An exceptionally fine black lacquered wooden SHAN STATE BUDHHA, 19th Century, with very high quality gilding. The Buddha is in the subduing Mara position and sitting on a very high stepped throne. Size: height 23" x width 9" at base x depth 7". Very good condition, with a fissure on the base due to the considerable age.

From an ancient Ayuthaya Collector: 18/19th Century BRONZE SUKKOTHAI BUDDHA Subduing Mara. Fine original, old patina. Size: Height 29" x width 19" x depth 11". This is one of the 3 Buddhas which belonged to the collector and which represents the Thai ideal of possessing the 3 most desiable images for worshipping, i.e. UTHONG, CHIENGSAEN and SUKKOTHAI.

From an ancient Ayuthaya Collector: 18/19th Century BRONZE CHIENGSAEN BUDDHA Subduing Mara. Size: Height 30.5" x width 20" x depth 10.5". Fine old, original patina. This is one of the 3 Buddhas which belonged to the collector and which represents the Thai ideal of possessing the 3 most desirable images, i.e. UTHONG, CHIENGSAEN and SUKKOTHAI.

From an ancient Ayuthaya Collector: 18/19th Century Bronze UTHONG BUDDHA Subduing Mara. Fine original, old patina. Size: Height 31.5" x width 23" x depth 11.5" This Buddha is one of the 3 which belonged to the collector and represents the Thai ideal of possessing the 3 most desirable images,i.e UTHONG,CHIENSAENG and SUKKOTHAI.

Very rare Post-Pagan Pinya AVA Bronze standing Buddha with beautifully arched eyebrows and downcast eyes, typical of this period/style. Very rare hand position, smooth, shiny dark patina, good condition, slightly slanted, no restorations, heavy bronze casting. Origin Burma, 14th Century, Size: H. 7" x W. 2.5" x D. 2.5" A collector's piece!

Diameter approximately 32 cm. There are some hairlines. There is no repair.

Length approximately 41 cm. There are soft chips at the rim. More pictures are available. In good condition.

Width: 9.4 cm (3.8 in)
Height: 4.2 cm (1.7 in)

Fine Japanese Satsuma bowl with thousand butterfly decoration both internally and externally; gilded hatched border above the base; signed; good condition

Width: 11.5 cm (4.7)
Height: 5.4 cm (2.2 in)

Quality Japanese Satsuma bowl by the artist, Kozan; fine depiction of individuals wandering through a forest; gilt highlights pick out aspects of vegetation and clothing surrounded by minute stippling; gilt diapered borders inside under the rim; externally decorated with a band of florals and gilded crashing waves; signed

A very good quality Annamese dark brown rosewood and mother of pearl inlaid stationary tray for the Scholar’s Table. Rectangular form with raised feet. Decorated with mother of pearl inlays to all four sides with figures in garden setting: rocks, branches, pagodas and bridges, butterflies etc. Nguyen Dynasty Vietnam, 19th Century. Condition: fair. Size: L. 31 x W. 18,5 x H. 10 cm square

Thick white feldspathic glaze tinged with flickers of color covers this sake flask by Kato Kozo enclosed in the original signed wooden box titled Shino Tokkuri. It is 13.3 cm (just over 5 inches) tall and in excellent condition.
Kato Kozo was born in 1935, and studied under the Mino Legend and Designated Living National Treasure Arakawa Toyozo. He has been widely exhibited both domestically and abroad and like his mentor Kozo was named a Living National Treasure in 2010, a tribute to a ...

Beware, in this artists world the walls have ears and your sake cup is staring back at you. A striking work by Mizumoto Kayoko enclosed in the original signed wooden box titled Kujira Guinomi. As if the unblinking green eye were not enough, a silver thorn bursts from the surface on one side (or is it a devils horn, or Vikings come to call?). Sure to inspire conversation during a round of sake, the playful cup is 5.5 cm tall and in excellent condition.
Mizumoto Kayoko was born in Ishika...

Chinese Song / Yuan Dynasty Buddhist Pottery Zodiac Jar

This interesting pottery jar was made during the Song Dynasty (AD 960 - 1279), or possibly the Yuan Dynasty (AD 1279 - 1368) and has been been excavated from a Buddhist site in Yunnan province. It is made from a relatively highly-fired grey pottery. The reddish-brown surface colour is from the iron-rich burial soil.

Strips of clay have been applied to the outer wall to form six lotus leaves. Within each lotus leaf panel have been ...

Width of Saucer: 12.1 cm (4.8 in)
Height of Saucer: 3 cm (1.2 in)
Width of Cup: 8.3 cm (3.3 in)
Height of Cup: 4.6 cm (1.8 in)
Height of Display: 18.3 cm (7.4 in)

Wonderful example of Chinese famille rose porcelain; a fine cup and sauce with floral decoration presented on an early timber and felt stand; fine porcelain; excellent condition

Perhaps because of its proximity (or lack thereof) to central Japan, the beautiful lacquer wares of Akita may be lesser known than other regions. Here is an exquisite sake cup and katakuchi serer of turned wood covered in multiple layers of soft, black lacquer by Sato Fumiyuki of the Kawatsura lacquer tradition. A belt of gilded binding wrapping the body is the only decoration. This lack of distraction, in fact, accentuates the form and allows us to focus on the pure elegance of the lacquer i...

Japanese Meiji carved bamboo okimono figure of a standing Daruma (also known as Bodhidharma), the body wrapped in a draped robe covered in folds. A fly whisk emerges from the hidden folded arms and extends along the side of the head between one of the elongated earlobes with hoop earring and the furrowed brow. 8 3/4" high. Very good overall condition with typical minor wear. There are a few short cracks and one small chip at the base. From the Phoenix estate of a former Daruma collector.

Large late Qing dynasty Guangxu period lidded porcelain ginger jar decorated in underglaze blue against a faint bluish-white background with four “shuangxi” symbols (indicating double-happiness and wedded bliss) surrounded by a stylized pattern of pencil style scrolling sweet pea flowers and vines (symbolizing “many children”). A bud forms the finial. The interior and base are glazed but the foot rim and mouth are unglazed. This type of decoration with a sweet pea floral background was ...

A quintessential work showing the decorative aesthetic of Ichino Masahiko enclosed in the original signed wooden box titled Senmon Tokkuri. It is 13.3 cm (just over 5 inches) tall and in excellent condition.
The youngest winner ever at the 13th National Ceramic Exhibition (Nihon Togeiten), Ichino Hiroyuki is a powerhouse in Tamba, bringing that long forgotten corner of Japan’s ceramic realm back into the limelight. He was born in Sasayama, heart of Tamba, in 1961, and studied in Kyoto ...