Description:

A Longquan bowl was mold in decent Bo(elm bowl) shape.
It was applied on the surface with celadon bean-green glaze and was uniquely carved with willow leaves (Liutiao) patterns for decoration.
The darken firing tint was yielded at the bottom from where the body clay was revealed.
Foggy-look condition was observed in the glaze.

A Yaozhou bowl in the documentation was in the same willow leaves patterns.

Date: Yuan Dynasty, 13th century.

Widt...

Description:

A Longquan table screen was preserved in perfect condition.
It was heavily potted and shaped in good size and was decorated on one side with imprint of poems with real scholar taste.
Whitish incursions had happened to the glaze when body clay was revealed at the feet with applied darken brownish layers.

Date: Ming Dynasty. 15th/16th century.

Height: 14.7cm, Width: 12.3cm.

A CUSTOM-MADE SILK BOX IS INCLUDED.

A small, most beautiful and very rare vase. Fine shugary white porcelain body, covered with an translucent Aquamarin-coloured glaze. Song Dynasty, 12th - 13th century. H : 6,8 cm. Condition : Perfect. ( It seems there is a small missed area to the irregularly shaped, unglazed foot-area. The glazed area of the vase is in an absolutely perfect condition.)

Description:

A black-glazed Jianyang tea bowl was in lovely size.
Uniquely and rarely-seen, it was decorated inside the bowl with splashed white mottles.
Obvious incursions had happened to the glaze resulting in the earthen and foggy look.
That includes the bursting holes of the glaze bubbles.
Wiry crackles can be observed too.
The darken body clay revealed was in enduring old look and was covering with grayish oxidation.
It was in perfect condition despite the ca...

A small Cizhou jar was applied on the surface with black glaze.
In fine shape, the jar was adapted with a newly made lacquer cap.

Date: Yuan periods, 13th Century.

Height: 6.1cm.(without cap), 7.1cm (with cap)

This elegant and mature work of Karatsu pottery has an unglazed foot and beautiful crackled glazing that displays hues ranging from ivory to almond.

Toya Inoue (1942 - ) is a native of the world-renowned pottery center of Karatsu in Saga prefecture. From a young age he was interested in tea and tea-ware and studied tea ceremony under Tansai. Later in his 20’s he was involved in a project to restore ancient kilns. From this experience he decided to make pottery his life’s work an...

Description:

A limestone stone carving was well performed by sleek cutting edges.
A crouching lion on the top, the stone weight was an original isolated piece as we can believe.
Most of the surface was calcified into grayish white tint.
It was an obvious characteristic for a stone piece what had been stored in a seal-up chamber, maybe under a temple.
The true color of the stone was revealed underside in darken tint.
The cracks observed were only superficial and were c...

Description: In a plain and rural form, a stone weight had a beautiful curve and was in a lovely size of 9cm in height. Easy to hold on and can be an ideal piece as a paper weight on your modern desk, the old stone piece would add more atmosphere in your room. Date: Qing Dynasty, Height: 9cm.

A Chinese court "chao fu" silk skirt, altered as a Carnival costume, using one quarter of the skirt as a flap (photo No. 6). Night blue silk with sixteen dragon roundels and four five-clawed "long" dragons pursuing the flaming pearl among clouds, bats and cranes, above waves, stylized rocks and the "lishui" pattern. Embroidery in polychrome satin stitch and couched metal threads. Condition: altered, some thin areas in the non-embroidered part, waistband not original, some loose and missing threa...

Description:

A Lusan stem cup was in lovely size.
It was well preserved by reflecting the retrospective sheen of old condition.
Blue and white splashes were suffused against the dark brownish glaze background on the surface.
Loosening-feel body clay was revealed at the lower portion in beige tint.

Date: Tang Dynasty, 9th/10th century.

Body width: 6cm, Height: 5.5cm.

It is put in Art & Collection for ads, Jun edition.

An elongated bowl playfully decorated in vivid color by Matsuda Yuriko enclosed in the original signed wooden box titled Zukini Nagabachi. It is 49 x 16 x 7.5 cm (19-1/2 x 6 x 3 inches) and is in excellent condition.
Matsuda Yuriko is an avid exhibitor; it is a wonder she has time to do any work at all. Both within Japan (Nihon Togei Ten, Gendai Togei Ten etc.) and without she has an impressive list of exhibitions in a host of countries. She received the Yagi Kazuo prize in 1986 among ma...

Description:
A magnificent bronze Guanyin was preserved in a decent look.
By a very fine condition, the bronze deity was reserved with the original patina of the painted gold leaf and the enduring old and darken bronze sheen.
Sitting on the legendary holy beast- Hong, the Guanyin was in a easy-posture with one leg resting on the back of the animal and with another leg stepping on the lotus pedestal.
She was heavily cast by fine quality of bronze and was carved by brilliant crafts...

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise cannot be confined to one narrow genre—as he often integrates non-traditional methods and materials. Born in the town of Tokonmae in 1938, from a young age he studied potting—a staple of the local economy—and later went on to do independent research, open his own kiln, travel widely participating in international conferences and workshops, and finally to bec...

Description: A magnificent stone head of Louhan( or Lokapala ) was from 13th century. Unearthed from a relics of a temple near Shichuan, this head piece was preserved very well with original red mineral pigment and gold leaf. In an awesome facial expression, the Budhist saint was rendered finely in the features and showing a strong form that was unusually seen in the Chinese traditional sculptures. A custom made black marble stand was included. Date: Southern Song to Yuan Dynasty(12th-13th Cent...

This extraordinary vase is a truly Japanese expression of a classical Chinese form. Fashioned after cylindrical Song Dynasty pieces that are thought to have been introduced in the 9th century from Syria, the handles are of Chinese origin and represent the mythical "Chiwen" (Shichihoko in Japanese). This deity, typically depicted with the body of a carp, the head of a tiger, and the scales of a dragon, is believed to be a bringer of rain and a protector against fire. The outer ring of the foot is...

Very rare Crowned AMARAPURA Buddha in Royal Attire subduing Mara, gilded wood with lacquer on red patina, finely coloured glass-mirror inlays which point to the early Konbaung Period (1752-1885). The back of the Throne has a niche (opening) used for relics. Condition: good, some fissures due to age which adds character to this absolutely stunning and important collector's item, size H.55cm x W. 26cm x D. 22cm

Description:

A marble scholar water basin was preserved in perfect condition.
Well hollowed, the water basin was in nice oval and flat form.
Some ink residue was left inside the basin.

Date: Qing Dynasty, 19th century,

Body Width: 10.5cm