A simple one line Chinese calligraphy attributing to Chi Xizhao (1793-1866). The calligraphy reads: The pure jade harmonizing with the gold with the pure wind in the forest of treasure. The work is dated to year of the water boar (approximately 1863), mid spring. Chi Xizhao was a noted Qing Period poet. Chi Xizhao was a scholar of the xueshi rank during the Jiaqing period. This scroll originally was one of a pair.

Extremely detailed pair of bronze statues of guardians to the Buddha called Niō or Kongōrikishi. While Buddhism usually promotes pacifism, the Nio guardians are said to have justified the use of physical confrontation to fight back against evil. Nio are typically placed on either side of a temple door. One statue, named Misshaku Kongo or Agyo, has an open mouth to represent the first sound in the Sanskrit language "a", symbolizing birth and overt violence. The other statue is called Na...

Small Japanese vanity tansu with seven drawers and two sliding doors, the front done in a variety of hardwoods, panels in gorgeous dark Jichimu (chickenwing wood) framed in rosewood, another set of sliding doors done in Keyaki wood, with brass handles and a beautiful lacquered black interior. Taisho period (1912-1926) Size: 13.5" height, 13.5" width, 9.5" depth

Antique Japanese rootwood burl kashibachi, or serving dish for sweets. It is hand-carved from a beautiful hardwood, all in one continuous piece, and has very interesting twists and gnarls throughout. Meiji period (1868-1912) Size: 12.72" height, 16.5" width

Antique Japanese raincoat made of hand-woven indigo cotton with sixteen panels, dyed using a technique called ikat, in which bindings are applied to the cotton threads in any desired pattern and dye is applied over them. The bindings resist the dye, leaving behind patterns in the original color of the threads. The raincoat has two sides: One has white stripes and the other has an attractive design of white arrows and crosses. The raincoat has a cloth loop and grommet closure in front and a mand...

Chinese blue and white pug face, open mouth molded porcelain on rosewood stand. Beautiful coloring with fine detail on both

Circa Early 19th Century

Dimensions: 3 1/2" High w/stand, 2 3/4" High X 5 1/4" Long X 2" Deep

Gorgeous silken Chinese rank badge with a navy blue background, golden stitching along its base, borders and accenting throughout, image of a silvery green pheasant standing on a rock, a fish jumping out at it from the water, and many designs of flowers, and clouds in various vivid shades of blue. Rank badges were to be worn on the front of a robe to show ranking and status of the elite in imperial China during the Ming (1368-1644) and Qing (1644-1911) dynasties. Pheasants would show the status...

Burmese repousse silver covered vessel. Compressed bulbous form having an intricately hammered ground of interiors featuring pronounced narrative characters set between two bands of chased acanthus. Fitted lid mounted with a lotus bud. Circa 19th Century Dimensions: 12 1/2" Wide X 7 1/2" High 25.3 Troy oz

Burmese repousse silver box. Geometric form with intricate hammered landscape grounds featuring pronounced elephants in a realistic setting. Circa 19th Century Dimension: 10" long X 5 1/2" High X 5 3/4" Deep Acid Tested / 25.30 Troy oz

Ca. 1796 – 1820, early 19th century
Jiaqing Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
D: 18.4 cm, h: 8.3 cm
From a Marine Country, California estate

A large and rare ogee-form bowl, marked with a Jiaqing seal mark in iron red and of the period; interior glazed in turquoise, and gilt rim scalloped; excellently decorated in famille rose enamels with auspicious motifs.

Beginning in the late 18th century, Chinese-taste famille ro...

Late 19th century
Guangxu Period, Qing Dynasty
Porcelain with overglaze famille verte enamels
H: 44.6 cm / 17.6 in
From a Marine County, California estate

An extremely finely painted 19th century rouleau vase, enameled in the Kangxi famille verte tradition. The image illustrated is one known to exist since the 5-7th centuries, commonly entitled “Seven Sages of the Bamboo Grove” (zhulin qixian). Shown in casual garbs in a bamboo groove, the seven sages represent...

Chinese Celadon plate with Even coloring and glazing overall. Ming Dynasty 16th century. Dimensions: 11 3/4'' Wide X 2" Tall

Ca. 1700-1720, early 18th century
Kangxi period, Qing Dynasty
Porcelain with overglaze famille verte enamels
D: 20 cm, h: 8.6 cm
From an English private collection

A large and gorgeous Kangxi famille verte / wucai bowl, of lobed shape, and decorated with panels of seasonal flowers to exterior, while floral sprays cover the interior. The quality of the enamels is bright and intense, while the glaze is a nice creamy white. An excellent example of Kangxi famille ver...

ca. 1860-90s, latter half of the 19th century
Tongzhi-Guangxu Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
H: 36 cm
From a Greenwich, CT estate

This vase is lavishly painted with a young wife and nine sons in a garden, and flanked with landscape scenes, dragons in relief, and faux cloths.

The number of boys painted–nine in total–symbolizes “eternity” or “everlasting-ness”. Indeed, such image of domestic bliss and abu...

A slip inlaid olive drab celadon stoneware pottery pear form bottle vase. Decoration of fish in black inlaid slip over a ground of white slip inlaid punched flowerheads. Possibly Japanese (see Korean legacy wares from provinces in Kyushu [Hizen, Higo, Satsuma] illustrated in Morse) and possibly Korean Joseon era punchong ware. Signed on bottom. Excellent condition. Indeterminate age (capped conservatively with this listing and likely at least a little earlier.) This strongly potted piece (1.01 k...

Ca. 1880 – 1900
Late Qing Dynasty
Porcelain with transmutation flambé glaze
H: 28.7 cm
From an English private collection

An elegant late Qing “Hu” vase, tight and compact in form, and covered with flambé glaze of an intense red. The archaic “hu” form is based on Shang bronze prototypes, which were originally ritual vessels used in the heating and pouring of wine.

The Qing flambe glaze is rooted in the antiquarian revivals of the Yongzhen...

Ca. 1700-1720, early 18th century
Kangxi period, Qing Dynasty
Porcelain with underglaze cobalt blue
D: 27.6 cm, h: 4.7 cm
From a Dutch collection

A Kangxi blue and white charger, of lobed form, with floral panels encircling a central field featuring a scene from The Romance of the Western Chamber. This piece illustrates the illicit love affair between Zhang Sheng and Cui Ying Ying, as the former (robes askew, lamp in hand) leads the latter into his bedchamber unde...

Ca. 1750-60s, early 18th century
Qianlong period, Qing dynasty
Porcelain with overglaze famille rose enamels
D: 22.7 cm, h: 3.8 cm
From a NYC area estate

A charming matched pair of Qianlong export soup plates, with scalloped edges decorated with fleur-de-lis like border, and carefully enameled with floral sprigs in the Meissen fashion. Though made by Chinese potters, these plates reflect late Baroque Rococo design with their attention to naturalism and curvili...