Fine Thai 14th - 15th Century Stoneware Jar

This superbly-shaped stoneware jar was made at the Sawankhalok kilns during the 14th - 15th century. This is a particularly large example of this form with a diameter of 19 cm and a height of 16 cm. It is "heavily-potted" and coated in a finely-crackled translucent celadon glaze that has a hint of blue in places. The shoulder of the jar is decorated with an incised pattern below which is a slightly raised band surrounding the body and further incis...

Fine Thai Ban Chiang Incised Neolithic Pottery Jar (Ex. Christie's)

This pottery jar of rare form dates to the Ban Chiang period (c. 1500 BC - AD 300). It is heavily-potted with a rounded lower body and a wide flared mouth. The body has been decorated with incised geometric patterns. The surface colour of the pottery varies from a reddish-brown to black due to uneven conditions during firing.

Diameter at mouth 12.75 cm, height 9.5 cm. It is in fine condition with no sign of any restorati...

Beautiful Wall Hanging/Painting depicting Ganesh, some wear but good condition and highly decorative with good lighting. Size: H. 210cm x W. 83cm

Tibetan snuff bottle of flat shape made of silver with a lavish embossed decor representing Tibetan Tantric Budhism deities, fistly Acala, one of the eight Dharmapalas holding a sword in his right hand on one side, and secondly one of the Dakinis on the other side. Each deity is gilt and backed by a flaming aureola surrounded by a floral design. Other parts of the bottle are partly gilt. The bottle also shows coral and turquoise inserts. The stopper is partly gilt and is decorated with a stylise...

A rare bamboo form porcelain brush pot with finely moulded bamboo decoration coated with a bright and vibrant turquoise glaze.

This brush pot / bitong was made in China early in the 18th Century during the reign of the Kangxi or Yongzheng emperor, circa 1700 - 1730. Although more commonly associated with middle easter ceramics turquoise glazes have been found in China since the Tang dynasty. Turquoise glazes have been used on imperial porcelain from the Ming Xuande reign and were in parti...

Fine Vietnamese 14th / 15th Century Monochrome Bowl

This simple yet attractively-shaped bowl was made during the 14th - 15th century. It is coated in a translucent and finely-crackled honey-coloured glaze that has just the faintest hint of green in places. To the inner surface are five spur marks from manufacture. As is often seen on Vietnamese blue & white wares of this period, within the recessed base is a chocolate-brown wash. The foot edge remains unglazed revealing the pale grey porcela...

Fine Vietnamese 14th / 15th Century Moulded Bowl

This rare bowl was made during the 14th - 15th century and is coated in a finely-crackled yellowish-brown glaze, the depth of colour varying according to its thickness. Around the centre is a wide unglazed stacking ring, and around the inner wall are various moulded leaf and floral patterns. Apart from unintentional glaze splashes, the foot remains unglazed.

Diameter 17 cm. There is minor glaze loss where the glaze is at its thinnest, but...

The size of Cuff Link: 7/8" L x 9/16" W on Kutani Sometsuke Porcelain
The size of Tie Clip: 5/8" Square Kutani Sometsuke Porcelain, 2 1/8" L Clip
This is handsome Japanese Kutani Sometsuke(B/W) porcelain
w/ design of Rose handpainted on cuff links and Tie Clip.
The set came in Kiri wood box. It has marking of Kutani Yaki (Kutani Ware).
Tie clip has spring holding so tie does not slop away.
The set never been used. Original fine condition.
Th set is about...

A very finely carved OKINOMO Pot-Belly Pig, high-grade exotic wood, Meiji Period (1886-1912). This Okinomo is of course ideal for those born in the year of the Pig. The Pig symbolizes "Good Fortune & Prosperity". Excellent condition, size: L. 5.5 cm. (2 1/4")

FIREWORK MOLD 1890

Old wooden ball mold for making 'hanabi' (traditional Japanese firework), with aesthetically many random cutting tracks for peeling the papers off, signed as Meiji 23 (1890), D 10 cm (3.93in)


selected by Pottari




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First edition Japanese Meiji Period woodblock print titled "Pubic Reading (Yomitate)" from the series "The Calendar of Events in Edo Theater" co-designed by Adachi Ginko (1874-1897) and Torii Kiyosada (1844-1901). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 4th month in the left margin. Kiyosada's signature can be found on the billboard at the upper left. This series is unusual in that it de...

First edition Japanese Meiji Period woodblock print titled "The Curtain and the Announcements" from the series "The Calendar of Events in Edo Theater" co-designed by Adachi Ginko (1874-1897) and Torii Kiyosada (1844-1901). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 1st month 11th day in the left margin. Ginko's red seal is on the bottom of the curtain. This series is unusual in that it depi...

First edition Japanese shin hanga woodblock print by Shiro Kasamatsu (1898-1991) titled "Tea Ceremony" (Chanoyu) dated " Showa 29" (1954). The seal of the publisher Unsodo, and the seals of the carver Nagashima, and printer Shinmi are in the left margin. The artist's black ink signature and red seal are at the upper right corner of the image. The Unsodo (“Un”) watermark is faintly visible at the lower left margin corner. The paper measures 15 7/8” x 10 3/4” (image: 14 5/16" x 9 1/2"). ...

First edition pencil-signed Japanese shin hanga woodblock print by Takeji Asano (1900-2002) titled "Rain in Shinnyodo" in the lower margin and dated Showa 28 (1953) in the lower left margin. The artist's black ink signature is at the lower left corner of the image and the artist's name/signature is in pencil at the lower right. The left margin also bears the seal of the publisher Unsodo, the carver Okura, and the printer Shinmi. The "gei" watermark is at the lower left margin corner. This is a f...

Japanese two panel painted byobu (screen) depicting a winters evening with resting pair of mandarin ducks siting amongst the late blooming roses at waters edge. A pair of song birds sitting within the white hydrangeas. A banana tree is shown with Painted on silk with flecked fold paper, silk brocade, and black lacquered frame.

Mandarin ducks are regarded as symbols of love, happiness, and marital fidelity because they are believed to be monogamous.
Birds have long been a ...

FIRST NIGHT

'Shunga' (Japanese pornographic painting) of bride hand-drawn on thin silk with natural mineral pigments, 1930s, 46 x 41 cm (18.11 x 16.14in). Fold in the lower right corner. Roll it up into a tube for the shipment.


selected by Jinta




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Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

FISHMONGER'S SHOP SIGN

Wood carving codfish displayed in a fish shop in Korea, early 20th century. approx. 50 x 8 x 2.7cm (19.68 x 3.14 x 1.06in). Uniquely realistic expression. Some expected flaws due to use and aging, but in generally good condition as is. (*Other objects are not attached.)


selected by kikue




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