An ivory netsuke depicting an Oni and a Kappa on a giant lotus leaf. The sculpture captures the moment in which the Oni cunningly pulls the thread to prank the Kappa and steal the cucumber he is holding in his hands. Origin: Japan Period: Edo 19th century Dimensions: 2 x 4 x 4.5 cm. State of conservation: Very good

An ivory netsuke depicting a Takarabune “treasure ship”, complete with the Seven Sages (Shichi Fukujin) of good fortune. The netsuke is signed Tomochika under the base. Origin: Japan Period: Edo 19th century. Dimensions: 2.3 x 4.4 x 1.7 cm. State of conservation: Very good

An ivory netsuke depicting Chinnan Sennin, an immortal hermit sage from Japanese mythology, with a serene smile as he controls the dragon Ryu. This representation is of important dimensions. Ivory, with its colour, shine and patina, enhances the engraving. Origin: Japan Period: Edo 19th century. Dimensions: 8.7 x 3.5 x 2.5 cm. State of conservation: Very good

An ivory netsuke depicting the samurai warrior Sato Tadanobu, who saved the life of Minamoto no Yoshitsune. Tadanobu is depicted with the goban board under his feet and his right hand behind his head ready to throw the container of pieces, the goke. He signs engraved under the foot and himotoshi on the back. Origin: Japan Period: Edo 19th century. Dimensions: 4.5 x 2.5 x 1.8 cm. State of conservation: Very good

Ivory okimono depicting a Japanese farmer tying three daikon turnips with a rope. The details of the farmer are finely engraved and sculpted, testifying to the artist's mastery. Origin: Japan Period: Meiji end of 19th century. Dimensions: 10 x 12.5 x 9.5 cm. Ivory dimensions: 7 x 8.5 x 5 cm. State of conservation: Very good

Ivory okimono depicting a fisherman returning on his journey, carrying on his back a basket on which his child is resting and holding a large fish. The woven basket, the ropes, the engravings on the clothes and the hands were made with great precision and care. Origin: Japan Period: Meiji end of 19th century. Dimensions: 24.5 x 10 x 6.5 cm. State of conservation: Very good

An ivory okimono, carved from a single block, depicting a hunter accompanied by an onagadori rooster and a child with a net in his hand. Yukiharu 之晴 signature in relief seal under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good

Ivory okimono which portrays an affectionate scene of daily life: a father holding his child in his arms while holding the toy desired by the child. The okimono is signed Tomokata under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 17.5 x 6.3 x 5.3 cm. State of conservation: Very good

Ivory okimono depicting Hotei, one of the seven Sages of Good Luck. He is depicted smiling and sitting on his sack, while he holds the stick. Next to him there is a child who hugs the end of the sack. Signed Tomihiro under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 17 x 4 cm. State of conservation: Very good

Ivory okimono with blind travelers defending themselves from the aggression of four scoundrels who try to rob them of their bags and food. The scene involves nine characters, three of whom receive sticks, umbrellas and punches. One of the most curious moments is the character at the top, who loses a geta during the battle. In a gesture of instinct and necessity, he clings to the closest companion below him to maintain his balance, while firmly clutching a large umbrella as a defensive weap...

An ivory snuff bottle in the form of of an attractive lady of status carrying a fan. The head can be removed to reveal the snuff. Probably Japanese work for the Chinese market at the end of the 19th century.

Approximately 9.2 cm high. In very good condition with only a little chipping to the back of the collar, noted in the photographs. A few age cracks as normal with this material and light wear from handling.

Please study the photographs.

Within the UK payment by b...

An Annamese blue and white porcelain dish. Flower decoration in cavetto centered by leaves and flowers decorated bands within unglazed rim. Leaf lappet decoration above the ring foot centering unglazed bottom with typical iron wash. 15th to 16th century. Good condition, crawling original to the firing, crazing to glaze, good resonance when tapped, no hairlines and no cracks. Diameter, 9 1/2 to 9 5/8 inches (about 24.3 cm). Height, little more than 2 1/4 inches (about 5.75 cm). Acquired through a...

Good small early circa 14th/15th century porcelain jar, with abstract floral scroll pattern, from Vietnam. There is a surface frit noted in enlargements. D: 8.9cm/3.5in and H: 8cm/3.1in.

Small porcelain Vietnamese shipwreck recovery water dropper in the shape of an elephant. The glaze has dissolved after so long under the water but the body is intact. This is most likely from the Cau Ma shipwreck, circa 1775, discovered off the coast of Vietnam. No chips or damage. L: 6.2cm/3.2in and H: 5cm/2in.

A very good quality Annamese dark brown rosewood and mother of pearl inlaid stationary tray for the Scholar’s Table. Rectangular form with raised feet. Decorated with mother of pearl inlays to all four sides with figures in garden setting: rocks, branches, pagodas and bridges, butterflies etc. Nguyen Dynasty Vietnam, 19th Century. Condition: fair. Size: L. 31 x W. 18,5 x H. 10 cm square

A beautiful Annan tea bowl with silver repair (gintsugi) and fine sense of "aji" bestowed by age. Ornately decorated with flowering chrysanthemum, the skillfully applied silver repair to the bowl implies that it was treasured by its previous owner.

Annan-Yaki, is a tradition of pottery brought to Japan from the Annan province of ancient Imperial China (now part of Vietnam) from the late Muromachi period (1392 - 1573). At the time this type of pottery was hugely popular among tea dev...

Description:

A wood Bian with carving inscriptions was in very good scholar taste.
" Zun Yo Xuon Tan" means eloquent talking will be amid the seats.
With simple words, it showed the enthusiastic inviting of a family host.
This kind of Bian was most likely having been put in a scholar chamber.
It is really hard to find a real scholar Bian like this. Most of them we found were for business using.

Date: Qing Dynasty, 19th Century.

Length: 117cm, Width: 29cm, ...

It was from early 20th century with traditional Chinese dragon patterns.

Dimensions : 52cm x 51cm.