Yuichi Hasegawa (b. 1945)
Record of Wind Erosion (Red)
Japanese title: Fushoku-ki (Aka)
Date: 1989
Edition: 4/20
Signed in pencil by the artist.
Paper size: 24.25 x 12 inches. Image size: 20 x 8.75 inches.
Reference: Art Gallery of New South Wales.
Medium: Japanese woodblock print.
Condition: Excellent.

Pink and blue iris blossom among the green promise of Spring promised on this elegant vase by Miyagawa (Makuzu) Kozan enclosed in a wooden box annotated by the current head of the Makuzu Family in Kyoto, Makuzu Kosai. It is titled Yukasai Shobu no zu Kabin. It is 30.7 cm (12 inches) tall and in excellent condition.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth generation head of the Kyot...

An eight sided Shino Yunomi Cup by Suzuki Osamu (Kura) enclosed in the original signed wooden box decorated with triangles in red. A striking work, it is 3 inches wide, the same height (7.5 cm) and is in excellent condition. Osamu was born in Gifu prefecture in 1934, and graduated the Tajimi Technical School ceramics division in 1953. That same year he was awarded at the 6th Dento Kogeiten Traditional Crafts Exhibition. One of the great researchers, he spent many years excavating old kiln s...

An organic cup with sculpted sides covered in crackled pale glaze with random windows of raw and blackened clay by Ishii Takahiro enclosed in the original signed wooden box. It is 10.5 cm (just over 4 inches) tall and in excellent condition. His original forms and unique powerful glaze application strike a chord between nature, tradition and contemporary.
Ishii Takahiro was born in Gunma prefecture in 1977 took up an apprenticeship under the revolutionary Bizen artist Kakurezaki Ryuichi ...

Yunomi, Tea Cup; by Isamu Tagami of Hinata Kiln, Mashiko. Nami Jiro white glaze with brushwork of bamboo on snow pattern. H.3.25"(8.25cm) x Dia.3"(7.75c.) Volume=7oz(210cc.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is currently the ...

Yunomi, Tea Cup; by Isamu Tagami of Hinata Kiln, Mashiko. Kaki glaze with wax-resist pattern of bamboo leaves on snow. Nuka glaze interior. H.3.125"(8cm) x Dia.3"(7.5c.) Volume=7oz(210cc.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is...

Attractive design, refined form, sensational glazing—this yuteki chawan by Morikazu Kimura would make a fine addition to any collection of Japanese contemporary ceramics.

Born in Kyoto in 1921, Morikazu Kimura took up the family tradition of potting from a very young age and spent much of his time researching and perfecting the Tenmoku style. In 1947 at the age of 26 he set up his own kiln in the exclusive potting district of Gojo-zaka and achieved much success. Later, in 1976, h...

Size
Height 22cm
Width 24cm


In excellent condition
Comes with signed wooden box

Morinobu Kimura, born into a pottery family in Kyoto in 1932, became a respected potter known for his exceptional skill and dedication. He gained recognition at 26 when chosen for the Japan Traditional Art Crafts Exhibition. Kimura's innovative use of ash glaze earned him praise, leading to honors as a guardian of intangible cultural heritage by Kyoto Prefecture. Throughout ...

This is a beautiful example of an old Kyoto Yuzen dyeing. In this kimono, you can see the white lines around the designs, the very characteristic of Yuzen dye. This is where the rice paste is used to resist the dye and is later washed off. The dye on the silk bleeds. By outlining or covering the design area with the paste, the dye artists can work with the design more freely in detail than in the older pre-Yuzen method, which simply uses dip dying and/or embroidery. This is the revolutionar...

Really rare! A finest piece of art, a Yuzu-Hada (like citron peel)-Chawan with celadon glaze from 1970, made by Living National Treasure Uichi Shimizu (1926 - 2004). It comes with no chips or cracks with its originally signed and sealed wooden box a cloth with his seal.

Size: 7,5 cm height x 15,9 cm in diameter.

