DESCRIPTION: A handsome scholar's calligraphy brush, crafted using a dark brown bamboo for the shaft which connects to a shaped horn ferrule and long, natural bristle brush. One of the "four treasures of the scholar’s studio," this striking scholar’s brush would have been used for calligraphy or painting. This attractive, well made brush dates from the early 20th C. DIMENSIONS: 13.25” long (33.5 cm).

DESCRIPTION: A handsome scholar's calligraphy brush, crafted from a wood shaft that has been beautifully lacquered in a swirling, wave-like pattern of red and black lacquer. The lacquer shaft is connected to the natural bristle brush by a bulbous wood ferrule. One of the four treasures of the scholar’s studio, this striking scholar’s brush would have made an attractive companion to a fine brush pot. Very good condition; most likely dating from 1900 - 1930. DIMENSIONS: 15 1/2" long (39....

A Chinese erotic painting from an album. Showing a couple in a room amidst scholar objects. Finely painted in ink, gouache and gold on paper, with light blue silk border. Dimension: c. 25.8 x 24 cm. Condition: traces of age and former mounting, slightly stained.

Very well crafted Chinese chalice depicting a writhing dragon chasing flaming pearl in high relief, bearing Chinese seal mark, early 20th century period. Size; Height of this item is 3.5 inches, no condition concerns.

Fine Chinese Song Dynasty Glazed Stoneware Jar (Dragon Chasing Pearl)

This interesting stoneware jar was made during the Song Dynasty (AD 960 -1279). It is quite "heavily-potted" with deep ridges to the body and the applied decoration around the shoulder featuring a dragon chasing a pearl. The story of the dragon's pearl is one of the oldest tales in Chinese folklore. In addition to the dragon and pearl are five small appliqués. It is coated in a yellowish-brown glaze. The colour of the gla...

Fine Chinese Southern Song Dynasty Incised Celadon Porcelain Bowl (19cm)

This high-fired bowl was made during the Southern Song Dynasty (AD 1127 - 1279) in the 12th or 13th century at the Anqi kilns in Fujian province. Such wares were made for export around south-east Asia; indeed this bowl has been recovered from a shipwreck and various sea-growths still adhere to the surface in places, particularly to the unglazed base.

It has an attractive incised decoration, a spiral pattern in its ...

Fine Chinese Song Dynasty Incised Qingbai Porcelain Bowl - Boys Pattern (Ex. Grahame Clarke Collection)

This fine example of Qingbai porcelain was made during the Song Dynasty (AD960 - 1279). It is a conical-shaped bowl standing on a relatively high foot. The design on both the inner and outer walls has been individually carved, as opposed to moulded. The inner design features three young boys surrounded by various scrolling patterns and a spiral pattern in the centre. The outer wall has a s...

Fine Chinese Song Dynasty Qingbai Glazed Porcelain Bowl with Moulded Floral Decoration

This fine porcelain bowl was made in the Southern Song Dynasty (AD1127 - 1279) around the 13th - 14th Century. The inner surface is decorated with a deep and crisp moulded pattern featuring lotus blossoms above which is a key fret band. Save for the unglazed rim, it is coated in a very finely-crackled qingbai glaze of a pale yellowish-green colour.

Diameter 15.5 cm (6 inches). It is a lovely example in...

Fine Chinese Song Dynasty Qingbai Glazed Porcelain Bowl with Carved & Moulded Decoration

This fine and attractive deep porcelain bowl was made in the Southern Song Dynasty (AD 1127 - 1279). The inner surface is decorated with an unusual moulded floral pattern whilst the underside is decorated with a repeating carved leaf pattern. It is unusual for both upper and lower surfaces of a qingbai bowl to be decorated. It is coated in a delicate and finely-crackled pale green qingbai glaze, save for...

