Chinese Qing dynasty Kangxi marked monochrome beehive form waterpot (taibo zun) subtly incised with three kui dragon roundels on the domed body. The sky blue glaze thins to white at the rim. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. 5 ¼” diameter by 3 ¼” high. Guangxu period (late 19th century). From a Scottsdale, Arizona collection. The current owners purchased the wa...

Japanese Hirado Porcelain Okimono-Daikoku, god figure, Ca. Meiji period, 3 3/4" high, 2 3/4" wide, 2 3/4" deep, with underglaze blue design in some area. The condition is good, no damages, kiln firing mark on the side of barrel.

Large rare Bronze statue of Quanyin (the Goddess of Mercy). She wears an ornate necklace and has a ball-like "Nyoi Jewel" in her right hand representing enlightenment . There is an image of Buddha beneath the veil on her head. In her left hand she is holding her ambrosia bottle (kalasa)representing "The Water of Compassion. She is sitting on a lotus base and at the back of the base is the stylized inscription of Xuande,1426 to 1435 AD. Size: H. 49cm. W. At the base 31cm. Condition: Nice Patina. ...

A book of Yagi Kazuo works (number 203 of 800) dated 1969 with the cover inlaid with a ceramic work signed and dated Feb. 1967. Dozens of photographs of his work dating from the height of his fame as an avante Garde sculptor fill this 100 page book titled Simply “Yagi Kazuo”. The book comes in the original cover which is held inside a cardboard sleeve. The ends of the cover not encased in cardboard have yellowed some with age, but this does not affect the book within.

Pair of Japanese Meiji Period Wood Kitchen Gods, Daikoku and Ebisu. 8 inches, 20 cm and 7.5 inches, 19 cm. Daikoku, God of Earth and Agriculture, stands on bales of rice and wields his magic mallet. Ebisu, God of Ocean and Prosperity, holds a large red sea bream tucked under his arm. This fish is an ancient symbol of good luck in Japan. Daikoku and Ebisu often appear together in the Japanese kitchen. This is a fine example of the pair of gods that Japanese have relied on for centuries to bless a...

Dark blue Japanese Kutani moriage waving cat. Signed on the bottom, it is in excellent condition, no chips, no cracks, etc. and measures 10.5" high. Dates mid 20th century.

Chinese Neolithic Qijia Culture Cord-Impressed Pottery Jar

This jar was made some 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes. This particular example is made from a coarse gritty clay and has a wide flaring mouth. There is a ridge around the shoulder below which the main surface of the body is decorated with cord impre...

Antique Japanese pair of wooden fu dog guardians from a temple in Kyoto. Hand-carved with charming signs of old age. One with curly mane, one with straight mane, posed in fierce protective stance. Momoyama Period (circa 1600's). Very original and Unusual. Size: 3.75" H x 1.5" L x 2.5" D

Bronze cylindrical handwarmer (shuro or te-aburi) with decoration of gourds plastically dangling from a band of low relief leaves and vines. The spokes in the shoulder and cover also in the shape of gourds. The flat part of the cover with fretwork in the shape of leaves and engraved vines. Playful combination of brown and yellow bronze. The handles wrapped in soft leather. Japan, Taisho/Showa eras, 1920s-1930s.
Comes with the original fitted tomobako signed and with inscription on the outsi...

Antique Japanese boxwood okimono carving of Shoki, the Demon Queller, commander of evil spirits and beings, shown holding onto a small demonic figure by the wrist. He is a popular figure in the household as a guardian. Intricately carved details apparent all throughout. Signature on foot reads "Sei Gyoku". Meiji period (1868-1912) Size: 6.5" H x 3.5" L x 3" D

Antique Japanese pair of wooden temple guardian fu dogs, wonderfully carved with charming expression. Gilt accented eyes and reddened mouths, one with a horn on its head. Edo period 17th / 18th Century. Original condition with hand-carved details. Size: 14" H x 7" W x 13" D

Intricately hand carved Chinese plant stand with a scalloped edged marble inset. In excellent original antique condition with a beautiful warm patina, it measures 36 inches high, 21 inches outside center diameter, 13.5" across top. Circa 1860

An unusual Burmese reddish gilded Buddha in the sitting position with a fancy head piece. Size: H. 12.8cm. Base.7.4cm. Condition: Nice patina. No repairs. A separation on one side of the base. See photos.

Antique Japanese Solid keyaki (elm) wood desk with original dark brown finish. One long central drawer with three smaller drawers at each of its sides. Old growth Keyaki used for the entire construction. Very heavy and solid in weight. Early Meiji period (1868-1912) Would look stunning with two custom black iron stand made to raise to western size (height). Size: 14" H x 39,5" L x 24" D

Chinese late Qing to Republic period camphor wood trunk densely carved with relief lotus flowers. Incised brass circular front lock plate. Circa 1900 to early 20th century. 31" long x 14" wide x 13" high. Very good, solid overall condition. There is a small separation in the wood at one of the front edges and a minor loss at one back corner revealing the tip of a tiny old nail (see closeup images). This piece is from the Manning family collection and was originally housed in the historic M...

Though this piece appears quite old and nicely worn by time, it is in fact a very recent work from Sekizanjin kiln. Using a special organic process to “ferment” powdered ore used in the clay, they then fire the hand molded pieces under extreme heat to produce bowls they call “Chibori.” The Chibori bowl featured here is inspired by works of Chojiro—forbearer of the Raku line of potters and collaborator with legendary tea master Sen no Rikyu.

The master potter of Sekizanjin...

A male back Mandarin square with a leopard, denoting the 3rd military rank. Silk tapestry (kossu, k'o-suu) with metallic threads and painted details. The animal is standing on a rock above deep water, the ground with Taoist longevity symbols. The background was probably covered by peacock feathers, rarely survived to the present days. Reference: "Ladder to the Clouds" by Jackson & Hugus Berkeley 1999, page 192 - No. 13.011: very similar badge. Condition: little faded, the deep water with 3 tiny ...

Based on a classical tale adapted into a popular Kabuki performance in late Edo, the story of the Fuji Musume or “Wisteria Maiden” is an often employed motif in Japanese art. In the story, the Wisteria Maiden is depicted in a painting holding a wisteria branch, until one day she becomes smitten with a young man passing by and steps out of the painting in an effort to capture his attention. Unfortunately, her attempts are futile. Her love goes unrequited, and she sorrowfully steps back into ...