Small and shallow (thin) shrine. Inside are the figures of Bishamonten (right) and Kongoyasha Myoo (left), both standing. Bishamon holds a pagoda and a halberd. The three-headed Kongoyasha’s two hands are empty.
Both are standing on a rock which is placed on a pedestal and both have a small mandorla behind their heads.

Soft wood carved and decorated with mineral colors. Mandorlas, attributes and helmet ornament in gilt metal.
Case is lacquered black on outside with gilt co...

An antique Chinese scholar's stand made of natural gnarled twisted hardwood roots with a transparent russet lacquer. This type of natural root furniture goes back to the 12th century aesthetic. Here is an example of the round stand produced during the Republic Period, bearing the colonial form true to the Victorian Era.

Age: Early Republic Period

Dimensions: 17" Wide by 17 3/4" High by 13 1/2" Deep

Chinese large yixing zisha teapot with silver decorations. 23 cm wide from spout to handle. 16 cm body diameter. 10 cm high. Teapot has few small chipped at inside the lid, no crack.

Height: 2.8 cm (1.1 in)
Length: 4.7 cm (1.8 in)
Depth: 3.1 cm (1.3 in)

Japanese netsuke of a resting peasant with a basket on his back; early piece with a good honey-coloured patina; natural material; some age lines present; good condition

Early People’s Republic of China molded, green glass vase (emulating celadon jade) and in the style of a Han Dynasty Hu, circa 1960 to 1970. Although millions of decorative items were produced during this period very little has survived to this day, especially anything made of glass. This piece is “as new” condition, with the original label, no damage whatsoever. Today it is easier to find original Han Hu then one of these. H: 28cm/11in and D: 20cm/7.9in.

Mint Oni-Hagi masterpiece chawan by star potter Seigan Yamane. This extraordinary tea bowl is covered by wonderful different shades of white glaze and a few shades of purple on brown pottery. In my opinion it is the one of the most aesthetic chawans that he made. The seal of the artist is stamped on the bottom.

Seigan Yamane was born in 1952, and started making Hagi ware in 1987. And then, he started his own pottery in 1992 and has ever been awarded a lot of prizes for his great wor...

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 8.2cm(D) 8.0cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.5cm(W) 4.5cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Covered ashes make fantastic pattern. Size 11.8cm(D: BODY) 10.8cm(H)

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. This insence container is called "Garan" that means basement stone of big Buddhist temple. It seems as a natural rock. Size 5.5cm(W) 4.7cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Covered ashes make beautiful pattern. It could be used as small vase. Size 7.7cm(W) 12.8cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. It could be used as small vase. Size 7.8cm(W) 14.0cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.0cm(W) 4.1cm(H) Accessary wooden box with signature

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. Melted ashes turned beautiful green glass. Size 6.5cm(W) 4.5cm(H) Accessary wooden box with signature

Daruma standing tall, wrapped tightly in his garment, the tips of his feet just peeping out. This pose is associated with the episode in which Daruma travels to China, crossing the river Yangzi, while standing on a reed.
The figure was molded in a cast in two halves and joined before firing. A hole in the back functions as a vent and prevents the statue from exploding while fired in the kiln.
Stoneware with gomma. Details are beautifully worked out, showing best in the expression on h...

Katagami which is used for katazome (stenci-resist-dye), made of many layers of washi (Japanese handmade paper). It is painted with kakishibu (persimmon tannin) for waterproof and strength. The pattern "Kanze-mizu" is derived from the crest of the Noh drama player Kanze Dayu which is whirl of water. He was the founder of Kanze style Noh (15th century). In good condition. 20th century. 38cm x 45cm

Richly decorated Buddhist shrine containing the deity Uga Benzaiten flanked by Daikoku and Bishamon and surrounded by Fifteen Children (Jugodoji), all sitting and standing on a rock formation. In the foreground are the ox and the horse, a boat laden with rice bales and jewels and a cart laden with something related to harvest and riches. The group is surrounded by choppy waters, imaged in makie gold lacquer on the inside and outside of the shrine.

The esoteric trinity of Benten (defender o...

A quintessential example of this artists most sought-after style, a ‘Scattered Blossoms’ vessel by Kondo Yutaka enclosed in the original signed wooden box titled Funka Bin (Scattered Flowers Bottle). The pattern of petals is impressed deeply into the surface, and filled with white slip, contrasting starkly against the textured black background. It is 23 cm (9 inches) tall, 17 cm (7 inches) diameter and in excellent condition. For a similar work see the collection of the Metropolitan Museum...