Japanese Bizen Okimomo of Ebisu and Daikoku; the Gods of Good fortune and prosperity. They are often represented as a smiling, happy pair. H 12 cm. Taisho-Showa period. Good condition.

Antique Tibetan mandala. Hand painted on cloth and mounted on thick wood, reverse shows 2 pieces of decorated paper. Edges with strips of metal attached, hanging ring at top. Undated, estimated to be early 20th century or earlier. Can be viewed in central London and shipped worldwide with insurance. Further details and images can be supplied. 35x35x2cm.

Quirky image of Ganesh accompanied by four rats as devotees and musicians. This is from the last half of the 20th century- possibly a tribal image. For the most part most of the iconography and i.e., accoutrements, mudras and association of rats accompanying him are correct. I acquired this from an estate of long term Hong Kong resident, other than that I don’t have any other information other than this a very cool. It is hand made of copper, the very top of his head is missing a pie...

Patinated bronze sculpture depicting a roaring lion of excellent quality evident in the details of the muzzle, in the energetic expression, in the muscles and in the thick mane. The eyes have a golden outline that stands out against the dark background of the bronze and gives the animal an even more truthful expression. This bronze sculpture is signed Gyōkō 暁光 (Akasofu Gyōkō 赤祖父暁光) under the belly within a rectangular reserve. Origin: Japan Period: Meiji second half...

HAGIRE

As a waste part cut off from thin make Japanese cotton cloth with the design resist-dyed, early 20th century, approx. 96 x 7-26 cm (37.79 x 2.75-10.23in). Creases, slight discoloration, and mending due to aging as is. Shipped as folded.


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HAGIRE

As a waste part cut off from thin make Japanese cotton cloth with the design resist-dyed, early 20th century, approx. 90 x 29 cm (35.43 x 11.41in). Creases, slight discoloration, and mending due to aging as is. Shipped as folded.


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RICE CAKE MOLDS

Three pieces set of massive and lovely Korean wood carving molds for rice cake. Late 20th century. approx. D 6 x H 7.3 cm (2.36 x 2.87in)、D 5.5 x H 9.5 cm (2.16 x 3.74in) 、D 5 x H 10.5 cm (1.96 x 4.13in). Some expected stains or scratches due to use and age.


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KUGUTSU

Mask part of primitive wooden puppet as the original form transitioning to Ningyo Joruri (Japanese puppet drama) called Kugutsu. Edo period (1603-1868). approx. 14.3 x 19.5 x 6 cm (5.62 x 7.67 x 2.36in). In such damaged condition in the fire in the later years (so that stained with soot when touch).


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A large basin by legendary female porcelain artist Ono Hakuko, raw white porcelain decorated with golden flowers enclosed in the original signed wooden box titled Kinrande Tsubaki Mon Hachi. It is 25 cm (10 inches) diameter, 11 cm (just more than 4 inches) tall an in excellent condition.
From Aichi prefecture, Ono Hakuko was trained by her father initially in the ceramic arts. However, she was most strongly influenced by the great experimentive artist Kato Hajime (1901-1968) and his work ...

Original Sino-Siamese Polychrome Porcelain BENCHARONG-BENJARONG VESSEL WITH COVER 18/19th Century. Colors: Maroon, Blue, Gold, Green, Yellow and White. Size: 9 x 7.5 cm. Top condition, no flaws nor restorations whatsoever!

A rare Original Sino-Siamese Polychrome ENAMEL BENCHARONG-BENJARONG VESSEL WITH COVER, 18/19th Century. Colors: ULTRAMARINE BLUE, PINK, WHITE, GREEN, RED and a Bronze-GOLD Color top Finial. Good overall condition, some inconsequential signs of considerable age and use. Size: 8 x 5.2 cm

A hawk rests on an elaborate perch, the feathers fluffed up, each uniquely carved on this rare okimono from the Mushiake kilns of Okayama prefecture. It comes in an ancient kiri-wood box. The notation on the side of the box states it was received in late Meiji 27 (1894) from the former Head of the Okayama fief Ikeda Mochimasa. The name of the recipient has been redacted, as is often the case when things change hands in Japan. It is 24 x 7.4 x 29 cm (9 x 3 x 11-1/2 inches). A ringlet on one side...

Saiho-hinagata (or hinagata), the sewing sample which is a miniature sample to learn sewing. It was invented by an educator for saving time and textile using a special measuring rod. It was practiced in a girl's school from Meiji 7, 1874). Reduced scales were one-third in the beginning and one-quarter, one-half, one-fifth etc. The sewing technique was exactly same as the real size in details. Saiho-hinagata was designated as a significant tangible folk cultural asset. They learned not only kimon...

A striking sake set by Okushima Keiji consisting of a glass Tokkuri embedded and a glass Guinomi sake cup mixed with porcelain and lacquered inside with silver leaf, each enclosed in their original signed wooden boxes. When I first saw his work, although made of glass, I had the impression that it was made by a potter, and Keiji attempts to bridge these mediums, with the addition of lacquer and gold/silver leaf, applied, baked, charred, to create art works never before seen. The Tokkuri is 15 c...

A small powerful work in clear glass covered in spiraling silver foil with a lid of opaque black by Ogawa Kaoru enclosed in the original signed wooden box titled Ruri Koro. The piece is supported on three feet which seem to drip like black honey from the bottom while the same black crowns the six-sided form, rising in flutes to the finial. It is 13 cm (just over 5 inches) tall and in excellent condition.
Okawa Kaoru was born in Niigata in 1940 and graduated the design department of prest...

A striking work of heavy glass by Suzuki Genta enclosed in the original signed wooden box titled Shizuku Kaki (Dripping Vase). Thick dollops of glass run like giant rain drops over the surface. It is 36 cm (14 inches) tall, and in excellent condition.
Suzuki Genta was born in Kyoto in 1971, graduating the prestigious Doshisha Universtiy in 1994. That same year he packed up and went off to Sweden where he studied at the Kosta Glass School, graduating in 1996. He then travelled Europe, l...

Powerful overglaze enamel Iro-E porcelain vase in a form of Katakuchi made by Kunio Watanabe (b. 1967) The mark of the artist is painted on base.

Watanabe's unique approach involves multiple firings, layering gold and silver colors onto the ceramic canvas, resulting in prismatic and vibrant creations. His dedication to this technique led to remarkable achievements and recognition.

Size
Height 12cm
Width 24cm

Condition
No damage
No box
<...

In China, older age was/is respected and valued... During the late Qing Dynasty, many wealthier Chinese used eyeglasses to appear older...sometimes clear glass lenses were used for those with good eyesight Personally, I never colored my hair before traveling to China.... This eyeglass case was carved from water buffalo horn...It has the original hand twisted string and a small movable stop.... and a few minor scratches from use and age