One of a group of very large Ming Dynasty pottery horse riders.

The figure is of a military attendant, wearing a hat and carrying a book or an instrument in his hands. He wears a blue robe with turqoise sleaves. Thick and very beautyful glaze. The unglazed areas are covered with white and black pigmented colors.

Note that the painting is very detailed and the perfectly rendered facial features.

A very large figure, measuring c. 40 x 30 cm. The construction is ...

A strictly museum quality, large pottery figure of a male attendant, dating to the mid Ming Dynasty, ca. 1500 AD.

The figure stands on a large Lotus throne on top of high hexagonal plint in fine Sancai colours - a two-colour blue and torqoise glazed robe. Under his arm he holds a bottle.

He wears a high hat. Finely painted facial details. Lotus thrones are very rare for Ming pottery figures.

The head is attachable as often seen on the largest figures from this...

SUSHI

22 pieces set of old wooden menu boards that had been once hung on the wall of a sushi restaurant in Showa period, 20th century, Japan, 21.7 x 5.2 x 1 cm (8.54 x 2.04 x 0.39in) each.


selected by titcoRet




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any ...

Suto Satoshi (b. 1976) Carved Stoneware Guinomi
The mark of the artist is stamped on the bottom.

Size
Height 5.5cm
Width 7cm


Unused Supplied with signed box


Suto Satoshi, originally from Shimodate, Ibaraki Prefecture, began his artistic journey under the guidance of Kikuchi Hiroshi (b. 1954). After completing his studies at the Ibaraki Prefectural Ceramics Training Institute in 2004, he sought further refinement of his craft through an ap...

A wonderful translucent blue celadon vase decorated with a low-relief vine and grape motif. This piece was made by one of the few great female Japanese potters of the 20th century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873. From this point forward, he divided his time...

One of the most unusual pieces I have ever seen from this innovative artist, an octopus shaped Koro by Suwa Sozan I enclosed in the original signed wooden box bearing the Teishitsu Gigei-in seal of the Imperial Art Academy. The bulbous top of the head is removable along a line as if the creature were wearing a hachimaki head band, revealing the incense chamber within. It is 26.5 cm (10-1/2 inches) tall, 19.5 cm (roughly 8 inches) diameter and in excellent condition.
Sozan I (1852-1922) ...

A Teapot by Teishitsu Gigei-In Suwa Sozan I decorated by his friend the famous scholar artist Tomioka Tessai and enclosed in a signed double wood box. A custom pad between the pot and lid protect it during storage from chipping, and it has a silk bag in which it is wrapped. . It is 4-1/2 x 7-1/2 x 6 inches (11 x 19 x 15 cm) and in excellent condition. The box is titled Daibutsu Sozan – Chossen – Suichu and signed Hachiju Okina Kyuso Tessai Dai, Sozan Yakisei.
A strikingly similar ...

A finely carved Suzhou school agate snuff bottle. Decoration of figures, picked out from natural colors of the stone, in landscape of hilly bluffs with overhanging pine and whispy cloud. Based on the gourd in the sash of the larger figure - possibly depicting the immortal, Le Tieguai. Nicely defined foot rim. The top rim with broad, just slightly concave surface. Very well hollowed. Height of bottle without cap, 2 5/8 inches. Height with cap, 3 1/8 inches. Excellent condition of the bottle.

...

A striking work of heavy glass by Suzuki Genta enclosed in the original signed wooden box titled Shizuku Kaki (Dripping Vase). Thick dollops of glass run like giant rain drops over the surface. It is 36 cm (14 inches) tall, and in excellent condition.
Suzuki Genta was born in Kyoto in 1971, graduating the prestigious Doshisha Universtiy in 1994. That same year he packed up and went off to Sweden where he studied at the Kosta Glass School, graduating in 1996. He then travelled Europe, l...

A splendid Oribe chawan (oribe tea bowl) made by Suzuki Goro (b. 1941), one of the most recognized contemporary Japanese potters. Oribe ware has been made in Japan since the end of the sixteenth century, under the guidance of Furuta Oribe (1544-1615), a feudal lord and one of the most illustrious students of tea master Sen-Rikyu (1522-1591).