Fine Chinese Song Dynasty Qingbai Glazed Porcelain Bowl

This fine porcelain bowl was made during the Song Dynasty (AD 960 - 1279). The inner surface is decorated with an incised scrolling stylised floral pattern. There are five "V"-shaped notches spread equidistant around the rim. Its best feature, however, is its translucent pale blue qingbai glaze of such good colour, the glaze also being attractively crackled. The flat recessed base remains unglazed showing the white body, the black firin...

Fine Chinese Song Dynasty Qingbai Porcelain Bowl with Floral Pattern

This fine-quality porcelain bowl was made during the Southern Song Dynasty (AD 1127 - 1279). The inner surface is skilfully decorated with an incised floral pattern, most likely the peony. The bowl is coated in a finely-crackled translucent greenish-blue qingbai glaze of good colour. Further decoration is provided by six "V"-shaped "notches" spread equidistant around the rim. To the inner centre is an unglazed ring; this bo...

Fine Chinese Song Dynasty Qingbai Porcelain Bowl with Peony Pattern

This fine and delicate bowl was made during the Southern Song Dynasty (AD 1127 - 1279). Its body is particularly thin and translucent. The outer wall is decorated with an incised peony pattern. Both inner and outer surfaces are coated in a finely-crackled pale greenish-blue qingbai glaze. The rim remains unglazed, showing that this bowl was fired upside-down and placed in a firing ring (as opposed to a saggar as were qingbai...

Fine Chinese Song / Yuan Dynasty Buddhist Pottery Zodiac Jar

This interesting pottery jar was made during the Song Dynasty (AD 960 - 1279), or possibly the Yuan Dynasty (AD 1279 - 1368) and has been been excavated from a Buddhist site in Yunnan province. It is made from a relatively high-fired grey pottery.

The jar has a flat base with marks showing it was removed from the potter's wheel by a piece of string or wire. Strips of clay have been applied to the outer wall of the body to fo...

Fine Chinese Song / Yuan Dynasty Qingbai Glazed Porcelain Bowl

This attractively-shaped monochrome glazed porcelain bowl with flared rim was made during the 13th / 14th Century (Late Song - Yuan Dynasty). It is coated in a glossy finely-crackled transparent pale greenish-blue qingbai glaze save for the inner surface of the small foot that remains unglazed.

Diameter 13.5 cm (5.25 inches). It is in fine condition and is free from any restoration or repair.

From a group of Song to Ming...

Fine & Rare Chinese Song / Yuan / Early Ming Dynasty Longquan Celadon Jarlet - Lotus Pattern

This rare small jar was made during the 13th / 14th century at the Longquan kilns, Zhejiang province. It is coated in a thick celadon glaze and has a particularly attractive and crisp moulded floral pattern including lotus blossoms. There are two small loop handles at the shoulder. The unglazed base is slightly concave.

Diameter 6.5 cm (2.5 inches). No repair or restoration; a lovely example in ...

Fine Chinese Tang Dynasty Horse & "Fat Man" Rider with Oxford TL Test

This fine pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). Sitting on the horse is a male courtier, often referred to as a "fat man", the male equivalent of the "fat lady"; note the clothing and hairstyle. It is made from a relatively high-fired buff-coloured pottery that has been "cold painted" in various coloured pigments.

Height 31 cm. There is no obvious sign of repair, as is conf...

Fine Chinese Tang Dynasty Painted Pottery Camel with Oxford TL Test

This fine pottery model of a camel, laden with saddle bags, was made during the early Tang Dynasty (AD 618 - 906) or possibly a little earlier. It is made from a buff-coloured pottery that has been "cold painted" in a white pigment. The camel stands upright and alert with its mouth open and its head turned to its left. On its back is a set of saddle bags that include a blanket, ducks and what appears to be a rabbit.

Thi...

Fine Chinese Tang Dynasty Painted Pottery Female Courtier ("Fat Lady") AD 618 - 906

Perhaps the most desirable and collectable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This fine example was made during the Tang Dynasty (AD 618 - 906).

The lady stands with her head turned a little to her left and tilted slightly at a quizzical" angle. She is wearing a particularly voluminous long robe. Her hands are clearly held together across her chest beneath her ...