Chinese Tang Dynasty Painted Pottery Soldier Figure

This pottery figure was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a buff-coloured pottery that has been "cold painted" in a creamy-white pigment. It represents a warrior wearing armoured clothing and a hooded cloak.

It is of a good size with a height of 30 cm (12 inches). There is surface wear and loss of pigment but there is no sign of any restoration or repair.

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Very old face mask, of oval form, with minimalist cubistic features typical of this area. Strongly eroded wood, age patina. Indonesia, Timor island. Height: 31 cm. Mounted on a custom stand. Provenance: acquired in situ early 20th century, ex old Dutch collection.

A rare late Koryo dynasty Punch’ong bottle vase. Olive toned green ware glaze simply but finely decorated with off-white skip within carved pattern. Height, about 3 5/8 inches. Excellent condition and conveying with Japanese collector’s box. 14th century

A Qing dynasty 19th century gilt bronze seated Guanyin, good condition please see the picture, size: 23 cm height.

A late Ming - Qing dynasty gilt bronze seated Guanyin, good condition please see the picture, size: 23 cm height.

Rare Song dynasty longquan celadon chrysanthemum large plate, with carved chrysanthemum petals motif at the interior, good condition with small rim chips restored, please see picture for detail, size: 21 cm diameter.

The raw red flesh glows softly under a coating of ash which wraps around in tendrils to the coal blackened base of this voluminous Vase by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo. Yohen, literally translated Kiln-altered, is a word for the unexpected results, or fortuitous accidents of firing. In this case, they are likely speaking of the unusual red coloration. Kiln effects are what this family is known for, and this does not disa...

How perfectly does this vessel show off the character of clay?! Furutani Taketoshi has built up the clay I a method allowing the natural rough surface to remain undisturbed, a deep gouge around the shoulder filled with a pool of alpine green crystals and the neck meandering up like a natural crag. Soft gray underlies the flying ash and rivulets of fresh green cascading down the sides. The beauty of Shigaraki lies in its ability to connect the various elements of nature from which it is create...

A cylinder has been removed from this cylindrical vase, quite a striking shape by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Ohen Ichirin Hanaire. The hollow created has filled with a heavy deposit of ash with fingers of color reaching out from the dark interior wrapping around the vessel to the red eyelets. The top too is heavily coated in glistening molten ash in grays and greens, olives and ochers. It is 12.5 cm (5 inches) diameter, 21 cm (just...

This bowl is just an ideal look at the many aspects for which Shigaraki is known. The entire is incredibly natural looking, as if erosion and growth have spent eons together creating the paternation. This of course, truly happens over about 5 days, the effects born from the natural combination of fire, ash, flow and placement within the kiln. It is 11 x (4-1/4 inches) diameter, 8 cm (3-1/4 inches) tall and in excellent condition, directly from the artist
Furutani Taketoshi was born the...

Important and rare mask carved in wood fungus, of the tinder fungus type (fomes fomentarius), of rounded triangular form, with perforated oval eyes, incised mouth and nose in relief, probably added. Length: 30 cm. Height: 18.7 cm. The mask is nicely mounted on a custom stand. Very good condition. NOTE: the tinder fungus is a parasite which grows particularly on the birch tree. This tree is highly venerated by numerous cultures with a shamanic tradition, because it is supposed to harbor deities...

Netsuké representing a squirrel, perhaps a dormouse. The little animal is carved from a boar's tooth. He has just been surprised and stands on his hind legs momentarily abandoning the vegetable (eggplant?) he was nibbling. Its inset eyes were carved from a shiny black material, probably horn. The imotoshi is natural, formed by the base of the tail. The artist knew how to breathe life into this little animal. Excellent quality, pleasant subject, perfectly sculpted, precise details, in particular...

Superb little agate lotus design brush washer. Hand carved and polished natural color stone, it has russet/orange skin in the areas carved with curling edges and the design is complete with an incised center area and fully worked underside showing stems, pods, leaves and flowers. The surface polish is first rate and this is a very desirable piece. Includes original fitted hardwood stand. Dates late Qing to early Republic. Brusher measures 3.75" x 3". Height 1.5", On Stand Height 2.25"

TOOL LIKE MORTISE-SAMPLE

Details and usage really unknown, but would be a sort of old Japanese architectural wooden tool, like size or form sample of mortise (for mortise joint with a combination of mortise and tenon). Happy first encounter, very rare find. Showa period, early-mid 20th century. Large: 14.5 x 2.5 x 3cm (5.70 x 0.98 x 1.18in), Small: 11.5 x 2.5 x 2.5cm (4.52 x 0.98 x 0.98in).


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Ming dynasty gilt bronze figure of seated Buddha, good condition please see picture for detail, size: 25 cm height.

Hemp cloth for child's ceremonial kimono with katazome (stencil-resist-dye) and hand-painting, the technique is called Kata-Yuzen. The weft and warp are hand plied. Both long cloths have cuts in the center for the neck and front cloth is narrower than back cloth. Generally, in good condition except for a bit of color fading. 19th century. Two short pieces, W:35.6cm, L:49cm, A short piece, W:35cm x 134cm, Two long pieces for a body part, W:35cm &27.5cm, L:236cm

Hard porcelain dish decorated in underglaze cobalt blue. The scene represents a pavilion in a garden raised on the edge of a lake, several characters animate it. Probably scholars. The designs are artistically stylized in a very Japanese spirit. In the sky the clouds are drawn in a style typical of this period. The edge is glazed in brown. On the reverse appears the mark "Fuku". The quality is excellent, the blue is bright, the designs precise and the firing perfect. The style and quality are th...

Hard porcelain dish from the Arita kilns. Decor painted in cobalt blue underglaze high-fire. A couple of fallow deer are represented in an autumnal landscape. It would seem that the female is reluctant to fall mating because she is lying down while the male at her side rears up desperately to attract attention. In the background clouds (erotic symbol of the "game of clouds and rain") and a maple tree for autumn. On the right a weeping willow tree symbol of lovers. The small building on stilts se...