The asymmetric design, with abstract markings, give a primitive look to the vessel; that is the genius of Oribe pottery, the timelessness of ...

Five for silver… Six for gold… Seven for the secret….Suzuki Goro is counting crows surrounding the epitaph in the center of this Kuro-Shino Kataguchi bowl enclosed in the original signed wooden box. In the center we hear the words of Noguchi Ujo’s 1921 hit song “Karasu naze naku no? Karasu ha yama ni kawai nanatsu no ko ga aru kara yo…” (Why does the crow call? It calls for seven lovely children in the mountains…). As with everything there are many allusions in the lyrics, and ...

Namako glaze runs down, creating rivers flowing around the horns on the sides of this massive pot by Suzuki Kenji (1935-2010). Looking within one sees the volcanic explosions where the glaze pooled, bubbled and burst in the center. The vessel is 18 inches (45.5 cm) tall, roughly 13 inches (33 cm) square and weighs 20.5 kg (45 pounds). It is in fine condition. By size and structure it would be acceptable for display either inside or out.
This is from the Matsui family collection of Fush...

A set of 8 sake cups by members of Sodeisha enclosed in a singular compartmentalized wooden box titled Yose-hai and signed Sodeisha followed by the Sodeisha stamp. Sodeisha (Crawling Through Mud Association) is a group of revolutionary post war ceramic artists whose influence remains strong today. Artists in this set include: Suzuki Osamu, Toba Yoshimasa, Kanaegae Kazutaka, Kawamura Sachiko, Yoshitake Hiromu, Inoue Midori, Nakanishi Kosuke and Tsuji Kanji.
Suzuki Osamu (1926-2001) was, ...

A faceted gourd shape of twisting lobes in soft green celadon by Sodeisha legend Suzuki Osamu enclosed in the original signed wooden box. It is roughly 14 cm (5-1/2 inches) tall and in excellent condition.
Suzuki Osamu (1926-2001) was, along with Kumakura Junkichi, Hikaru Yamada and Yagi Kazuo, one of the founding members of Sodeisha. He studied pottery at the Daini Kogyo Gakko in Kyoto. In 1948 he helped to establish Sodeisha. He received the JCS award in 1959 (and was granted the ra...

A signature work in gold Shino by Suzuki Tomio enclosed in the original signed wooden box titled Yohen Kin Shino Hachi (Shimmering Altered Gold Shino Bowl). It is 10-1/2 inches (27 cm) diameter, 5 inches (13 cm) tall and in excellent condition.
Suzuki Tomio was born in 1948 in Yawata, Kyoto, and has spent his life in the perfection of Shino glazing. He did not move for independence until establishing his own kiln at the age of 40. One of his most notable advances in Shino glazing is ...

Suzuribako - Important model of urushi lacquer writing case from Japan, offering a rich decoration of a Kabuto and a sand on the top of the lid, on a hirameji lacquer background. Gold and silver lacquer with rare finesse of decoration. The interior offers a particularly remarkable scene, of two deer in autumn foliage. Takamaki-e and hiramaki-e. Dimensions: 4.6 cm x 21.3 cm x 23 cm. Japan Edo (1603-1868) early 18th century.

Japanese inkstand (suzuribako) in lacquer (urushi). Decor on a spangled background (nashiji) of a lakeside mountainous landscape treated in relief (takamaki-e) flat silver powdered details (hiramaki-e) and mosaic (kirikane ) gold and silver. The rocks are particularly well treated. The interior is decorated with a rich nashiji background forming scrolls of mist and flowers in relief. The suzuribako is complete with its original simple and gilded copper stone and dropper. The style of the decor i...

SUZURIBAKO Rare and important writing box. Japanese lacquer urushi. The exterior is decorated with two shishi carefully patterned. The interior of the lid is decorated with a steep rocky coast with a temple, in gold and silver takamaki-e, the craggy cliffs are enhanced by cavities carved. Techniques of takamaki-e, hiramaki-e, kirigane, uchikomi, kimetsuke and tsukegaki. On a nashiji ground. The rims are fundame. Empty. Size : 23 x 21,2 x 4,6 cm. Japan Edo (1603-1868) end of 17th, early 18th cent...