Burmese wooden tray.

Age: Burma, Mandalay Period, 19th Century
Size: Height 15.3 C.M. / Width 27 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

MONKEY BOBBLEHEAD HAVING PEACH

Ceramic. Showa period, early-mid 20th century, Japan. approx. H 15 x 9 x 7cm (5.90 x 3.54 x 2.75in)


selected by Jinta




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A pair of Burmese wood carving angel panels.

Age: Burma, Mandalay Period, 19th Century
Size: Height 35.5 C.M. / Width 23.5 - 23.7 C.M.
Size including stand: Height 51 - 53.5 C.M.
Condition: Nice condition overall (some expected degradation due to their age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Maginficent, antique basket from the Naxi/Nakhi ethnic group in Yunnan province. I purchased this in 2001 at local market in Lijiang (now a UNESCO heritage site). Constructed of bamboo with much of lacquer intact, this piece is circa 50 to 80 years old, most interesting is an auspicious coin symbol woven into the top. This kind of thing always reminds of the labor intensiveness that is put in to decorating such a humble object. I have traveled to Yunnan several times since and this is ...

Silver glistens inside the near matt core of this fabulous chawan by JCS Gold Award winner Ito Keiji enclosed in the original signed wooden box. It is 12 cm (5 inches) diameter, 9.5 cm (just less than 4 inches) tall and in excellent condition.
Ito Keiji was born in 1935, and has spent his life challenging the accepted concepts of traditional ceramics. He was awarded at the 1981 Faenza International Ceramics Exhibition. He was awarded the Gifu Prefectural Cultural Award in 2006, and a...

A Fine and Rare Korean 8 Panel Pictorial Ideographs (文字圖)-19th C. : Korea, Joseon dynasty, 19th century, separated from a framed screen (unframed screen). 문자도(文字圖): 효제충신예의염치(孝悌忠信禮義廉恥) Painted in ink and color on paper and decorated with bird, turtle, dragon, big carp, shell fish, mountain with pavilion, bamboo, fan, boat sailing, flowers, and a large crane are painted with a decorative rubric to form the Chinese character for each pr...

A masterpiece by Kato Shigetaka, this bowl is very powerful, and I am not one to wax too longingly on individual pieces. In short: he nailed it with this bowl which comes enclosed in the original signed wooden box titled Kuro Chawan. It is 13 cm (5 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition.
Kato Shigetaka (1927-2013) was born the son of legendary revivalist Kato Tokuro, his older brother the legendary rebel Okabe Mineo. Shigetaka graduated the Seto Industrial ...

First we hear the clang of the hammer striking the bell, then the steadily approaching clop of his wooden shoes before the horrifying creature dressed in the robes of an itinerant priest appears; a ledger in one hand noting our sins. This is a very rare ceramic figurine by Suwa Sozan I enclosed in the original signed wooden box titled Nenbutsu Oni and bearing the seal of the imperial Art Academy. It is 30 cm (12 inches) tall and in excellent condition. He would have originally held a hammer, ...

Antique Japanese scroll painting depicting a dead man being whisked away in a flaming carriage bound for hell. He is escorted by three demons brandishing weapons and pulling the cart through clouds of smoke. A section of the poem translates as "whether old or young, rich or poor [...] on the fiery carriage..." Painted and signed by the artist Kawamura Jakushi (1638-1707) with a verse possibly written by Banjisei. Kawamura Jakushi was closely associated with the powerful Ryuzoji Family in Sa...

Antique Japanese ema of a horse. This ema is a dedication plaque that was made as an offering in a shinto shrine. Horses are considered vehicles of the gods, so this ema was made at the highest level in order to convey an important wish as speedily as possible. Painted in mineral colors on keyaki (elm) wood.

Age: Meiji Period (1868-1912)

Dimensions: 29 3/8" high x 43 1/4" wide x 2" deep

A 9 layer Sri Cakra Yantra 31x31 cm 7.5 cm high. Metalic paint on wooden base. One of the protruding arms missing. repairs on reverse. Undated. Can be viewed in central London and shipped worldwide

The size of Charger: 10" Square x 1 7/8" High. Japanse Ko Imari Blue and White (Sometuke) Porcelain charger. The charger has very good detail Senbiki (line drawings works) of blue underglaze works in flower design. The charger has marking on the bottom. The condition of charger is Excellent, no chip, no crack and no hairlines. There are aged tiny spots around the edge of plate which are original Mushikui spot which are looks like Mushi Kui translated as Insect bites. but it is not insect bites, ...

A unique custom made antique Japanese winter door coffee table on iron stand with built-in brazier-style display area. Iron stand was designed using faux arts and crafts style through mortise and tenon joinery. Door was made using framework of Hinoki (Cypress) with two solid Akita Sugi (Akita Cryptomeria) panels.

Age: Door 1910 to 1920

Dimensions: 68 1/4" Long by 30 3/4" Wide by 19 1/4" High

Of squat shape with a centre hole, inspired by the cosmic black hole. Painstakingly built by small bits of clay added to core, the piece is than burnt in the autumn in the nearby fields under a stack of rice straw. He is carefully checking the process as the sculptures must not get over burned, they have to get the right, natural, earthy ash color that change for each piece of artwork. H 11 x 19,5 x 19,5 cm circa. From 2015. Perfect condition. The last picture show both pieces. Watanabe T...

Japanese Contemporary Ceramic, Progressive Ceramic Art Form. Watanabe Taichiro. Painstakingly built by small bits of clay added to core, the piece is than burnt in the autumn in the nearby fields under a stack of rice straw. He is carefully checking the process as the sculptures must not get over burned, they have to get the right, natural, earthy ash color that change for each piece of artwork. H 16,5 x 15 x 15 cm circa. From 2015. Perfect condition. He never sign his pieces, they are sign...

A Rare Large Khmer Stone Head Of Harihara, Pre Angkor Period 7th century. The Splendid head of the iconic divinity, half Shiva and half Vishnu, Finely carved with incised almond-shaped eyes, broad nose and broad lips, elongated earlobes. His third eye and elaborated hair dress on the right side belong to Shiva while the left side of the head with hair arranged in a tall mitre and rows of large snail curls in the back. The piece is a splendid example of the powerful style of the art in the pre-A...

A breathtaking new look at Shigaraki Anagama ware by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Shinogi Tsubo (Natural Ash Glazed Blade Style Shigaraki Tsubo). The artist has coil formed the vessel, with thick walls, then incised a waving pattern leaving a saw-tooth surface dusted in ash with brilliant hi-iro and dark charring. It is 31 cm (12 inches) tall and in excellent condition. Directly from the artist this summer.
Furutani Take...

Dragonflies alight on autumn grasses and bush clover forming the perfect seasonal connotation under an engorged white moon on this pair of mouse-colored (Nezumi) vases by Shino legend Wakao Toshisada enclosed in the original signed wooden box titled Nezumi Shino So-heki. Together they are 29 cm (11-1/2 inches) long, 18 cm (7 inches) tall and in excellent condition.
Wakao Toshisada was born in Tajimi, Gifu prefecture, home of Mino pottery, in 1933. He was first recognized at the New Craft...