A six-sided porcelain wine pot warmer painted in Qianjiang style with a scene on one side from a Chinese opera relating to stories from the Three Kingdoms period. On the other side is a poem which we have, as yet, been unable to read. It is signed and dated to 1903. Condition - very good - there are glaze imperfections and there are two chips to the base rim (please view enlargement 2); no further damages and no restoration. 10.7cm (4.2inches) high; 10cm (4inches) across. 稀有的浅绛彩温�...

Burmese wooden throne with gilded gold and angel on the four lags.

Age: Burma, Late 20th Century
Measurement: Height 71 C.M. / Width 60 C.M. / Thickness 60 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Large Japanese framed print by Joichi Hoshi (1913-1979), signed in pencil, number 30/99 in its series, dated 1974. Scene of a silvery tree covered in snow with metallic silver on mint green ground.

Dimensions: 29" x 29.5" H (entire frame) , 22.25" x 23" H (print only)

A Japanese woodblock print of a kneeling male figure drying a shō, a traditional musical instrument of the reed family, a form of mouth organ, over a brazier. The print is attributed to Kitao Masanobu, 1761~1816 and probably dates to the late 18th century.

A good impression with some gauffrage on the kimono collar. The mount is inscribed in pencil “Mafsanobu”.

Approximately 20.3 x 14.4 cm. The print is laid by the edges to thin card. It is foxed at the edges. <...

A fine and expressive carved stag horn netsuke of Shoki, The Demon Queller. Early 19th century.

Shoki is the Japanese styling of the Chinese spirit Chung Kui who protects households from malevolent demons. In this example the gifted carver shows Shoki studying closely, an off stage, mischievous oni whilst carefully hiding his Chinese sword close to his body.

Approximately 4.8cm high. Stag horn is mostly hollow and so the carver plugs each end in order to complete the ...

Jagged bands of color like the climbing mountains surrounding Kyoto rise up the sides of this majestic work by Miyashita Zenji enclosed in the original signed wooden box exhibited at the 5th Kyoto Modern Ceramic Artists Exhibition in 1985. It is 14 x 17 x 37.5 cm (5-1/2 x 7 x 15 inches) and in excellent condition. It is a reasonably early work in this saidei oeuvre of the artist.
Miyashita Zenji (1939-2012) was born into the family of potter Miyashita Zenju, and graduated the Kyoto Muni...

A complete old Tibetan ladies purse made of Yak leather and inlaid with silver and gilt carvings with a center piece of Turquoise. The front has carvings of two fish (representing the beginning of life)and flower design. The back has a center tree design. There is a silver woven chain attached to the top for carrying. Very rare to have this. Age: Late 19 Century. Size: Leather purse. See last photo. Condition. Very good.No repairs. Normal ageing.

A cup and saucer and an additional cup, all three with overglaze iron red landscapes and houses in European style. China, c 1800 or earlier. Diameter of saucer "5 ½ / 14 cm, height of cups "2 / 5 – 5.2 cm. Condition: cups with rim chips, the back of the saucer with a hairline.

Blue and white bell-shaped inkwell of molded lotus leaf design. Japanese, Hirado Mikawachi, late 19th century. Height with lid "4 ¾ / 12 cm. Condition: chips to upper and lower rim, glass liner (not original) as seen in pics.

Figure of Li Teguai / Li T’ieh-Kuai, one of the eight Chinese immortals. Biscuit, enamelled in the Famille rose palette except for the naked parts which are painted in a matted skin shade. Unmarked, probably c 1900. Height "5 /12.5 cm. Condition: a glaze flake to the red part of the cloud, otherwise fine.

A Japanese Imari dish decorated with various celebratory motifs within an octagonal border. The back with a ‘running fuku’ mark. 19th century.

Approximately 24 cm diameter. Perfect condition.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal. I will accept payment only by bank to bank transfer in British Pounds Sterling (GBP), fees to be paid by the purchaser. <...

Bi faced "ghurra" (churning rod holder) finely carved to represent a back to back, squatting, human couple, man opposite woman. Wood, with nice dark brown glossy patina. The ghurra was carved in Nepal, and is nicely mounted on a custom metal stand. Its height (without the stand) is 22.7 cm. Very good condition. NOTE: The ghurra is a tool which has been used for centuries by Nepali people for churning milk into butter. Aside from its use as an important household implement, the ghurra also has a ...

Korean casted Wrought Black Iron Oil Lamp, Ca. 1900 or little before, Joseon Dynasty(Yi dynasty), 17 1/2" high, 7 3/4" diameter-bottom width, 2 3/4" diameter-top rim, cut out design of alternate Chinese Characters on the bottom base, that attached to the midway to a small octagonal shape shallow cup, continues to the top to a little shallow cup to hold the oil container(no oil container), higher back support to preventing the wind and also catch the fire. The condition is good, this oil lamp is...

Korean casted Wrought Black Iron Oil Lamp, Ca. 1900 or before during Joseon Dynasty(Yi Dynasty), 17 1/2" high, 7" diameter-bottom width, 3" diameter-top rim, cut out design of repeated Chinese Characters on the bottom section attached to midway to small cup and continues to the top little shallow cup to hold the oil container(no oil container), higher back support to preventing the wind and also catch the fire. The condition is good.

Precision cuts create bursting fireworks on the surface of this vase by Kitamura Junko enclosed in the orginal signed wooden box titled Hanaire. It is 8 inches (20 cm) tall and in excellent condition. Kitamura Junko learned under the tutelage of Suzuki Osamu and Kondo Yutaka of the influential Sodeisha. Like Mashiko artist Shimaoka Tatsuzo, her work is influenced by Jomon pottery, however her approach is very different. After impressing patterns into the clay with bamboo and firing once wi...

A trumpeting Chinese form by Miyanaga Tozan I enclosed in the original signed wooden box titled Kiji Kodo Gata Kabin (Yellow Porcelain Vase in the Shape of Ancient bronze) and retaining the original Rosewood base. It is 12-1/2 inches (31 cm) tall plus the base, and in excellent condition.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art. While a government employee, h...

A large tsubo in gold and white slip by Miyashita Hideko enclosed in the original signed wooden box titled Haku-a Kaki Rin to Shite Yo. The title speaks of standing up alone, and the artist told me it was a piece she created when she came to terms with the grief of her husband passing away and had decided to make a fresh go of life. The form was influenced by ancient Chinese maternal sculptures, thus the forward, broad stance. An image of one of the sculptures can be seen on a ticket stub fro...

Pair Korean rare Burlwood and White Brass Scholar's Chests, "Mungap", 32" wide 14" deep, 18" high, with white bass square handles on four(4) lift up style doors and flower shape white brass lock plate on the beautiful grain of burlwood panel doors under the 4 drawer. Second drawer from the right lift up first with key into the key hole and pull out towards front will open all rest of 3 drawers one by one after push to the same slot, it is secret doors and must know how to open all the drawers o...