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Sold HAJIKI Japanese ancient Hajiki (Haji pottery) jar with such beautiful soften form and texture, Tumulus period - Nara period, 250-800 CE, H 11 x D 12 cm (4.33 x 4.72in) selected by Jinta * Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances. T...
Asian Art By Kyoko
Inquire for Price This is a Rikyu doll, one of the Hakata clay doll made in the Fukuoka, Japan. Rikyu (Sen Rikyu) is a 16th century influential tea master who perfected the Cha-no-yu, way of tea. He served two historically powerful figures, Nobunaga (Oda) and Hideyoshi (Toyotomi), and eventually being forced to commit Seppuku by Hideyoshi. Sen Rikyu is a given name by the Emperor. 10 inches tall.
Momoyama Gallery
already sold Our collection of Tea Bowls offer always spectacular chawans - this is one of our best: Hakeme Glazed Ko-Hagi Chawan Dating to 17th Century made by the first Saka Koraizaemon. Toujin-bue (Chinese flute) flat shaped tea bowl made of coarse, unfined clay with a high content of iron oxide. The body shows the tracks of the fingers when it was thrown on the Korean kick-wheel. The rim is a little uneven (intentionally). The unglazed foot ring was executed in the Korean bamboo node style....
Momoyama Gallery
sold Surely an extraordinary confluence of circumstances must have come into alignment in order to bring this remarkable composition into existence. Done in the Korai style - referring to the heavy influence from Korean forms and glazing - this exquisite late Momoyama/early Edo period (1590-1620) Karatsu-ware tea bowl is really rare. Regular formed wan shaped, showing fine finger marks from throwing. The iron bearing clay remained unglazed at the footring and its surrounding area, which ...
Momoyama Gallery
sold Let's continue with another treasure: rounded wan-shaped tea bowl with high foot of the bamboo node style. The body pinched in at the middle to a shape called tojinbue (Chinese flute). The light, little coarse clay with enclosures is expertly thrown and full glazed - incl. the foot - with a transparent glaze of wood ash with some feldspar over a white engobe in hakeme style. The glaze shows a fine little crazing over the engobe, which is just amazing. It shows discoloration and patina from gr...
Forestangel Asian Antiques
$1,250.00 19th century finely hand-carved Japanese boxwood netsuke of a muscular blind masseur or Totsuka Beggar crouching and trying to lift his hugely distended scrotum. He is wearing only a fundoshi. Excellent detail and patination; he grimaces as he attempts to lift the large stone. His left eye and teeth are inlaid with light and dark horn. Very nice uneven himotoshi. Signed Hakudosai on a rectangular reserve on the bottom of the netsuke.
It measures 1.38 inches (3.5cm) wide, and 1.40 inches...
Momoyama Gallery
$1,800.00 A beautiful and large Hakuji Seren Haruseki Tsubu-tsubu Chawan (white flashing stones spots tea bowl) decorated with an assortment of colors by shooting star artist Kawabata Kentaro. It comes with its originally signed and sealed wooden box. For us its by far his best work and represents perfectly the artists wonderful eclectic style. Kawabata Kentaro was born in Saitama in 1976 and graduated the Ceramic Department of the Tokyo Designer Institute, which he followed up wit...
Japanese : Other Prints : Pre 1970
item #1480009
Petrie-Rogers Gallery
$400.00 Japanese limited edition cement mortar block print pencil-titled in kanji "Poem 69-69" (indicating production in 1969) by Maki Haku (1924-2000). Pencil-signed and numbered 59/155 in the lower margin. The artist's square red seal is at the lower left corner of the image. This print features the highly embossed ideographs characteristic of Maki's work. The designs were created by inscribing on wet cement. Paper size: 19 5/8" x 13 1/2" (image size: 18 3/16" x 12 5/16"). Very good overall condition....
Japanese : Woodblock Prints : Pre 1970
item #1480007
Petrie-Rogers Gallery
$450.00 Japanese limited edition cement mortar block print pencil-titled in kanji "Poem 68-2" (indicating production in 1968) by Maki Haku (1924-2000). Pencil-signed and numbered 26/50 in the lower margin. The artist's square red seal is at the lower right corner of the image. This print features the highly embossed ideographs characteristic of Maki's work. The designs were created by inscribing on wet cement. Paper size: 17" x 17 1/4" (image size: just under 16" x 16"). Very good overall condition.
