Chinese Song to possibly Yuan dynasty brown glazed stoneware jar with horizontal ribbed body moulded in high relief with a dragon chasing the pearl of wisdom. The glaze stops above the unglazed foot. 6 7/8” high. Circa 12th/13th century. Very good overall condition with a barely visible old break to the horns (see closeup image). The lighter areas on the surface of the glaze are burial encrustations. From the estate of Gerhard Lohmeier, a Diplomat at the German Embassy in Beijing from 19...

Large Chinese Ming Dynasty Painted Pottery Tile - Bird in Flight

This rare and unusual pottery tile was made during the Ming Dynasty (AD 1368 - 1644). It is made from a grey pottery and is particularly "heavily-potted". It features, in high relief, a bird in flight. Note the detail to the bird's feathers. It has been cold-painted in red and white pigments. Cloud patterns have been inscribed into the flat background. We believe the bird to be a crane, a symbol of longevity that is said to fly...

Ide Gakusui
Heron in Rain
Date: ca. 1950.
Size: Oban. Approximately 15.25 x 10.25 inches.
Artist's signature and seal lower right.
Publisher: Watanabe Shozaburo. Round, red 6mm seal lower left, which is consistent with a first edition (produced 1946-1957).
Embossing is featured on the snowy egret's body. Please see enlargement 2.
Medium: Japanese woodblock print.
Condition: Adhered to board via contact sheet.

One of his most popular new forms, this starkly arching elevated dish is by Murakoshi Takuma is covered in white over shadows of iron with areas of thin green revealing the clay beneath, weeping giant droplets onto the swirling center. It is called a Geta-zara, named after the traditional elevated wooden sandals worn in Japan in previous eras. 29 x 13 x 11 cm (4-1/2 inches tall, 5 x just less than 12 inches long) in perfect condition, directly from the artist and enclosed in the original signe...

The flattened surface of this elevated dish is scored by the artist fingers and covered in a smattering of green ash glaze by Murakoshi Takuma enclosed in the original signed wooden box titeld Hai-yu Yubi-mon Sara. It is 23 x 20 x 5 cm (10 x 8 x 2 inches) and in perfect condition, directly from the artist.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay. He does not seek to make a living through pottery, but through his primal approach has earned a following w...

Lovely vintage reclining solid cast image of the Buddha lying on his deathbed about to enter Parinirvana, circa mid-20th century, from Japan or possibly Korea. He has serene expression and the multiple folds in his robe are particularly well done. L: 14.5cm/5.8in.

Chinese teakwood tabletop display stand. Each of the four tiers for holding objects has carved frieze decoration. 18” wide x 15” high x 5 1/4" deep. 20th century. Very good overall condition. Some of the frieze decoration was loose and has been re-glued. From a Sun City West, Arizona collection. Please note that the miniature Chinese ceramics are not included.

Finely cast gilt bronze statue of Hindu god Vishnu, wearing a diadem with a flaming aureola at the back, necklaces bracelets and a dhoti, holding his attributes with his four arms. The god is standing on and backed by the Naga. India, late 19th century. Height: 15 cm. Very good condition. NOTE: Images of Vishnu typically depict him with four arms, holding his attributes: the club, wheel, conch and lotus flower. The club is a symbol of Vishnu's divine power, and the wheel, a symbol of the sun. ...

Rectangular black and gold lacquer kobako box decorated with pine trees in a mountain landscape in takamaki-e, kirigane and hiramaki-e lacquer. Background in nashi-ji lacquer. Surmounted pewter border. Fitted with two grip rings.

Japan – Edo period (1603-1868), 18th century
Width: 2.7 in (0.8 cm) – depth: 3.1 in (8.8 cm) – height: 1.2 in (3.2 cm)

Quadrangular kobako box decorated with flowers in gold and blue lacquer with aogai inlay. Lid and sides in fundame lacquer, underside and interior in nashi-ji lacquer. Inside, a removable tray with gold fundame borders. Fitted with two gripping rings.

Provenance : Docteur Mène collection.

Doctor Édouard Mène (1833-18..?) was a doctor and vice-president of the Franco-Japanese Society. As great connoisseur of Japanese art, he began collecting Japanese objects such as a...

Small round hare in bronze with dark brown patina, standing on its four legs. In Japanese, the hare and the rabbit are referred to by a single word: usagi. The animal is one of the twelve animals of the zodiac in Sino-Japanese astrology. It also plays a role in many folk tales and legends. A symbol of longevity, it is supposed to reach a fabulous age and turn blue at five hundred years. Japan – Meiji era (1868-1912) Height: 3.1 in (8.5 cm) – width: 2 in (5.5 cm) – depth: 2.6 in (7.8 c...

Round hare in bronze with a dark brown patina, standing on two legs.
In Japanese, the hare and the rabbit are referred to by a single word: usagi. The animal is one of the twelve animals of the zodiac in Sino-Japanese astrology. It also plays a role in many folk tales and legends. A symbol of longevity, it is supposed to reach a fabulous age and turn blue at five hundred years.

Japan – Meiji era (1868-1912)
Height: 5.5 in (14.5 cm) – width: 2.8 in (7.5 cm) �...

Suzuribako box (empty) in black lacquer. Gold maki-e decoration of a river bordered by peonies, one with red highlights. The edges of the lid are in gold lacquer. Nashi-ji interior.

Japan – Meiji era (1868-1912)
Height: 1.8 in (4.7 cm) – width : 8.3 in (21.3 cm) – dept: 10 in (25.5 cm)

Saito Hodo (aka Nishimura Hodo)
A balcony scene with falling cherry blossoms
Date: 1920s.
Size: Oban. 15.25 x 10.25 inches.
Publisher: Takemura Hideo.
Signed "H. Saito" by the artist.
Medium: Japanese watercolor.
Condition: Faint matte line.
Note: Paintings and woodblock prints variously signed as "H. Saito" (Saito Hodo) and "Nishimura Hodo" were published by Takemura Hideo. They are very likely by the same artist. Works with these signatures had similar s...

A wood display stand was in nice Zen mood.

Date :1950s.

Dimensions :22x14x2.5cm

Lovely ceramic amber and green sancai glaze fish offering from the Ming Dynasty. These were put on small pottery altar tables and interred with ancestor to provide for them in the afterlife. Good condition. This one is quite small D: 3.8cm/1.7in. A clever bunny good glue a pin on the bottom and use it as a brooch.

One nice wood stand obtained traditional scholar mood.

Date: 1950s.

Dimensions :22x13x1.7cm

Ensemble of four Ming sancai glazed chickens used as ancestral offerings. The large green one has had its head broken and glued back on, otherwise all are in good condition. Heights are between 11cm and 6cm.