Born in Kyoto in 1926, Shimizu Uichi was one of the foremost Kyoto-based artists of his time. Having studied under Living National Treasure Ishiguro Munemaro (189...

Zanzibar paisa, 1299 AH (1882 AD), bronze coin- diameter 25mm. Zanzibar was the center of the of the East African slave trade, until it became a signatory of the Moresby Treaty- abolishing it in 1822. The trade continued to a lesser degree up to 1873 when Captain John Kirk told, the at that time, Sultan Barghash, a total blockade of Zanzibar was imminent, unless this practice was abandoned. It should be noted although that Zanzibar never became a British colony it did become a p...

Sambaso dancer with the typical high hat (striped eboshi) with a sun disc (round circle) on each side. In his left hand he holds suzu jingle bells; his right hand, on his back, holds a fan. Single block carving (ichiboku); keyaki (zelkova) wood, carved in a faceted way, resembling ittobori, and stained dark brown.

Japan, Taisho era, 1910s-1920s.
H ca. 18 inches.
One repaired crack from the bottom going up into his left shoulder, some scuffs and chips at edges, several tension ...

The character “Hiraku” Open (or to Open) in bold scratchy strokes by the infamous nun Murase Myodo. Open you mind, open the path to enlightenment, the path is open to all, but like this calligraphy work is not easy, it is dry and thorny and the gate must be passed. Ink on paper in a silk border with wood rollers. It is 24-1/2 x 48-1/2 inches (62 x 123.5 cm) and is in excellent condition.
Born in 1924 in Aichi, one of 9 children, a chance encounter with a nun in her village led her ...

A pair of six panel byobu by Abbot of Daitokuji, Priest Sohan Gempo (Murasakino Shoun) dating from the Meiji to Taisho period. The subject is an old song used to teach the basics of literacy as it is a panagram, containing every letter in the Japanese alphabet once; a popular subject for Zen artists for its simplicity and usefulness. The song itself seems to say, Keep it Simple, and the title I Ro Ha is used to mean basic. It can be translated according to Dr. Ryuichi Abe: Although its scen...

Framed Zen Crane Under the Moon Painting by the Famous Korean Jeju Island Monk, Ko Chang Nyul aka Jung Kwang Sunim aka the Mad Monk (1935-2002). The third photo here is from a prominent dealer's "sale" going on right now on Jung Kwang paintings, where you will see the prices are several times higher than mine. This other gallery has been in business for over forty years and has sold to many of the major museums. A google search of Jung Kwang Mad Monk will reveal the fascinating life of this char...

Fine Monochrome ZEN ink painting and calligraphy depicting the serene Lord BUDDHA. Signed and with the artist's red seal on rice paper. By Monk Khemananda Bkikkhu, purchased at Gallery exhibition, Bangkok, Thailand, 1981. Size: 21 x 21 cm., sold without frame. The translation of the calligraphy reads as follows: " AM I THE BUDDHA WHO RENOUNCED THE ROYAL THRONE, MINDING MORALITY, MINDING AUSTERITY? NOT BUDDHA I AM, ONLY YOU NAMED ME SO. I PROCLAIM ALL OF YOU SHOULD BE CALLED TATHAGATA, THE THUS.....

An impressive mokubi painting in ink and gold on silk depicting the Zen Buddhist patriarch Bodhidharma/Daruma in profile. Signed and sealed: Imai Tenroku (b. 1866), a specialist in the painting of Buddhist subjects. The present painting is dated Taisho 8 (1919). Fully inscribed box and paper w. artist’s data. L 185, W 52 cm. Picture frame: L 112 cm, W 40.5 cm. Condition: Very fine (at the bottom a small portion of the silk has loosened from the mounting).

Scroll painting depicting a humorous Daikoku, God of Wealth and kitchen, brings prosperity to the household. He is holding a mallet and a sack and standing on a huge daikon / radish. Painted in Zen style, ink on paper. Inscribed and dated: Taisho 1924, sealed and signed. Picture size: H 87 x W 30 cm. Scroll full size: H 175 x 39 cm. Condition: fair, a few stains. Recent mounting.