A very large plate decorated with a kylin surrounded by panels of cranes among pine and prunus trees, separated by formal lotus flowers.

Just a tad under 41 cm diameter. No cracks, chips or restoration. Some light wear from use.

Stand not included.

Please study the photographs.

For new customers resident in China sadly I have to state that I am no longer prepared to accept payment by PayPal. I will accept payment only by bank to bank transfer in British P...

In Japan, famous for its generational potting families, only a handful have made it all the way through to the 14th generation—the Nakazato line being one of them with over 400 years of history. Handcrafted by the current 14th potter in the renowned Karatsu tradition, this piece displays subtle, earthy tones and organic textures reminiscent of nature. Blending elements seamlessly, a canvas is created that complements the beauty of the floral elements in glossy contrast across the s...

Finely Cast And Standing on an Altar finely decorated With Flams Anf Floral Patterns, The Iconic Figure With Both Hands Raised In Abhaya Mudra. A Fine Large Bronze Piece Dating Back To Angkor Bayon Period, 13th Century AD. Estimate value: $7000 = $10 000 Measurements: Height - 51cm (20 In) Provenance: An American Private collection. Don't hesitate to send your offer, we always do our best to offer the most attractive pieces for the best price. SATISFACTION GUARANTEE - We have been offering SE As...

Splendid large Khmer Stone Ganesha Figure Seated On Lotus Base. The divinity seated in virasana on a base carved with stylized lotus leafs. Both hands resting on his knees and holding reddish and bowl. Wearing a short striated sampot with single overfold over the belt. The back with butterfly shaped element. Wearing multiple jewels. Curled hair dress secured by a jeweled tiara. Measurements: Height - 62 cm (24 In) Provenance: Acquired in HK in early 1920's by the present owner's ...

A Very Fine and Large Korean 신중도(神衆圖) (Host of Spirits)” Buddhist Painting-19th C. Korea, Joseon dynasty, 19th century. An unmounted (removed from the frame and back back mounting) Buddhist Painting. Ink and bright colors on large sized silk, unmounted: the central figure of Tongjin identified by his youthful face, winged helmet and his hands resting on a mace as he stands amid other protectors of the dharma (wear to pigments, old tears to unpainted borders). It’s in ve...

Decorated with a carp diving in waterweed executed in typically thick and strongly hued enamels. The back similarly decorated with oysters and weed, the centre with a large Kutani mark.

The Yoshidaya kiln was a short-lived venture, situated in Yamashiro, intended to revive earlier Kutani-style wares. The founding investor was Toyota Denuemon IV (aka Sekio, lived 1751-1827), a businessman who used the professional name Yoshidaya. He chose not to situate his kiln in Kutani because of the ...

A large Ming Dynasty dish decorated in underglaze Cobalt blue with floral scrolls and a Buddhistic Lion to the center. Pieces of this kind were found at the LENA SHOAL JUNK. Such dishes are also to find in the Topkapi Museum and in some other excellent collections. Ming Dynasty,Hongzhi period 1488 - 1505. Diameter : 24,8 cm. Condition : Nice glaze, no chip, one short, old, very fine hairline to the rim. IMPORTANT AND HIGHLY UP-TO-DATE INFORMATION REGARDING ALL OUR ANNOUNCED PRICES FOR CHINESE CE...

Found in the Philippines. Featuring a central decoration of cranes amongst lotuses, bordered by an encircling pattern, underneath mandarin ducks in a lotus pond, and the exterior with a floral pattern. Measurements: diameter (13.18"inches or 33.5cm) across. Condition: a small corner portion of the plate has been professionally restored but still excellently presents itslef. Photos by: The Oriental Room®️ Feel free to contact me at theorientalroomph@gmail.com for further inquir...

A Large Chinese Zhangzhou Blue and White Plate. Circa, 16th-17th Century, Ming Dynasty. Found in the Philippines. Featuring a large plate with a central spiral peony design with branches and bordering double spirals. The exterior is decorated with marching spiral peony scrolls. A very similar example which belongs to the collection of the National Museum of the Philippines which was recovered from the 'San Isidro Wreck' and is featured in the book 'Zhangzhou Ware Found in the Philippine...

A large and impressive Qingbai glazed "Crysanthemum - box" and cover. Northern Song Dynasty. Diameter : 11,8 cm. H : 8 cm. Condition : The lower part of the box in perfect condition. The cover has an old, very professionally done restauration which is invisible to the naked eye ( even this restored cover still with a nice "ping" tone when tapped ).

From our Japanese Collection, a large and attractive pair of bamboo carvings, late Meiji - Taisho Period, depicting a continuous battle scene of fighting samurai, with some on horseback and some on foot, all well-carved and with a good patina. This pair makes a strong decorative statement. There are several age splits to the base of each piece, ranging from a half inch to an inch long, but none threaten the structural integrity. There is one larger split, however, to the top of one piece about 2...

A classic design, the peach is said to represent long-life for mortals and immortality for the gods in Asian folklore. According to legend, the moon goddess—a powerful alchemist—can make an elixir from peaches that grow in the garden of the western paradise with miraculous revitalizing properties. This piece was made by one of the few great female Japanese potters of the 20th century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I. Although the peach motif can be seen in man...

From our Southeast Asia Collection, an important and magnificently large, published, inscribed and dated Burmese temple Buddha, Mandalay School, constructed of fabulously carved hardwood coated in reddish-brown lacquer and gilt, depicting Buddha seated in padmasana position with his right hand in bhumisparsa mudra, elevated upon a single tier base with iron temple security rings, and bearing a raised-lacquer dedication inscription that essentially translates as follows: "Wish-fulfilling Kabalon ...

From our Chinese Blue and White Collection, a large Qianlong Period (1736-1795) leaf-shaped platter in the so-called "Two Quail Pattern," featuring an elegant Lady and Gentleman exchanging flirtatious glances in a treed pastoral setting with two quail milling about in the foreground. This large and heavy porcelain platter of unusual form is painted in deep blue with brown iron oxide dressing to the outer rim edges. For a published example of dishes in this pattern, see Chris Gurton's book: "Th...

Large and heavily potted porcelain body, decorated in an nice pale cobalt blue in Shunzui style and with medallions showing flying birds and wild gees, birds sitting on branches, sailboats and Fujiyama mountain. Japan, nineteenth century. Diameter: 42 cm. H : 33 cm. Condition: Broken at one area to the rim. This broken area would be absolutely suitable to ennoble the piece with a most beautiful Kintsugi repair ( Gold lacquer repair, please see the images ).

From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors...

From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up. The Chōtō series that launched his career proved to be wildly popular and today a number of pieces are held by museums around the world including: Brooklyn Museum; Hyôgo Museum of Ceramics; Metropolitan Museum of Art; Minneapolis Institute of Art; Musée National de Céramique, Sè...

From our Southeast Asia Collection, a fine and large late 19th / early 20th century silver thread ceremonial shoulder cloth, or kain selendag songket, from the Minangkabau people of Sumatra, Indonesia, circa 1890-1920, executed using heavy gauge silver thread intricately woven into floral and geometric motifs on a red silk backing. The processes for creating and spinning the silver thread and weaving the design motifs are excruciatingly time consuming, thus this technique is generally reserved f...