The Kura
Sold, Thank you! Feeling frisky that day, perhaps a wry self portrait by this most famous of Nuns, Otagaki Rengetsu with a poem brushed above in her unique script.
Hito hakaru The trickster Sagano no harano In the Fields of Sagano Yufumagure At Twilight Onoka obana ya Tail in the Pampas grass Sode to misuran Will it seem a sleeve There is something very human about this depiction, perhaps the nose…The Hakuzosu (Fox spirit)...
Modern Japanese Ceramics
$1,750.00 A half hemisphere in moon tones by Hashimoto Tomonari enclosed in the original signed wooden box. The color palette is sedate, with rusted orange clouds tinged with gaseous blue washing across the lunar surface. It is 25.5 cm (10 inches) diameter, 12.5 cm (5 inches) tall and in excellent condition, directly from the artist. After hand forming and sculpting the shapes, they are bisque fired, then glazed and fired again at a relatively low temperature (Between 1000 and 1100 degrees, like Raku war...
Impressive press moulded Kaki glaze bottle with Nukie decoration made by Hamada Shinsaku around 1990-1991.
Born in 1929 as second son of Hamada Shoji, Hamada Shinsaku continued the family tradition of the world recognized Mashiko pottery. He worked and traveled closely with his father and took over the famous kiln in Mashiko in 1978. Shinsaku Hamada pottery is exhibited in numerous museums around the world. Henko vase (oblong) is the Japanese term used to describe the... Hamada Shoji (1884–1978) Broken Straw Brush Motif Yunomi
Very good example of Hamada's iconic broken straw brush pattern with distinctive iron pigments. Similar glaze and iron brush reference: http://www.philrogerspottery.com/portfolio/h186-yunomi-hamada-shoji/ No box is provided. Size Width 3.32in (8.5cm) Height 3.35n (8.6cm) Weight 225g Condition Very Good. No chips, no cracks Hamada Shoji (1884–1978) Broken Straw Brush Motif Yunomi.
Excellent example of Hamada's broken straw brush pattern with distinctive iron pigments. No box is provided. Size Width 8.6cm Height 8.9cm Rare Hamada Shoji (1884–1978) Summer Chawan with distinctive iron pigments.
Size Height 7.5cm Width 13.8cm Very good condition with no damage Supplied with wooden box signed by Hamada Shinsaku Shoji Hamada (1894-1978) was a renowned Japanese ceramic artist and one of the leading figures of the Mingei (Folk Craft) movement. He is internationally recognized for his contributions to pottery and is considered a master of traditional Japanese pottery... Rare Chawan crafted by the eminent Hamada Shoji (1894-1978), showcasing the exquisite use of iron pigments.
Size: Height: 7.9cm Width: 15.1cm In excellent condition. Comes with a signed wooden box. Shoji Hamada was a key figure in Japanese ceramics, famous for his involvement in the Mingei (Folk Craft) movement. Internationally acclaimed for his pottery expertise, he mastered traditional Japanese techniques. Initially a painter, Hama...
Modern Japanese Ceramics
sold, thank you A quintessential Mashiko work by important artist Hamada Shoji enclosed in a wooden box annotated by his son Shinsaku. It is 11-1/2 inches (29 cm) square. 7 cm (2-1/2 inches) tall and in excellent condition.
Hamada Shoji was born in Tokyo, and enrolled in the Tokyo Technical University at the age of 19. In 1918 he met the important British potter Bernard Leach, and the history of ceramic arts was forever changed. One of the most influential and sought after of all Japanese Ceramic arti...
Welcome To Another Century
$300.00 Slightly tapered vase with horizontal ribs made of white stoneware, covered in a mottled glaze with cream and brown tones. On the front in white enamel and gold a winding, three-clawed dragon has been hand-painted. The back of the vase is flattened and there is a square opening towards the top of the vase, that allows an J-shaped hook to grab into it and hang it against the wall.
Traditional vase for ikebana, flower arrangement. In the bottom there is a potter’s seal in the shape ... |
