its colour is decided by the kiln conditions at the peak temperature.

Shiwan (Shekwan) ceramics are from southern China, Guangzhou, Guangdong Province.

Approximately 21.7cm high. Weight is 935 gm. Ro...

Old (1930's) Japanese Silver Enamel Incense Kogo Box with Flowers Signed

It is 0.7 inch (1.7 cm) tall by 2.6 inches (6.7 cm) wide. It is 69.7 gram.

It is tarnished and has enamel cracks and small chips at the petals, missing enamels, oxidation, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund o...

Old (1930's) Japanese Mixed Metal Book Shaped Match Safe with Ox & Woodcutter

It is 2.15 inches (5.6 cm) long by 1.3 inches (3.5 cm) wide. It is 48.7 gram.

It has a small dent, rubbing golds, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is re...

Indian painting of the goddess Shailaputri, in unique Navaratna style of painting from 1930s, when Indian was emerging with its own unique style of painting. Gouache delicately painted and encoded with symbols of Hindu spiritual meaning. Crescent moon is on her forehead with halo around her head. She is holding a trident and has three eyes in her forehead representing waking, dreaming and sleeping states of mind. Atmospheric and masterfully moody painting. Similar in painting style to Nanda...

Japanese lacquered on Ceramic No Mask Obishimi Netsuke, Ca. 1920, Meiji period, 1 3/8" high, 1 1/8" wide, 3/4" deep, reddish brown lacquer on Ceramic with painted gold bull's eye, deep wrinkles on forehead, raised fat cheeks, details are bold and deep. The condition is good.

Japanese carved Wood No Mask Okame Netsuke, Ca. 1920, Meiji, 1 1/2" high, 1 1/4" wide, 5/8" deep, round dot natural wood grain dimples on both chubby cheeks and wrinkles on forehead and face, the condition is good, shows old patina.

Japanese Lacquered Ceramic No Mask Okame Netsuke, Ca. 1900, Meiji period, 1 5/8" high, 1 1/4" wide, 3/4" deep, smiling slender eyes with dimples on both fat cheeks, beautiful face with red small tiny lips. Nicely aged with old patina, no damages.