Artist: Uchima (Aohara) Toshiko (1918-2000). Aohara would marry the renowned artist Ansei Uchima.
Scene: Girl in Costume.
Image area: 5.5 x 3.5 inches. A woodblock print tipped at the top to original cardstock.
Bears the "Aohara" seal.
Publisher: Kyoto Hanga-In.
Condition: Excellent.

From our Indian Subcontinent Collection, a large and fine vintage Pakistani Bokhara rug using extra fine wool and silk in classic Tekke Gul design, handwoven on a vertical loom with cotton base, using a combination of natural mineral pigments and synthetic dyes in brown, black, taupe, cream, and pale green. Whilst Bokhara rugs are often perceived as utilitarian in nature and not seen as art objects by their makers, this particular rug is of such good quality that the maker decided to sign it. T...

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item. During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. The Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items. One way to avoid the punishment was to spend t...

From our Indian Subcontinent Collection, a large and elegant hand-etched brass floor lamp from Southern India. The etched designs on this piece are really quite intricate, and it is clear that a tremendous amount of time and handiwork went into the layout and artistry of this piece.

Size and Condition: 71 inches tall (just shy of 6 feet), lampshade is 18 inches in diameter at widest point. The lamp has been fitted with American electrical hardware and is still in good working order. ...

From our Southeast Asia Collection, a large and classic 19th century Burmese Hsun-ok from Pagan, of well- known and documented form, constructed of wood that is first lacquered in black, and then covered in successive layers of cinnabar-colored lacquer called hinthabada. Over time, through use and handling, the cinnabar lacquer wears off to reveal the black lacquer base underneath as seen on this example, in an effect likened to the negoro effect seen in Japanese lacquerware.

These old,...

From our Southeast Asia Collection, a large and classic 19th century Burmese Hsun-ok from Pagan, of well- known and documented form, constructed of wood that is first lacquered in black, and then covered in successive layers of cinnabar-colored lacquer called hinthabada. Over time, through use and handling, the cinnabar lacquer wears off to reveal the black lacquer base underneath. The negoro effect here is not as pronounced on this piece as it is on our other recently posted hsun-ok (see item ...

From our Indian Subcontinent Collection, a fine 19th century brass surahi (water flask) paired with a large Kashmiri flashed-silver over lacquered-brass undertray, also 19th century. These two pieces were not originally part of a formal set, but we find that they make for an attractive and logical pairing. The surahi is of traditional form with large bulbous body, splayed foot, and long tapering neck. There are six individual cartouches of animated people and animals crafted into the lower bod...

Burmese wood carving panel with tigers, the carved have a curved shape.

Age: Burma, Mandalay Period, 19th Century
Size: Length 88.5 C.M. / Height 25.8 C.M.
Size including stand: Height 46 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese wood carving panel with double birds, the carved have a curved shape.

Age: Burma, Mandalay period, 19th Century
Size: Length 71.5 C.M. / Height 24 C.M.
Size including stand: Height 42 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese wood carving panel with buffalo, the carved have a curved shape.

Age: Burma, Mandalay Period, 19th Century
Size: Length 89.5 C.M. / Height 23.6 C.M.
Size including stand: Height 43.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese wood carving panel with flower (found from the city 200 KM away from Pagan or Bagan).

Age: Burma, Ava Period, 16th Century
Size: Height 103.2 C.M. / Width 28.5 C.M. / Thickness 9.2 C.M. (size excluding stand)
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese wood carving panel with flower (found from the city 200 KM away from Pagan or Bagan).

Age: Burma, Ava Period, 16th Century
Size: Height 104 C.M. / Width 29.5 C.M. / Thickness 7 C.M. (size excluding stand)
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese wood carving panel with flower (found from the city 200 KM away from Pagan or Bagan).

Age: Burma, Ava Period, 16th Century
Size: Height 109 C.M. / Width 29.3 C.M. / Thickness 8.5 C.M. (size excluding stand)
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese wood carving panel with flower (found from the city 200 KM away from Pagan or Bagan).

Age: Burma, Ava Period, 16th Century
Size: Height 110.5 C.M. / Width 29 C.M. / Thickness 10 C.M. (size excluding stand)
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A fine silver kiseru (kizeru) pipe with natural bamboo body, the ends finely engraved with a dragon and tiger in the bamboo grove. The color of the central bamboo section is dark (almost black) with purple tint. The eye (eyes) is inlaid with gold (very small though). Circa 1900. 7 1/4” (18.8cm)

Toshi Yoshida (1911~1995)
Depicting: Snow scene
A woodblock print tipped at the top to a Japanese Christmas card from the early 1950s. Please photo of the inside of the card.
Signed "T. Yoshida"
Condition: Excellent.

From our Chinese Polychrome Collection, a good pair of hand-colored steel engravings circa 1843, drawn by Thomas Allom and engraved by W. Wetherhead and W.H. Capone. The first engraving is titled "Sowing Rice at Soo-Chow-Foo," and the second piece is titled "Temple of Buddha, Canton" both of which hail from the famous four volume 1840's series called "China Illustrated."

Thomas Allom (1804-1872) was a notable architect and topographical illustrator active during the mid-19th century, ...

From our Japanese Collection, a large and very regal pair of imari vases, Meiji Period 1868-1912, beautifully executed in traditional palette of iron red, orange, blue, and gilt on a white porcelain body, with kiln marks to the base.

Size and Condition: 12 1/4 inches tall, 6 1/2 inches wide. Some light rubbing to the gilt in places commensurate with age and handling, but essentially perfect condition.