Very old Nuo mask of Heshang, the Buddhist Monk, serene and smiling ; usually has a red circle of holyness on the forehead (we can see trace of it) and very long ears.
Very rare "bianlian" (changing face), eyes and mouth moveable, they can be animated from the inside by the wearer;
Old native restorations around the chin, 21 x 15 cms, 18th C. or before. Guizhou, China. RM 142-207-245; MC 48 (see bibliography)

Wooden nyoi (ruyi in Chinese) scepter, an implement used by Buddhist priests during a ceremony or during formal preaching. Carved naturalistically in the shape of a lotus bud on a long stem with a lotus leaf wrapped around the stem. Rose wood or sandal wood. Made in two pieces.
Japan, 19th century.

Length 13-1/8 inches

Tiny chip at leaf edge. Fine condition.

A nyoi scepter (in Chinese: ruyi) made of a natural branch of lacquered wood. For the scholar’s table. Late Edo to early Meiji. L 42 cm. Condition: Fine all-over.

DESCRIPTION: A rare and quite old Japanese lute, or sanshin, originating from the island of Okinawa. The sanshin (literally meaning "three strings") is an Okinawan musical instrument, and the precursor of the Japanese shamisen. Often likened to a banjo, it consisted of a snakeskin-covered body, neck and three strings, and was known for its calming tune. This sanshin, dating from the late 18th C. to early 19th C, Edo Period, has a rounded wooden body covered with the original snakeskin on both...

Antique Onggi Grain Jar from Chuncheong Province with charming finger-paintings of stylized orchids (nancho) and dragon (yong kurim) and hand-pinched 'dragon lines' (yong tti) and rings (son tti). The potter creates his free-hand and whimsical 'paintings' by running his finger (or thumb) through the still-wet glaze. The orchids are a symbol of modesty and purity, and the dragon is an ancient guardian, protecting the grain in the jar that will provide important nutrition to the family as a staple...

Rare Antique Onggi Medicinal Pot and Cover from Gyeonggi Province, with a beautiful deep, dark brown color. This pot is formed from two halves, a bottom half and a top half, that are put together to form this striking and unusual shape, with a ridged seam around the circumference of the pot. The clay is rich in iron and the glaze is made from clay mixed with wood ash and a little raw lead. The result is a rich dark chocolate brown. Height: 8 inches, 20.5 cm; Circumference: 26.5 inches, 67.25 cm....

Antique Onggi Rice Jar from Jeolla Province, with a fantastic color and surface, and wonderful finger-paintings of stylized orchids. Height: 10.25 inches, 26 cm; Circumference: 36 inches, 91.5 cm. Onggi are the most 'Korean' of Korean pots. All words related to onggi are of pure Korean origin, not based on Chinese characters. They are a beautiful form of Korean folk art.

Antique Onggi Jar for Preserving Seeds from Gyeongsang Province, with charming finger-painting designs. Height: 9 inches, 23 cm; Circumference: 34 inches, 86.25 cm. Onggi are the most 'Korean' of Korean pots. All words related to onggi are of pure Korean origin, not based on Chinese characters. They are a beautiful form of Korean folk art.

Antique Onggi Water Jar (Mul Tongi) from Gangwon Province with lovely finger-painted designs. The potter creates the whimsical designs by running his finger (or thumb) through the still-wet glaze. 14.5w x 14.5h inches, 37w x 37h cm (the width includes the handles). Onggi are the most 'Korean' of Korean pots. All words related to onggi are of pure Korean origin, not based on Chinese characters. They are a beautiful form of Korean folk art.

Antique Onggi Water Jar (Muldok) from Gyeongsang Province with a beautiful dark brown color. 15.5w x 9h inches, 39.5w x 23 cm. Onggi are the most 'Korean' of Korean pots. All words related to onggi are of pure Korean origin, not based on Chinese characters. They are a beautiful form of Korean folk art.

An Edo period Kogo incense case of pale earth tones decorated with geometric shapes and green copper glaze in the oribe style with a scrawling streak of kintsugi gold extending down two sides. Kintsugi is the art of repairing using lacquer and powdered gold. Kintsugi is a traditional Japanese art form of repairing broken pottery or ceramics using lacquer and powdered precious metals. Instead of hiding the cracks and flaws, kintsugi embraces them and turns them into a beautiful and unique feature...

Antique Kazak rug with rust and dark blue colors, late 19th century. Size: 50" wide x 65" long

Antique Japanese merchant's chest (choba tansu), made of sugi (cryptomeria) wood with dark red lacquer finish, 4 exterior drawers and safe box with 2 small interior drawers. Beautiful heavy iron hardware including elaborate bracing on front frame, wooden bracing on sides and back. From the Mikuni area in Japan. Edo Period (late 18th Century. Stunning original Condition. Size: 32 1/2" high x 38" wide x 18" deep.

Hand carved painted wooden angel figure, 19th Century, Burma, good condition, size H. 32cm x W. 13cm x D. 20cm

A pair of powerful Shishi guardian carvings dating from the later Edo period, 18th-19th century, in the Ah-Un expression (Exhaling and inhaling). Ah-Un has many allusions, it is the beginning and end of the alphabet, summarizing all in between, and is said to be inhaling good fortune, and exhaling bad. Glass eyes inset into very human faces. They are 10-1/2 inches (26.5 cm) tall, 9-1/2 x 5-1/2 inches (24 x 14 cm). Ah has a chip in the foot and tip of the tail whereas the end of the tail has ...

Antique Burmese pair of wooden Buddhist figures kneeling in prayer/meditation. Red and gilt lacquer has been applied to both and each has inlaid mirrors along the edges of their robes. The smaller figure has glass inlaid eyes. Size: (smaller) 10" height (larger) 10.5" height

A pair of Chinese Huanghuali trays with scalloped edges.

Date: Republic Period (1910-1920)

Dimensions: 11" diameter X .75 deep

An antique pair of Chinese vases with lingzhi mushroom outcrops on a craggy rock platform. The lingzhi mushroom is a symbol of longevity and health. The platform could display an object. These wares originated out of kilns in the Shiwanzhen sub-district within the city of Foshan, going as far back as the Neolithic period. Each vase is pigmented with custard yellow and aubergine.

Date: Late 18th to Early 19th Century

Dimensions: 11" tall X 9" X 6" deep