Three attached large pages from a Burmese manuscript. Overall size 52x39 cm. Black and red ink on thick fibrous paper. Text on first leaf. Undated, estimated to be 19th century or earlier. Can be viewed in central London and shipped worldwide.

MAKEUP SHOP

Contemporary art work by Japanese artist, Yume Aoyama (1997-). Oil painting on the wooden board titled as 'Makeup shop', like an advertisement of weird cosmetic surgery in the style of Japanese Showa-Retro. 2019. approx. 60.5 x 72.5 x 2.3 cm (23.81 x 28.54 x 0.90in). Some scratches and peelings as is.


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Nice circa 18t/19th century high fired terra cotta Akshobhya Buddha in bhumiparsa mudra and holding a vajra in his lap with traces of original blue, white and gold pigments. This piece appears to have been excavated and the head has been reattached. H: 11cm/4.2in and W: 7.5cm/3in.

Quirky jack wood kitchen vegetable cutting board. I acquired this in Sri Lanka but it could also be Tamil. Beautiful patina naturally smooth surface. . L: 46.5cm/17.9in and W: 29.5cm/11.6in, and H: 4.5cm/1.8in.

Beautiful, unopened, three paneled, semi antique, woman’s sarong from Flores Island (probably Ende), Indonesia. Circa 1950 +/-. All hand spun and woven cotton and natural dyes. Very soft and in perfect condition. The incorporation of indigo dyes is quite subtle giving it the depth. L: 142cm/56in and W: 158cm/60in. Free Shipping

Colorful serigraph print entitled "Hands of Compassion" by the artist Mayumi Oda (b. 1941). The Goddess Kannon, the Bodhisattva of compassion, stands on a blossoming lotus against a silver background. In her 8 hands she holds her magical attributes. This print is signed in pencil and numbered 25/50.
Mayumi is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts, Boston, and...

Serigraph print entitled "Earthship" by the artist Mayumi Oda (b. 1941). Takarabune or "Treasure Ship" of Japanese folklore is usually piloted by the Seven Lucky Gods and laden with magical objects. Here, the ship is steered by Mother Earth who cradles our planet in her lap. The ship is brimming with plants and animals, the wondrous treasures of nature. This print is signed in gold pencil and numbered 60/100.
Mayumi is widely loved for her female empowering works, many of which are c...

A large serigraph print entitled “Rainbow Serpent” by the artist Mayumi Oda (b. 1941). A developing baby floats in a field of blue sky and sea while tethered by umbilical cord to the planet Earth. Out of the Earth springs a tree of life. Creatures of ocean and land are encompassed by two linked serpents. Printed in deep blue and gold ink. This print is signed in pencil and numbered 35/100.
Mayumi is widely loved for her female empowering works, many of which are currently part of...

Colorful serigraph print entitled "Dakini, the Sky Goer" by the artist Mayumi Oda (b. 1941). Dakini, broadly identified as a female spirit, goddess or demon in Hinduism and Buddhism. She is a fierce goddess and considered the embodiment of enlightened energy. This print is signed in pencil and numbered 26/45.
Mayumi is widely loved for her female empowering works, many of which are currently part of the permanent collections of the Museum of Modern Art, New York, Museum of Fine Arts,...

Chinese Qing dynasty Qianlong period deep dish decorated in underglaze blue on a white porcelain ground with four fish swimming among marsh grasses. Unglazed base. 11” diameter x 2 1/2" high. 18th century. Good overall condition. There is a fine old hairline extending around the outer and inner edge. It is about 1 1/4" long and has a two-prong fork at the end on the inside. It barely catches with a fingernail. Typical surface wear and production imperfections. From the estate of Gerha...

Octopus and Anchor. Painted with ink on paper. Signed Koho and sealed.

Some insignificant light marks, insignificant light crease and foxing are present on the both painting, insignificant light marks are present on the mounting, otherwise the piece is in very good vintage/antique condition with the age. It is accompanied by an aged paulownia wood storage box.

Painting: W12 1/4” x H51 1/8” (W31cm x H130cm)
Scroll: W16” x H76 3/4” (W40.5cmx H195cm)

Tokkuri (alccol bottle) made of hard porcelain. Mikawachi kilns. Japan early 19th century. The bottle has an unusually elegant, typically Japanese shape, it was created for the Japanese market and not for export. The porcelain, immaculately white, has a very fine grain similar to that of marble, which is typical of Hirado clay. A lake landscape decor subtly drowned in mist is painted in a luminous cobalt blue. The quality is superb, the technique is flawless and the drawing is artistically trace...

HANAKAGO

Flower basket with handle as a traditional Japanese ikebana vase woven with six-layer strips of bamboo. Contemporary. H 27 x D 21 cm (10.62 x 8.26in).


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CHOPPING BOARD

Brass. Early 20th century, Korea. D 16 x H 7 cm (6.29 x 2.75in). Hefty and refined. Some stains and rust as is.


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Iwai-Bandori which is a backpack pad for carrying household items on wedding, made in Shonai region in Yamagata prefecture in Tohoku. It is made of cotton rags. In good condition. The first half of the 20th century. L:110cm, W:28cm

Special Offer: Reduced from $1200. now $700. Impressive Ming Dynasty pottery “sancai” green and amber glazed wedding bed. There are two repairs: appears to have been cut in half and then glued back together and there is one on repair at the top of the roof façade- all noted in last enlargements. H: 47cm18.5in and W: 35.5/13.9in x 20cm/8in.

Good Shiwan censer with beautiful and subtle white flambé moon white glaze circa late 19th or early 20th century - there is one hairline on the rim noted in enlargements. D: 15cm/5.8in and H: 9cm/3.5i

A unique waterfall-like architectural lacquered sculpture by Okada Yuji presented at the 33rd National Modern Crafts Exhibition (Nihon Gendai Kogeiten) in 1994. It is created in a contemporary version of the centuries old technique known as Datsu-Kanshitsu. Datsu Kanshitsu is a type of dry lacquer technique wherein cloth or some other pliable material is laid over a wooden structure to create a form. Ofter many layers, creating a solid form, the framework is removed leaving the piece hollow. ...