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$400.00 BOY ON BABY Quite a unique old traditional Japanese Fushimi ningyo clay doll, together with too small boy? or too big baby?, 19th century, 26 x 13.5 x H 20 cm (10.23 x 5.31 x 7.87in), with the engraved sign at the bottom seemed to be the one of 'Ikaruga Kouemon' as the Edo period's master Fushimi doll craftsman, but not sure. Aged deterioration as is. selected by hotoke * Please understand that EMS shipping fee is...
Momoyama Gallery
sold A rare late Edo Period (19th cent) Shishi Lion Foo Dog Statue made of iron rich Bizen clay, wood fired in an Anagama kiln. Shishi (or Jishi) is translated as "lion” but it can also refer to a deer or dog with magical properties and the power to repel evil spirits. This mythical beast was probably introduced to Japan from China via Korean in the 7th or 8th century AD, during the same period as Buddhism’s transmission to Japan, for the Japanese shishi combines elements of both the...
AntiqueTica.com
$2,200.00 Chinese pottery flute player musician panel.
Age: China, Song Dynasty, 10th - 12th Century
Mastromauro Japanese art
EUR €2,500 Ivory okimono depicting a fisherman returning on his journey, carrying on his back a basket on which his child is resting and holding a large fish.
The woven basket, the ropes, the engravings on the clothes and the hands were made with great precision and care.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 24.5 x 10 x 6.5 cm.
State of conservation: Very good
Mastromauro Japanese art
EUR €4,500 Ivory okimono with blind travelers defending themselves from the aggression of four scoundrels who try to rob them of their bags and food.
The scene involves nine characters, three of whom receive sticks, umbrellas and punches.
One of the most curious moments is the character at the top, who loses a geta during the battle. In a gesture of instinct and necessity, he clings to the closest companion below him to maintain his balance, while firmly clutching a large umbrella as a defensive weap...
Mastromauro Japanese art
EUR €1,100 Marine ivory okimono depicting Shoki grasping an Oni, who is attempting to take a rolled scroll on top of a box.
Shoki holds the demon with one hand while in the other he holds a sword, a symbol of his courage and his will to protect what is sacred.
Signed under the Gyokushi base.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 8.5 x 6 x 4 cm.
State of conservation: Very good
Mastromauro Japanese art
EUR €1,200 Okimono of the Tokyo school made in bronze, depicting a farmer returning home after the harvest.
He carries two fruit baskets, which are filled with harvest products. To carry the baskets, the farmer has a long stick over his shoulder, with the ends of the baskets hooked to it.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 31.5 x 23 x 13 cm.
State of conservation: Very good
Mastromauro Japanese art
EUR €5,800 Quality dark patina bronze sculpture depicting the study of a powerful tiger in an unusual position.
The animal's posture is engaging with the paw raised and the tail curled upwards along the end. The streaks of the fur are depicted in a masterly way and highlighted with a strong engraving.
Signed under the belly with the mark of the Maruki company (in the square) and the engraver Atsuyoshi.
Origin: Japan
Period: Meiji second half of the 19th century.
Dimensions: 26 x 49 x 14 cm. ...
Mastromauro Japanese art
EUR €1,200 A bronze okimono depicting a young geisha walking barefoot with an elegant kimono and a smiling face, with her hands raised behind her head.
I have the perfect haircut to match the quality of the Tokyo school and the high quality of the foot to highlight the elegance and elegance of the movement.
Signed Harumitsu (Seikō) entered a square uppercut.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 30 x 11.5 x 10 cm. – Weight: 2.3 kg.
State of conservation: Very goo...
Mastromauro Japanese art
EUR €1,900 Satsuma ceramic tea bowl, depicting a traditional village with theater masks along the inner and outer rim. The bowl features an elaborate decoration made with enamel and gold.
Signed Senzan under the base.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 6.5 x 15 cm.
State of conservation: Very good
Mastromauro Japanese art
EUR €1,400 Refined Satsuma tea bowl, decorated with skill and richness of detail, lobed in the shape of a chrysanthemum with inflected edge.
Inside, four chrysanthemums painted in white and pink enamel stand out against a golden background of chrysanthemums, which also extend outside. On the outside, there are vaults that come together to form a single chrysanthemum, with reserves decorated with spirals that seem to support the bowl.
Signed Kozan under the base.
Origin: Japan
Period: Meiji end ...
Mastromauro Japanese art
EUR €880 Satsuma tea bowl, decorated with richness of detail, depicting the evocative Nikkō Shrine and numerous visiting pilgrims.
The external reserves are decorated with figures and characters, each of which is represented with great care and precision.
Signed Kyoto Satsuma with Shimazu clan mon under the base.
Origin: Japan
Period: Meiji end of 19th century.
Dimensions: 6 x 15 cm.
State of conservation: Very good
Conservatoire Sakura
$2,200.00
The urn is made of very hard porcelain stoneware, the body and lid were turned. 5 cases were glued to the slip on the shoulder, as they are deeply hollow, without however crossing their support, I think that they must have served as a receptacle for incense sticks, a decoration of petals and stylized flowers is vigorously incised before firing, then covered with a cracked celadon glaze. Chinese work from the Song dynasty around the 11th-12th century. A chip in the setting, 3 of the five cases ...
BRIAN PAGE ORIENTAL ART
GBP £220.00 Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog
This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture. Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...
BRIAN PAGE ORIENTAL ART
GBP £250.00 Chinese Ming Dynasty Blue & White Porcelain Bowl (Hongzhi)
This blue and white porcelain bowl with flared rim was made during the late 15th - early 16th century (Hongzhi reign 1488 – 1505). The outer wall is decorated in underglaze blue with a honeycomb pattern. The central decoration is loosely based on a vajra (Buddhist sceptre) with various other decorations around the inner wall. It is coated in a finely-crackled glaze. Diameter 14.5 cm. Condition is very good: there is a hairlin...
BRIAN PAGE ORIENTAL ART
GBP £350.00 Large Chinese Song Dynasty Qingbai Porcelain Ewer
This wide-bodied porcelain ewer was made during the Song Dynasty (AD 960 - 1279). It is particularly "heavily-potted" for its type. It has a "kinked" spout, a wide loop handle and two decorative loops on opposite sides joined at the shoulder and neck. It is coated in a fairly thick greenish blue glaze that is crackled in places. The base remains unglazed revealing the creamy-white body. Height 22.5 cm. Weight 1.325 kg. Despite being an i...
BRIAN PAGE ORIENTAL ART
GBP £250.00 Rare Chinese Yuan Dynasty Early "Blue & White" Vase
This rare pear-shaped vase or bottle was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. It is "heavily-potted" and decorated in underglaze cobalt blue with floral and leaf designs. It is coated with a clear glaze that falls short of the heavy irregularly cut foot. Similar wares were first unearthed in 1973 in Lufe...
BRIAN PAGE ORIENTAL ART
GBP £320.00 Chinese Song Dynasty Hare's Fur Bowl in Kiln Saggar
This "hare's fur" bowl still in its kiln saggar was made during the Song Dynasty (AD 960 - 1279) and has been excavated from a kiln site in Fujian province. Much of the glaze of the bowl is a deep glossy black with the "hare's fur" effect mostly around the rim. It appears the saggar shifted during firing causing the bowl to move inside its saggar and come into contact with the wall of the saggar resulting in the glaze of the bowl fusing to ... |