Good silver coin circa 900-1000CE from the ancient Burmese, Pyu Kingdom of Bekthano. The dating of these old coins are all over the place on online resources. Please view last enlargement for a published reference (this is the closest thing I can find to it)~ The Early Coins of Myanmar (Burma), pg 114, 56a. This has a classic rising sun obverse pattern with Srivatsa symbol on reverse. Diameter: 30mm and weight : 10 grams.. Free shipping.

Cast bronze candlestick. Finely chiseled decoration of tao tie masks and stylized cicadas in the archaic Chinese style. The cast is perfect without the slightest defect. The carving is precise without error. The object has a very elegant atypical shape. Below a mark of 6 characters must announce the name of the artist who is necessarily excellent. Very beautiful object absolutely unique. In a perfect state. Wear of multi-secular use. Japan Edo period. Height about 25cm.

A rare set of Tokkuri by important artist Okabe Mineo enclosed in the original signed wooden box titled Seto-te Tokkuri. The shapes are twins, one in E-shino style with iron decoration under white feldspar, the other in austere Oribe green glaze. The flaring mouths are both ulled slightly creating a perfect pouring spout. They are 13 cm (5-/4 inches) tall, 7 cm (2-3/4 inches) diameter and in excellent condition.
Okabe Mineo (1919-1990) was born the first son of important artist Kato To...

Statue of Hindu goddess Shridevi, one of the two consorts ("shakti") of god Vishnu, standing on an elevated square base, holding a lotus flower in her left hand. Bronze, with fine patina. India, 18th century. Height: 6.2 cm. Some abrasion due to age, otherwise very good condition.

This piece was fired for 10 days with red pine firewood in Anagama along ancient style without artificial glaze, This small style of water container "mizusashi" has been liked in Japanese tea ceremony scene. YouTube: https://www.youtube.com/watch?v=X9CBtpPl7X8 Accessary: lacquered lid, wooden box signed by artist. Size: 12.7cm(D/mouth) 15.8cm(D/body) 14.5cm(H)

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta. However, they needed expensive costs, so they could not be continued. And Sadamitsu Sugimoto re...

Elegantly balanced on a slenderly proportioned foot, this piece by Bizen native Kondo Masahiko displays a surprising level of skill for a potter still in the process of making a name for himself. With swirling ash glaze and a dazzling ceramic landscape, this piece is perfect for tea practitioners and collectors alike.

Born in Okayama prefecture in 1971, Kondo fashions his Bizen pieces in a traditional wood-fired kiln in the township of Ushimado. Especially competent with...

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink f...

A veteran of Bizen pottery, Mori Tōgaku has been perfecting his style for close to seven decades now with most of his important work having been done in the last 35 years. Using a self-built large climbing kiln measuring 53 meters—one of the largest of its kind—he utilizes a number of interesting techniques including mixing different types of clay into one work to produce pieces like the mizusashi (fresh water jar) shown here. With an unmatched ability to keep his designs fresh and interest...

From a well-known series entitled “Chōtō” (Listening to the Waves) this contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors not ...

A striking late 19th century Shigaraki Chawan with one of the most beautiful Kintsugi repairs we have ever seen. A mixture of lacquer and gold powder showing a traditional Karakusa pattern - a real unicum.

This aesthetically pleasing highest quality Kintsugi gold repair was made and in 1974 by Arakawa Kentaro, former master craftsman of the Tokyo National Museum.

The 'kara' of Karakusa means 'China', while 'kusa' means 'plant'. The Karakusa pattern came to Japan from China...

A classic tea form by pioneering artist Furutani Michio enclosed in the original signed wooden box titled Shigaraki Hanaire. It has been burrid midway in the embers scorching the earth black , molten ash covering the fire side, the rim torn and sagging, the perfection of imperfection. It is 10-3/4 inches (27 cm) tallr and in excellent condition.
Furutani Michio (1946-2000) is one of the Gods of Shigaraki, an artist who wrote the book on Anagama kilns, and one of the more influential art...

Young woman musician in sculpted bone, partially gilded with gold powder probably on lacquer. Details painted in red and black. Beautiful carving and excellent thick gilding. Some normal wear otherwise good condition, no restoration or painting. Height about 15 cm. Probably Indian work from the end of the 19th century, around 1900. The fact that her hair is covered would perhaps announce an Islamic Indian

Cylindrical pot in Chinese porcelain copying an 18th century model. Decor finely executed in enamels of the rose family, painted by hand, representing scholars under a pine tree at the edge of a lake.The reverse with poem. 20th century copy, probably from the 1960s. An original must exist in a Chinese museum. This type of high quality porcelain had to be ordered to be offered as a present? or others. In any case, porcelains of this quality from this late period are not numerous. Very damaged. ...

1930's Japanese Silver Ginbari Cloisonne Bonbonniere Presentation Box with Dragon & Chrysanthemum Marked

It is 1.2 inches (3.1 cm) tall by 1.88 inches (4.8 cm) wide. It is 74.5 gram.

It is tarnished and has minor missing enamel and surface wears and scratches. The inner cover is loose (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refu...

Chinese Export Gilt Silver Cloisonne Enamel Peach Shaped Tea Caddy Marked "Silver 925"

It is 4.1 inches (10.5 cm) tall by 3.9 inches (10 cm) wide. It is 324.3 gram.

It is tarnished and has rubbing of gilding, minor loss of enamel, bent at the inner rim, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refu...

Old Chinese Amethyst Carved Pendant & Beads with Dragon and Phoenix Beads Necklace

It is 74.2 cm) in circumference by 42.47 cm) long. The pendant is 2 inches (5.2 cm) long by 1.4 inches (3.6 cm) wide and 0.45 inches (1.12 cm) thick. The carved bead is 8.1 mm- 16..9 mm. The total weight is 130.8 gram.

It has inclusions, surface wears and scratches at the pendant. Some beads have flea bite chips, inclusions, surface wears and scratches and one large bead has a hairline crack (as seen in ...

Perfectly shaped Shino Chawan with beautifully crackled Shino glaze and with the image of 3 Noh mai dancers.

It is extremely rare to find an antique tea bowl with a Noh mai dance motif.

This Chawan was made at the end of the 19th century. The signature of the artist is inscribed close to the foot ring.

Noh mai means „traditional movement“ and came from China to western Japan It was heavily influenced by the elegance and sophistication of the manners often a...