A vintage Japanese 2 section special Kamo Tansu kimono chest made entirely of Kirinoki (Paulownia) and Kuwanoki (Mulberry) wood. The Kiri wood comes from the Aizu region of Japan which is well known for its high quality of Kiri lumber while the handle and trim accents were made of hand carved Kuwa. The wood is very thick and dense while the parts fit so perfectly that the interior of the tansu is nearly air tight keeping the valuable silk kimonos dry. The top portion has sliding panels coveri...

A 2 section Japanese Isho Biraki Kamo Tansu made of Kiri (Paulownia) wood. All original bronze hardware. Constructed using high quality Kiri wood from the Aizu snow country region of Japan known for their slow growth and dense grain. Upper section features 2 hinged doors behind which are 7 Kimono trays and three small side by side drawers. A secret interior wood latch locks the left and right drawers from opening while the left drawer has a secret drawer accessible from the back. The bottom...

Japanese kanto style Kannon Biraki double-stacking personal clothing chest (isho-dansu). Often referred to as a "wedding chest," this tansu would have been used to store a bride's formal wedding kimono. Hinged doors on the upper section open to reveal four drawers. The layout of the drawers is characteristic of the earliest form of kanto style chests. The doors exhibit the traditional configuration of five iron hinges and iron strapping surrounding a round foliate lockplate at the center. W...

This hair comb and kogai hair pin set is probably from the Taisho to early Showa period, 1920 to 1945. Tortoiseshell. There is an artist signature on the hair pin. Please wear this with a half of signature on each side for better fitting -- see enlargement6. Other than that, it is in good condition.

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) on crumpled hand-made momigami paper by Sadao Watanabe (1913-1996) titled “Entry into Jerusalem” depicting Christ on a donkey riding over a flower strewn path and surrounded by a crowd of followers. Set against a light grey background. The print is signed and dated 1978 at the lower right and numbered 17/70 at the lower left, all in black ink. The paper measures about 27”V x 21”H (22 ½” unfolded). The print was n...

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) titled “Goro in the Rain” (“Ame no Goro”) dated 1980. This boldly colorful kabuki theater image features an actor portraying Soga Goro, one of two historic samurai brothers who avenge the death of their father. In this image, Soga Goro is dressed in fine clothing and holds an umbrella though no rain is evident. He is apparently travelling to the pleasure quarter to visit a courtesan. ...

Oversized Japanese limited edition sosaku hanga “kappa-ban” (stencil print) of a tengu mask titled “Mayoke Tengu” (also known as "Tengu-shaped Amulet") by Yoshitoshi Mori (1898-1992). The print is pencil-signed “Yoshitoshi Mori,” dated ’87, and numbered 10/50. The artist’s red seal is above the signature. The known paper size is about 17”V x 27 1/4”H. The framed size is 19"V x 28 1/2"H. The print is nicely framed in the original Kato Gallery frame and appears to be in very go...

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) of a samurai titled “Tobacco Pipe” (Kiseru) by Yoshitoshi Mori (1898-1992). The warrior grasps his sword with one hand and holds his smoking pipe with the other. The print is pencil-signed “Y. Mori,” dated ’86, and numbered 11/70. The artist’s red seal is above the signature. The paper measures 15 3/4”V x 19”H. This print is in very good overall condition. The print is backed by a thin sheet of archival pape...

Japanese sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting Zenzoji Temple in Asakusa, Tokyo. The print is pencil-signed “Yoshitoshi Mori” at the lower right. The artist’s red seal is above the signature. The paper measures 16 3/8”V x 12 1/4”H and dates circa 1980s. This print has never been framed and is in very good overall condition.

Circa 1900 Japanese ivory netsuke of a Kappa creature on the back of a catfish. According to Japanese folklore kappa were the size of a small child, but with the strength of many men and lived in streams, ponds, and rivers. Hand carved and artist signed, please note this kappa's facial and eye details. He also features a dish type indentation on the top of his head for holding water when on land. Measures 2.75 inches long

A finely crafted Japanese tobacco tray (known in Japanese as Tabako Bon) which is often seen being used in tea ceremony. Karaki is a term used to describe the foreign hardwoods that were imported from China and used to make furniture and accessories for the home. Age: 19th-20th century. Size: Height: 3.25" Width: 6.75" Length: 6.75"

Japanese Karatsu Tea Bowl, Chawan, 2 7/8" high, 5" diameter-top rim, with thick and rustic multiple layers of slip glaze. Purchased in Karatsu in Kyushu by Washington D C collector. The condition is good, no damages.

A woodblock print by the artist Karhu. The print is labeled "Avoiding Stepping". The full narrative is "As You Would Avoid Stepping In Shit, Ignore Fools". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 17/100 Date: 1976

Dimensions: 26" X 9.25"

A woodblock print by the artist Karhu. The print is labeled "Bigger Fool". The full narrative is "The Bigger Fool is a Fool Who Hires a Fool". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 37/100 Date: 1976

Dimensions: 24.5" tall X 9" wide

A woodblock print by the artist Karhu. The print is labeled "Fish of Fortune". The full narrative is "Don't Let Go of the Fish of Fortune". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 41/100 Date: 1976

Dimensions: 26" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Hurry to Study". The full narrative is "Hurry to Study wih Age the Spirit Slows". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 12/100 Date: 1976

Dimensions: 25.75" X 9"

A woodblock print by the artist Karhu. The print is labeled "Negligance". The full narrative is "Fight the Enemy, Negligance". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 23/100. Date: 1976

Dimensions: 25.75" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Wealth & Happiness". The full narrative is "Wealth & Happiness come to Those Who Don't Deserve Them". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style.
Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society.

Print is signed and numbered 52/100

Date: 1976

Dimensions: 26" ...